Product Code: PAN-BT4LH310E
This reference monitor truly shows the beauty of 4K. Plus, used as an HD multi-viewer, it's got the resolution advantage to out-do native 1080 screens.
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The BT-4LH310 is a 31-inch 4096 x 2160 resolution LCD monitor for unrivalled 4K/2K monitoring in a studio or in the field. The 4LH310s 4K 10-bit IPS panel affords native 4K resolution, a wide viewing angle, and faithful reproduction of up to 1.07 billion colours. The high quality LCD monitor features multiple professional inputs (including HD-SDI, 3G-SDI and HDMI); true colour processing with a 3D look-up table (LUT); HD/SD closed captioning; and an eco-friendly panel with mercury-free LED backlight.
The native 4K LCD production monitor of Panasonic serves excellently in the field, in video villages for live viewing of 4K cameras and devices with I/Os as well as for the viewing of rushes. For this, the monitor has been equipped with a production-tough aluminium frame, can operate on 28V DC besides AC, has worldwide 59.94/50Hz compatibility and VESA screws for mounting as well as comes with a supplied stand.
Thanks to the great size-to-price value of the 4K monitor post production facilities can accept more 4K assignments, including editing, screenings and dailies. In addition to 4K, the 4LH310 can portray up to four screens in 2K and HD resolutions, meaning it can be used for all types of cinema production and post production, as well as top-end implementations in corporate, educational and laboratory settings. The 4LH310’s high resolution and quality also allow it to be used in computer graphics and simulation applications.
The 4LH310’s high contrast, horizontally-aligned IPS panel has 178 degree vertical and horizontal viewing angles which delivers superb colour accuracy and sharp images regardless of the view point. The 4LH310’s 3D-LUT with six-pole colour correction includes a look-up table for each signal level. It also applies 10-bit image processing to each RGB colour resolving colour drifting at low light levels and keeping colours vividly natural.
A true cinema production tool, the 4LH310 supports the DCI-P3 colour space and facilitates digital cinema workflow with a LUT upload function. Panasonic’s 4K production monitor can also accurately display the industry standard colour space of ITU-R BT.709. Advanced assist features include a Y-Map display that makes it easy to confirm luminance level map, and a Zebra display.
The 4LH310 will display HD/SD closed captioning with an SDI or video input. Further, the 4K LCD monitor incorporates diverse video inputs and remote terminals to deliver superb operability in a system configuration with almost any 4K imaging equipment and support of various display modes. These include 3G/HD/SD-SDI (with BNC x 4 active loop-through), HDMI 1.4a (x2), Display Port 1.1a (x2), and GPI inputs, as well as RS-232C and RS-485.
We have moved on since the 80s and 90s and left terms such as Betamax and S-Video languishing in museums (http://www.obsoletemedia.org/). Underscan and Overscan still crop up, however, in monitor specs. These terms have their roots in old analogue television, when using CRTs or Cathode Ray Tube monitors and TV sets. Due to the way the electron gun worked inside the old TV tube part of the outside edge of the image was intentionally cropped as it was not the same image quality.
Panasonic announced the BT-4LH310,a 31-inch 4096 x 2160 resolution LCD monitor for unrivalled 4K/2K monitoring in the field, including use in a video village for live viewing of 4K cameras and devices with I/Os as well as for viewing of dailies.