Camcorders and Camera Heads

URSA Mini Pro G2

Blackmagic Design
Rackbuilder

URSA Mini Pro G2

Compact digital film camera with high performance 4.6K HDR sensor for shooting up to 300 fps

Product Code: BMD-CINEURSAMUPRO46KG2

Suggested Retail Price £4,845+VAT

Where to buy

Kit List

View your Kit List
  • Compact digital film camera with high performance 4.6K HDR sensor for shooting up to 300 fps
  • Features broadcast controls, ND filters, interchangeable lens mount, dual CFast and UHS-II SD card recorders, USB-C expansion port and more
  • Super 35mm 4.6K sensor with 15 stops of dynamic range
  • Built in optical ND filters
  • Interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts
  • Blackmagic RAW and ProRes recording to dual CFast or dual SD cards
  • An innovative USB-C expansion port for recording directly to external disks
  • Features a massive set of external broadcast style controls, backlit status display, foldout touchscreen monitor and more

Warranty

Warranty information available from Blackmagic Design's website

URSA Mini Pro 4.6K G2, is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera. The second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you much higher frame rate shooting. You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS-II card recorders for capturing images at up to 300 frames per second. There’s even a USB-C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times. URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more.

Digital Film Quality for Every Project

The perfect camera for digital film, broadcast, live production and more.

URSA Mini Pro cameras are “three cameras in one” because they combine high end digital film quality with the features and controls broadcasters need. They’re ideal for any kind of work from high end feature films, television shows and commercials, toindependent films, broadcast news, and even studio and live production. URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide colour gamut and Blackmagic Design Generation 4 colour science give you incredibly accurate skin tones andstunning, lifelike colour so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera. Whether you’re on set, onlocation or shooting run and gun, URSA Mini Pro has theimage quality and features you need to work on any typeof project.

Three Incredible Models

Choose URSA Mini 4K, URSA Mini 4.6K or URSA Mini Pro 4.6K G2

The URSA Mini family are powerful and robust cameras that are available in three different models, so you can choose the camera that best suits your needs. The affordable URSA Mini 4K features a fixed EF mount along with dual CFast card recorders. URSA Mini Pro 4.6K G2 adds built in ND filters, an interchangeable lens mount, dual CFast and UHS-II SD card recorders, and a massive set of broadcast features and external controls. URSA Mini Pro 4.6K G2 is the ultimate high end digital film camera with second generation electronics, a high frame rate image sensor, and a USB-C for recording directly to external drives.

Revolutionary URSA Design

Big camera features that are fast to use in a lightweight, portable design.

URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere. Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It’s a true professional camera with full redundancy on every control, eventhe power switch. Plus, the familiar broadcast switches and controls allow full setting changes without having to take the camera off your shoulder. There’s an external high visibility backlit LCD status display so you can see critical shooting information, and a 4” foldout touch screen for reviewing shots. That means you don’t have tocarry an extra on‑set monitor. You get professional connections such as 12G‑SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by adding an URSA Studio Viewfinder.

Built in ND Filters

High quality neutral density filters with IR compensation.

URSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colourimetry and colour science of the camera, providing you with additional latitude, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters have been designed to filter both optical wave lengths and IR wave lengths evenly to eliminate IR contamination of the images that most ND filters can suffer from. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD.

Familiar Broadcast Control

Quickly change settings without taking the camera off your shoulder.

Like the world’s best broadcast cameras, URSA Mini Pro 4.6K G2 features independent controls for direct access to the most important camera settings. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. This means you’ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder.

Interchangeable Lens Mounts

Compatible with EF, PL, B4 and F mount lenses.

Different projects require different lenses, whichiswhy URSA Mini Pro models feature an interchangeable lensmount. Imagine shooting regular work using a photography lens but then being able to change to aPLmount cinema lens ifyou get a high end film job. URSA Mini Pro makesthat easy because you can quickly switch betweenEF, PL, B4 and F mount lenses, making it compatible with the widest possible range of professional lenses. That means you can work with high quality EF or F mount photographic lenses, large PL cinema lenses, and even B4 broadcast lenses, all with the same camera. URSA Mini Pro comes standard with an EF mount. Additional optional PL, B4 and F lens mounts can be purchased separately. With URSA Mini Pro, yougeta single camera that works with virtually all professional lenses so you can choose precisely the lens you need.

