Warranty information available here
The AW-UE4 4K PRO PTZ POV Camera supports 4K 30p/29.97p/25p and HD video output and is equipped with an ultra-wide-angle lens with a 111° field of view, which makes it perfect for small rooms or mounting close to the action.
With the compact size and versatility of the UE4 body design, it is the perfect remote camera for recording/streaming everything from lectures and meetings to esports and live productions. It can even be used as a high-quality USB webcam for video conferencing.
The UE4 supports PoE or USB power, allowing video transmission, camera control and power all through a single cable. (PSU not supplied)
The UE4 boasts high-performance streaming to services like YouTube Live.
Enables 3840 x 2160 4K output and a variety of other formats.
Perfect for small rooms or break out areas, or whole stage/conference/classroom etc.
In addition to PoE power, power via a USB cable is also supported to enable operation without the need for connecting an AC adapter.
H.264 is one of the most ubiquitous acquisition video compression standards on the market. It’s used for everything from capture on a mobile phone to delivery on most web platforms, including social networks such as YouTube and Facebook (live and on-demand). The sheer flexibility of H.264 has resulted in it being one of the most enduring standards to date. It’s still likely to be your primary delivery codec for some time to come.
With the ever-growing popularity of web streaming and content, especially on YouTube and Twitch; the need for a high level production (or one that at least looks like it) is accelerating. Just turning your webcam on won’t cut it anymore. You’re going to be up against a lot of competing content that looks professional. Essentially, you’re looking at a small-scale live production, where every aspect needs to be considered. So, where do you start? The majority of streamers already out there, most likely, will have started out with a webcam, routed through a CDN platform like OBS, which is free software that, as well as streaming, provides basic mixing features that allow them to create live productions. And, by all means, that’s where you should start too. But if your channel starts to grow and you pick up a decently sized viewer base, you may be able to start gaining revenue from your channel through video monetisation or subscriber donations. At this point, it’s definitely time to update your gear. Webcams are fine but, like TV, it’s a competitive market and subpar equipment and production value will leave you in the depths…Only to be overlooked by a bored viewer, aimlessly scrolling through YouTube.
Live from Sussex and Stockport (via. London) Live Production has always had its own set of challenges, including managing a network of cameras and equipment for a show where there’s no option of a second take. Keeping up with the technology is hard enough, but what if all of this has to be done with presenters that are geographically separated, with an MCR operator that can’t get to the control room. Comprehensive hardware options have existed for years. Portable production units (PPU) combine decoders, switchers, and encoders from manufacturers such as Blackmagic Design, Datavideo, Teradek, and many more into a transport ready solution. Software production is a real solution. It’s designed to give you most of the capabilities of a broadcast unit, in a package that’s installable on a laptop, or as a compact turnkey solution.
Panasonic sold hundreds of AW-HE2 camera units. When it was discontinued, the calls kept coming in from customers who needed something of this size and functionality for small radio studios and news studios. At last we have a worthy replacement in the AW-UE4. It is a little bigger than the HE2, but it has tons more features, many of these are particularly useful at the moment. Great in a tight space The UE4 has a very wide-angle lens with a 111-degree field of view. This means sitting on the desk in my small office the camera can see the whole room. There is a 4X digital zoom which you can use to crop in for closer head shots (or to hide the pile of toilet rolls and corned beef in the opposite corner). If you are really hard-up for space because it’s only 500 grams it can be hung upside-down on a ceiling or under a shelf using the supplied bracket.
There’s a way of communicating with video that’s inexpensive but delivers vastly improved quality. With few exceptions, webcams built into laptops, phones and tablets are poor. For a quick one-to-one conversation, they serve a purpose, but for critical meetings and presentations, they are quite unsuitable. Cheap clip-on webcams may be the next logical choice, but these usually cope badly with dark rooms or subjects lit with bright sunlight. They also react very poorly to changing lighting conditions or movement. Enter the pro Webcam with ePTZ.
Stream it live to anywhere from anywhere The simplest way to deliver content live to staff, students, customers and service users is via YouTube Live or Facebook Live. There are lots of ways to produce and stream professional looking video. Our technical team can advise you on the best solution for your needs – give us a call on 01457 851000.
Here's an overview of our vendors exhibiting at ISE 2020. Please call us on +44 (0)1457 851000 if you would like to book a stand tour with one of our manufacturers. BLACKMAGIC DESIGN HALL 3, STAND C140 The Video Assist 12G 5” and 7” monitor recorders are now shipping. The original HD versions were incredibly popular with AV technicians who wanted to verify SDI and HDMI feeds and check waveform levels. For production teams, their 4K HDR capture makes them a superb on-camera SD card recorder. The ATEM Mini is a very small, cost-effective 4 channel HDMI video switcher with streaming output. Great as a portable mixer or a signal switcher, it’s being adopted by everyone from conference producers to AV technicians looking for simple HDMI switching.
Wirecast is the most popular award-winning video production software for Mac and Windows. It's perfect for live streams, webinars, webcasts, sports, church services, and education or training videos. You need nothing more than a computer and a basic web camera to start your 1st production with Wirecast, but if you want to add broadcast quality cameras or increase the power of your system for motion graphics, what are the best accessories you can add?