*Microphone Not Included
The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2
Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG).
The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode).
The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) .
In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates.
The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported.
The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100.
H.264 is one of the most ubiquitous acquisition video compression standards on the market. It’s used for everything from capture on a mobile phone to delivery on most web platforms, including social networks such as YouTube and Facebook (live and on-demand). The sheer flexibility of H.264 has resulted in it being one of the most enduring standards to date. It’s still likely to be your primary delivery codec for some time to come.
With the ever-growing popularity of web streaming and content, especially on YouTube and Twitch; the need for a high level production (or one that at least looks like it) is accelerating. Just turning your webcam on won’t cut it anymore. You’re going to be up against a lot of competing content that looks professional. Essentially, you’re looking at a small-scale live production, where every aspect needs to be considered. So, where do you start? The majority of streamers already out there, most likely, will have started out with a webcam, routed through a CDN platform like OBS, which is free software that, as well as streaming, provides basic mixing features that allow them to create live productions. A basic enhancement is to stream direct from a professional camcorder or attach your existing camera to a Teradek VidiU Go or Datavideo streaming encoder.And, by all means, that’s where you should start too. But if your channel starts to grow and you pick up a decently sized viewer base, you may be able to start gaining revenue from your channel through video monetisation or subscriber donations. At this point, it’s definitely time to update your gear. Webcams are fine but, like TV, it’s a competitive market and subpar equipment and production value will leave you in the depths…Only to be overlooked by a bored viewer, aimlessly scrolling through YouTube.
Stream it live to anywhere from anywhere The simplest way to deliver content live to staff, students, customers and service users is via YouTube Live or Facebook Live. There are lots of ways to produce and stream professional looking video. Our technical team can advise you on the best solution for your needs – give us a call on 01457 851000.
Those with some grey hair like me might think eSports refers to a person from Yorkshire’s exercise regime, but I asked my 10-year-old and he says eSports is the fastest growing sector in the AV industry. At ISE this year Panasonic combines its latest broadcast and live entertainment products to create an eSports arena that attendees can actually participate in. Watching other people play computer games is my idea of purgatory, but it appears I’m in a minority, and millions of 10 to 20-year olds with disposable income would rather watch eSports than Sky Sports.
Here's an overview of our vendors exhibiting at ISE 2020. Please call us on +44 (0)1457 851000 if you would like to book a stand tour with one of our manufacturers. BLACKMAGIC DESIGN HALL 3, STAND C140 The Video Assist 12G 5” and 7” monitor recorders are now shipping. The original HD versions were incredibly popular with AV technicians who wanted to verify SDI and HDMI feeds and check waveform levels. For production teams, their 4K HDR capture makes them a superb on-camera SD card recorder. The ATEM Mini is a very small, cost-effective 4 channel HDMI video switcher with streaming output. Great as a portable mixer or a signal switcher, it’s being adopted by everyone from conference producers to AV technicians looking for simple HDMI switching.
How many times have you heard the phrase – the camcorder is dead? Now video cameras are going full frame, how can there possibly be a place in the market for a fixed lens camcorder with a smaller sensor? Well, there is a place for them, and great reasons why quite often they will get you the best pictures in the widest variety of circumstances. When filming a live event or in a variety of locations the zoom lenses available with smaller sensor camcorders offer a range simply not available from a single lens on any other type of camera.
Holdan feature alongside Midwich, Sound Technology and PSCo in the latest edition of AV Magazine. Take some time out to find out what technology is used to provide football fans instant "TV REPLAY" in the terraces. Available to download.
Panasonic has introduced a new handheld camcorder, the first in a series set to combine advanced connectivity functionality with high end image production for broadcast and streaming applications. The AG-CX350 camcorder spearheads the series, and is the first camcorder in the industry to provide NDI | HX connectivity. This ensures smooth video transmission and camera control over IP for live events and web distribution, and means the camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI|HX and the Panasonic Live Production Center (AV-HLC100).
|Recording format||Main recording||Proxy recording|
Ver.4.03 also include the following Ver.4.02 contents
Download the latest Firmware and Software
*Microphone Not Included