Backlit Status Display

See critical shooting information in bright daylight.

The status display is a high visibility backlit LCD screen that’s designed to be easily seen, even in bright light. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO and IRIS. Italso features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you’re shooting in dimly lit locations, and off when you’re shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.

Cinematic 4.6K Sensor

Capture incredible digital film images with 15 stops of dynamic range.

When it comes to image quality, URSA Mini Pro 4.6K G2 operates at a higher resolution and dynamic range that is well beyond traditional motion picture film. You get a 4.6K image sensor that captures up to 4608 x 2592 pixels, which is bigger than full size DCI 4K. The sensor features a massive 15 stops of dynamic range and support for up to 3200 ISO, making URSA Mini Pro models perfect for high dynamic range (HDR) projects. Built in active refrigeration ensures maximum dynamic range and low noise, so you get incredibly clean pictures with amazing detail in both the dark shadows and bright highlight areas. In addition, URSA Mini Pro 4.6K G2 supports high frame shooting at up to 300 frames per second and even better colour fidelity. You can also choose the lower cost URSA Mini 4K model with 12 stops of dynamic range when you don’t need the performance and are on a tighter budget.

Advanced Colourimetry

Super wide colour gamut and precision colour science.

URSA Mini Pro models feature an incredibly wide colour gamut that captures more of the visible colour spectrum than Rec. 2020, which is vastly larger than the P3 digital cinema colour space. Blackmagic Design Generation 4 colour science is used to process the raw sensor data, enabling amazingly rich skin tones, natural colour response and enormous amounts of dynamic range. Whether you’re shooting a Hollywood blockbuster, an indie film, high end commercial, or a broadcast television show, URSA Mini Pro’s combination of resolution, dynamic range and colour gamut delivers amazingly rich and lifelike images.

High Frame Rate Recording

Capture the action at up to 300 frames per second.

URSA Mini Pro 4.6K G2 is a more powerful second generation camera with entirely new electronics and a new high performance image sensor that lets you shoot crystal clear slow motion footage. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. A dedicated off-speed button on the camera’s body lets you quickly switch between your preset high frame rate and regular frame rate shooting. When it comes to high frame rate shooting, URSA Mini Pro 4.6K G2 is ideal for fast action sports, high speed nature photography and more.

Non Stop Recording

Works with both CFast and SD card media.

URSA Mini Pro models feature both dual CFast 2.0 recorders and dual UHS‑II SD card recorders so you can choose the media that works best for you. CFast cards are ideal for full resolution Blackmagic RAW 12-bit recording, while SD UHS‑II cards are inexpensive and commonly available, making them perfect for recording Blackmagic RAW 5:1, 8:1 or 12:1 files. URSA Mini Pro 4.6K G2 also features a USB‑C connection so you can connect and record directly to portable SSD drives. Simply choose the media type, insert the cards and start shooting. With dual slots for each media type, you never haveto stop recording because when the first card is full, itautomatically continues onto the next card. You can even swap the full card for an empty one, all without having to stop recording.

Blackmagic URSA Mini SSD Recorder

Record onto 2.5 inch SSD media.

The optional Blackmagic URSA Mini SSD Recorder lets you record 12-bit Blackmagic RAW files onto standard 2.5 inch SSD Media with your URSA Mini orURSA Mini Pro cameras. That means you can use commonly available and inexpensive high capacity solid state media. Unlike other types of cards, SSD media is super fast so you can record fullresolution 4K and 4.6K 12-bit Blackmagic RAW files. Plus,SSD media comes in much larger sizes so you can record longer without having to change cards. The unique design of the Blackmagic URSA Mini SSD Recorder allows itto attach directly to the back of your URSA Mini or URSA Mini Pro between the camera and the battery. It uses 6G-SDI as a data link to the camera so you don’t have to worry about starting or stopping the SSD recorder. Everything is setup and controlled directly from the camera.

Expansion Port

High speed USB-C connection for direct external recording.

