Lesser products cannot compete with the sheer image quality of the VariCam's 14-stop full 4K sensor. Nor can they offer the versatility of a modular system that allows users to switch between the VariCam 35 front end and the VariCam HS for high speed HD recording and use of versatile B4 ENG lenses. Other clever innovations include the ability to record internally in three different formats - 4K, HD and HD proxy - each with a different LUT; this will be of enormous benefit to cinematographers.
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The Varicam line of broadcast cameras has been used on a wide variety of movies, commercials, and TV programs, and is renowned for its colour reproduction, look, and for bringing progressive workflows to the production industry. Now the Varicam 35 has arrived. Drawing on the traditions and concept of the original Varicam line, it helps its users create emotion with its amazing latitude, wide color gamut, and 4K resolution, and also revolutionises workflow with the addition of dual-codec recording, in-camera colour grading, and a modular design. The Varicam 35 4k camcorder is packed with features. See what you can use to create emotion. In another striking design innovation, the Varicam 35 boasts a removable control panel to facilitate real-time control and easy access when the camera is in a fixed position. The Varicam 35 features a standard 35mm PL mount.
The Varicam 35 4K camcorder incorporates a newly-developed super 35mm MOS image sensor and AVC-ULTRA family of video codecs. The new camera’s superb image handling in multiple formats including 4K, UHD, 2K and HD make it an unparalleled tool for high-end filmmaking, and commercials and episodic production as well as live 4K events.
The Varicam 35 innovative design, includes the 4K camera module unit (AU-V35C1), recording module unit (AU-VREC1), which is also interchangeable with Panasonic’s new 2/3 type camera module unit (AU-V23HS1). Enabling professionals to switch between s35mm and 2/3 type camera heads to best suit their creative needs.
The Varicam 35 4K camcorder utilizes a new Panasonic super 35mm MOS sensor for 4096 x 2160 (17:9) 4K image capture; this imager when combined with the AVC-ULTRA codecs for 4K enables very manageable and practical 4K production file sizes. The new imager boasts an impressive 14+ stops of latitude, and faithfully captures high-contrast, wide dynamic range imagery without compromise. Powerful colour management capabilities provide a much extended colour gamut for impeccable image fidelity, and permit support for an Academy Colour Encoding System (ACES) workflow for full fidelity mastering of original source material.
The Varicam 35 4K broadcast camcorder will deliver an unprecedented breadth of recording formats, including 4K and UHD in AVC-ULTRA 4K, and 2K and FHD in AVC-Intra 100/200*2. Addressing the need for high-speed file exchange, the camera encodes proxy files in parallel with 4K and 2K production formats, enabling fast, efficient offline editing. It also includes Apple ProRes 4444 and ProRes 422 HQ*3 support for HD recording. The ProRes codec component is licensed from ATOMOS Global Pty. Ltd., which has shipped ProRes recorders for years.
Frame Rates and Audio
Among the 4k camera/recorder’s top-level production features are real-time, high frame rate, variable speed 4K recording up to 120fps*1, proving the capability for master level 2K/FHD recording; and advanced workflows with parallel simultaneous 4K/ UHD, reference 2K/HD and proxy recordings for in-camera on-set colour grading and monitoring / editing ease. The 4k broadcast camcorder also features a newly-developed OLED electronic viewfinder (EVF) with optical zoom functionality. Lastly, 24-bit LPCM audio is added for in-camera audio master recording.
Recording Media & Outputs
The Varicam 35 4K broadcast camcorder will use Panasonic’s new expressP2 card for high frame rate and 4K recording. The camera is equipped with a total of four memory card slots, two for expressP2 cards and two for microP2 cards. The new expressP2 card can record up to 130 minutes of 4K/24p content. The microP2 card is designed for recording HD or 2K at more typical production frame rates.
Professional interfaces include: 3G-HD-SDI x4 for 4K QUAD output; 3G-HD-SDI x2 for RAW output; an HD-SDI out for monitoring (down-converting from 4K); and two XLR inputs to record four channels of 24-bit, 48KHz audio. A multi-connector facilitates docking the camera head to the recording module.
expressP2 Card drive for Varicam
Varicam Recording Module
Unified Advanced Accessory Kit for Panasonic VariCam 35
Unified Base Accessory Kit for Panasonic VariCam 35
Unified Pro Accessory Kit for Panasonic VariCam 35
Quick Release Unified Baseplate for Sony FS and Panasonic EVA1, VariCam LT, VariCam 35 Cameras
Unified Baseplate Dovetail for Sony FS5 and Panasonic EVA1 / Varicam LT / 35 Cameras
Universal Viewfinder Mount v2 Sled for the Varicam 35, Varicam LT, Varicam PURE
Tripod with Video Head and Midi Twin Legs System
A Versatile 3-Section Carbon Fibre Tripod with 504HD Pro Tripod Video Head
536 Tripod with 504HD Pro Tripod Video Head
Nitrotech N12 Video Head with CF Tall Single Legs Tripod
Nitrotech N12 Video Head with Twin Leg Tripod Ground Spreader
Nitrotech N12 Video Head with Twin Leg Tripod Middle Spreader
Pro Ground-Twin Kit 100 Tripod with 509HD Video Head
Pro Middle-Twin Kit 100 Tripod with 509HD Video Head
Pro Single CF Kit 100, Fluid Drag and Sliding Camera Plate
Netflix only started in 1997 and this year they plan to spend over $6,000,000,000 on original production. YES that’s $6 Billion! Netflix has a reputation for both quality and innovation and that’s why they stipulate technical requirements for all this new production in great detail. Here are Netflix Production and Post Production Requirements v2.1Holdan distributes many of the cameras on this prestigious list, from both Panasonic and Blackmagic Design.
Panasonic 4K products
Long term Panasonic distributor Holdan has taken delivery of the newly launched 4K VariCam and will support the manufacturer’s launch in the UK.
It’s certainly not too little, too late.More details have emerged at NAB about the new 14 stop VariCam 35 / VariCam HS that are making people sit up and pay close attention. Firstly, it’s a modular system – users can choose the 35mm sensor for 4K images and a cinematic look (uo-to 120fps) or attach the high speed (240fps) 2K front with its wide depth of field. With both, the front and back can be split for jib mounting or use in tight shooting angles. We can see shoots taking both fronts to get so much creative freedom, but having only one system to learn, one codec, one workflow and less kit to carry.
Panasonic's VariCam will soon arrive in two new variants, the VariCam 35, Super-35mm 4K camera and the VariCam HS, high speed 2/3 type camera.
Occurs with Ver. 7.00-00-0.00 (released in February 2017) and later
When the system frequency is 23.98p/29.97p/59.94p, the value of Capture Frame Rate (metadata of a VFR-recorded clip) is rounded down and shown as an integer.
Example 23.98p for SYSTEM & 48fps for VFR
False: 47 True: 47.95
Therefore, the motion speed in VFR was not correctly calculated by application software that refers to the metadata.
[ 35:AU-V35C1, HS:AU-V23HS1 ]
[ 35:AU-V35C1, HS:AU-V23HS1 ]
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