URSA Mini Pro 4.6K G2 features an innovative high speed USB‑C Expansion Port. USB‑C is quickly becoming standard on all modern computers and devices. The massive bandwidth of USB‑C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12‑bit Blackmagic RAW or high frame rate 300 fps images. Best of all, when you’re done shooting you can use the same drive for editing and post production.

Built in Monitoring

Fold out touch screen for monitoring and camera control.

The built in 4 inch fold out touchscreen on URSA Mini Pro models and the 5 inch fold out touchscreen on URSA Mini 4K and 4.6K are super bright, high resolution colour displays with a wide viewing angle that makes them perfect for monitoring and reviewing shots on set. The screen can also show you a “heads up display” overlay with critical information such as format, frame rate, timecode, ISO and more. You even get a histogram, card recording status indicators and audiometers. The fold out touchscreen lets you use the incredible new URSA Mini operating software so you get super fast access to every camera function, ATEM broadcast switcher integration features for live broadcast, digital slate for metadata management and more.

Advanced URSA Mini Software

Incredibly fast software with revolutionary new user interface.

All URSA Mini cameras feature a new user interfacethat revolutionizes the way you work. The advanced camera operating software lets you use simple tap and swipe gestures to control all features, setup, the digital slate and more. You get powerful and super fast software with aunique heads up display that puts commonly used functions at your fingertips. Simply touch an on screen iconto make changes for things such as audio levels, whitebalance, shutter angle and more. You’ll instantly see sliders and controls formaking adjustments without ever having to navigate through any menus. The new digital slate makes entering metadata faster than ever before witha built in dictionary, predictive entry and on screen keyboard. Using a professional digital film camera has never been faster.

Bluetooth® Camera Control

New API lets you create remote camera control apps.

All URSA Mini Pro cameras feature built in Bluetooth that allows you to send and receive commands from up to 30 feet away. Blackmagic Design has also published a new, open protocol and developer API, along with sample code for an iPad app that can control URSA Mini Pro. Now you can create your own remote camera control solutions, digitalslate applications, remote colour correction software and more. The possibilities are endless and this technology will enable entirely new workflows that were never before possible. Imagine building an app that can jam sync timecode and trigger all cameras to record to their internal media with matching metadata, all at the same time.

Highly Customizable

Flexible enough to be rigged for any production

Blackmagic URSA Mini cameras are completely customizable so you can create a rig that’s built specifically for your production. You can add accessories like the Blackmagic URSA Viewfinder, URSA Studio Viewfinder, URSA Mini Shoulder Kit and URSA Mini Mic Mount, or choose from hundreds of third party accessories. URSA Mini and URSA Mini Pro have 9 standard ¼” threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod aswell as add accessories such as rails, sliders, matteboxes, microphones, ring lights, batteries and more. Whether you’re building a feature film rig or outfitting the camera for an ENG style shoot, URSA Mini has all of the mount points and connections you need.

High Resolution Viewfinder

Full HD display and glass optics makes precise focus easy

The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. You get a high resolution 1920 x 1080 colour OLED display matched with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. TheBlackmagic URSA Viewfinder is adjustable so it can be used on both the left or the right eye. There’s even a built in record light.

Blackmagic URSA Studio Viewfinder

Turn URSA Mini into a true professional studio camera.

The URSA Studio Viewfinder is a true professional viewfinder for URSA Mini Pro and URSA Mini. You get a bright 7” screen with large handles and variable tension pivot points that let you smoothly adjust the viewfinder’s position and angle, even while you’re live on air. The control knobs and buttons give you direct control of settings so you can keep your eye on the action. Combined with the software for URSA Mini, the URSA Studio Viewfinder turns your URSA Mini into the ultimate live production camera. You get support for talkback, tally, and program return, along with remote control of focus, iris,colour balance and more, all from your ATEM Switcher.

Professional Connections

Full size, durable connections that work with standard cables

Blackmagic URSA Mini Pro models feature multiple connections such as 12G‑SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the cameras is a 12 pin Hirose control connector for broadcast lenses. There’s also a 4 pin XLR DC output and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The12G‑SDI output handles all formats up to 2160p60 using a single BNC cable, and also switches to 6G‑SDI or HD‑SDI depending on the shooting format.

Advanced 12G‑SDI

Work with all formats up to 2160p60 over a single cable.

12G‑SDI is an incredible 8 times faster than regular HD-SDI which makes it fast enough for Ultra HD video at up to 60 frames per second, all over a single regular SDI cable. The high quality BNC connections are multi rate so it can automatically switch and work with 6G‑SDI, 3G‑SDI, and regular HD‑SDI equipment. That means URSA Mini Pro and URSA Mini cameras are compatible with all of your existing HD and Ultra HD equipment so you can plug it into things like ATEM live production switchers, on set monitors, decksand more.

Professional Audio

Built in production quality sound recording

URSA Mini Pro models have a high quality microphone and professional audio recorder built right in so you don’t have to carry around extra sound equipment. Use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR wide dynamic range mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shot gun to wireless clip on mics for capturing every detail of the performance. You can quickly adjust levels using the external knobs and monitor audio using the onscreen audio meters.

Digital Slate

Embedded metadata, store location, camera orientation, scene details and more.

The built in touchscreen makes it astonishingly simple to set up and enter metadata for tagging clips. Metadata is saved directly in the video files so you don’t have to worry about managing extra files. You can import the files directly into software like DaVinci Resolve, Final Cut Pro and Avid Media Composer then use the metadata to sort, searchand find the clips you need so you can spend more time on creative editing and less time managing mountains of media.

Flexible Power

Compatible with industry standard batteries and power

URSA Mini Pro and URSA Mini cameras include a 4-pin XLR industry standard power connector that works with 12V to 20V external power supplies. That means it’s easy to use thecamera with all of your existing power supplies and batteries. All URSA cameras use the same battery power connector and mounting points on the rear of the camera soyou can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.

Includes DaVinci Resolve Studio

Professional editing, visual effects, colour correction and audio post.

All URSA cameras include a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, musicvideos, commercials or even the latest YouTube shoot,DaVinci Resolve Studio gives you a completelylossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.

Optional Shoulder Mount Kit

From tripod to shoulder and back in seconds

URSA Mini cameras include multiple ¼ inch mount points on the bottom so you can attach it directly to any tripod. When you need to quickly move from tripod to handheld and back, the best solution is to use the optional Blackmagic URSA Mini Shoulder Kit. Thiskit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. The kit also includes a top handle for carrying the camera and attaching accessories.

Blackmagic RAW

The world’s fastest RAW format with better quality and better features

Blackmagic RAW is a revolutionary new and very modern codec that’s easier to use and much better quality than popular video formats, but with all the benefits of RAW recording. Featuring multiple new technologies, such as a new advanced de-mosaic algorithm, Blackmagic RAW gives you visually lossless images that are ideal for high resolution, high frame rate and high dynamic range workflows. Incredible image quality, extensive metadata support and highly optimized GPU and CPU accelerated processing make Blackmagic RAW the world’s first codec that can be used for acquisition, post production and finishing. Blackmagic RAW is a totally new design, plus it’s cross platform, freely available and includes a developer SDK so anyone can add support for Blackmagic RAW to their own software.

Next Generation RAW Codec

The quality of RAW at the speed of video

Working with traditional RAW formats is difficult because the files are huge, they’re proprietary and extremely processor intensive, which makes them slow and inefficient. While working with traditional video codecs is faster, quality is damaged because of the limitation to 10 bit and the 4:2:2 video filter that’s used which dramatically reduces colour detail. Blackmagic Design engineers have spent years solving these problems and have created a new RAW codec that moves part of the de-mosaic processing from the computer’s CPU into the camera itself, resulting in incredibly efficient encoding for an entirely new high performance RAW experience. With Blackmagic RAW, you get the same quality, bit depth, dynamic range and controls as RAW, with better performance and even smaller file sizes than traditional video codecs.

Perfect for High End Feature Films and Television

Cinematic quality images that you can use for all your work

The incredible quality and speed of Blackmagic RAW makes it ideal for virtually any type of production. The pristine camera native quality of Blackmagic RAW Q0 or 3:1 is perfect for effects heavy feature film and commercial work, where you need the highest possible quality. Blackmagic RAW Q5 and 5:1 are extremely high quality making them great for episodic television and independent films. Blackmagic RAW quality is so high, you can even use 8:1 and 12:1 settings for incredibly small files that are suitable for all kinds of uses such as broadcast news, live sport events, digital signage, A/V, corporate video, weddings and more.

New Advanced De?Mosaic

Partial de-mosaic in the camera hardware allows maximum speed playback

The new advanced de-mosaic algorithm is a central component of Blackmagic RAW. Part of the RAW processing is moved out of software and into the camera, where it can be accelerated. Noise management, sensor profiling and new edge reconstruction algorithms are used to produce high quality cinematic images with incredible depth, crisp details and beautiful image separation. The partially de?mosaiced images, along with the unique characteristics of the image sensor, are encoded and saved into the Blackmagic RAW file so you get total control over features such as ISO, white balance, exposure, contrast, saturation and more. The partial in camera accelerated de?mosaic allows for extremely efficient compression. This results in significantly reduced processing on your computer, making it faster to decode and use the files while retaining the sensor data needed for full RAW control.

Generation 4 Colour Science

Accurate skin tones and faithful colour reproduction

Blackmagic RAW uses Blackmagic Design Generation 4 Colour Science for reproducing extremely accurate skin tones and gorgeous, lifelike colours that rival those of cameras costing tens of thousands of dollars more! Images are encoded using a custom non?linear 12?bit space designed to provide the maximum amount of colour data and dynamic range. Unlike traditional RAW workflows that rely on LUTs which alter the pixel data in a harsh way, Blackmagic RAW is non destructive. It harnesses the power of metadata to ensure that the creative vision of the cinematographer is carried through to post production. Most importantly, the free SDK lets third party software applications use the embedded sensor profile metadata if required, as well as Blackmagic Design colour science for predictable and accurate image rendering that yields consistent colour throughout the entire pipeline.

2 Separate Encoding Methods

Constant bitrate or constant quality encoding gives you total control

Blackmagic RAW features both constant quality and constant bitrate encoding options, giving you the flexibility to prioritize image quality or file size so you can better tailor your production costs.

Constant Bitrate

High quality images and predictable file sizes

The constant bitrate encoding option is very similar to most codecs that are set to never exceed a specific data rate. The four constant bitrate variations are Blackmagic RAW 3:1, 5:1, 8:1 and 12:1. These ratios are based on the unprocessed file size of a single frame from the camera’s sensor, making it easy to understand the relative amount of compression being used. The constant bitrate variations are designed to give you the best possible images with predictable and consistent file sizes.

Constant Quality

Variable bitrate encoding for guaranteed quality

The new constant quality options preserve image quality by completely removing the upper data limit. That means complex frames will be encoded at higher data rates to preserve detail and maintain quality. Only constant quality ensures quality levels never suffer. Blackmagic RAW Q0 has minimum quantization and yields the highest possible quality, while Blackmagic RAW Q5 uses moderate quantization for more efficient encoding and a smaller file size.

Extremely Fast RAW Performance

The world’s fastest RAW codec for better render speed on complex projects

Unlike traditional RAW formats, which are slow and processor intensive, Blackmagic RAW is designed to accelerate your post production workflow. It’s highly optimized for AVX, AVX2 and SSE4.1 enabled processors, it’s multi?threaded and it works across multiple CPU cores. In addition, Blackmagic RAW is also GPU accelerated and works with Apple Metal, CUDA and OpenCL. Frame decoding and image processing is extremely fast, making Blackmagic RAW super smooth for editing, colour correction and visual effects in DaVinci Resolve. Best of all, clips are stored as single files, not image sequences. That makes media management easier and file transfers faster than other RAW formats. Blackmagic RAW performance scales as processors and GPUs get faster, making it the only codec that’s ready for tomorrow’s higher resolution and higher frame rate formats.

Next Generation Metadata

Supports embedded metadata or user customizable sidecar metadata files

Blackmagic RAW and the .braw SDK feature highly descriptive and flexible metadata options that are designed to support today’s modern workflows. The SDK takes care of all the work for developers, so supporting Blackmagic RAW is easy and fast. Using the Blackmagic RAW SDK means you get flawless handling of all camera metadata such as lens information, iris, ISO, colour space, slate information and much, much more. Metadata is embedded directly into the .braw file. In addition, .sidecar files that contain fully editable and human readable JSON formatted metadata can also be used. The metadata in .sidecar files is ancillary, which means that it can override the file’s embedded metadata without overwriting it. Blackmagic RAW also supports frame based metadata so you can access values, such as focus distance, that often change on a frame by frame basis.

Blackmagic RAW Player

Review Blackmagic RAW clips with consistent colour between software

Traditional RAW formats often display content inconsistently when viewed through different media players. Because the SDK manages all colour, colour transformations and also contains information about the characteristics of the camera’s sensor, the Blackmagic RAW Player can reliably display all of the dynamic range and deep colour of .braw clips. In fact, any software that utilizes the Blackmagic RAW SDK can ensure accurate and reliable interpretation of colour and tonal values rendered to the viewer. Most importantly, playback will be silky smooth, even on slower systems that typically struggle with other high bitrate RAW formats.

Available Now in DaVinci Resolve 15.1

DaVinci Resolve 15.1 includes support for Blackmagic RAW, so you can start shooting and finishing your work immediately! DaVinci Resolve is used on more feature films and television commercials than any other solution and is the standard in high end post production. This means you can work with the world’s largest facilities to finish your work, or simply download DaVinci Resolve 15.1 now and edit, colour correct, perform visual effects and audio post production yourself! DaVinci Resolve 15.1 includes full support for Blackmagic RAW, giving you a non-destructive workflow. Picture adjustments and settings that you make in the camera will come into DaVinci Resolve via metadata and are completely editable. You can even make changes to the RAW settings in DaVinci Resolve, open the files in other applications that support Blackmagic RAW and automatically see the settings, so you have a consistent look and controls between software apps and different platforms.

Open Standard and Free to Download

Cross platform and license free

Blackmagic RAW is the world’s only truly modern, high performance, professional RAW codec that is open, cross platform and free. The codec is supported via the free SDK on Mac OS, Windows and Linux systems. Best of all, there are no hidden licenses or ongoing fees. Blackmagic RAW has been designed to provide the industry with an open, elegant and standardized high quality image format that can be used across products and in customer workflows absolutely free.

Free Software Development Kit

Fully documented SDK is publicly available

The .braw SDK is fully documented and publicly available for all developers on Mac OS, Windows and Linux. Using the SDK gives you access to GPU accelerated and CPU optimized algorithms for decoding Blackmagic RAW files. In addition to the encoded image data, the SDK also provides access to unique information about the camera’s imaging sensor so you know how to accurately decode and present the image based on the characteristics of the sensor. The SDK supports 32?bit float, 16?bit integer and 8?bit integer pixel formats, manages the decoding of colour science, allows for user customizable colour space transformation, and provides access to all embedded and sidecar metadata. You even get advanced features such as I/O clip trimming, preview scaling for fast playback and much more. Best of all, Blackmagic RAW and the .braw SDK are available free and even included on Blackmagic Design’s camera software installers.

Blackmagic Design URSA Studio Viewfinder
URSA Studio Viewfinder

Professional 7" Studio Viewfinder for URSA Mini
[BMD-CINECAMURSANSVF]

Blackmagic Design URSA Viewfinder
URSA Viewfinder

High Resolution Viewfinder for URSA range
[BMD-CINECAMURSANEVFP]

Blackmagic Design URSA Mini SSD Recorder
URSA Mini SSD Recorder

High capacity SSD recorder
[BMD-CINEURSASHMSSD]

Blackmagic Design URSA Shoulder Kit
URSA Shoulder Kit

Shoulder mount and rosette assembly for hand held shooting with Blackmagic URSA
[BMD-CINECAMURSASHMK]

Blackmagic Design URSA Mini Pro B4 Mount
URSA Mini Pro B4 Mount

B4 Mount for URSA Mini Pro
[BMD-CINEURSAMUPROTB4HD]

Blackmagic Design URSA Mini Pro F Mount
URSA Mini Pro F Mount

F Mount for URSA Mini Pro
[BMD-CINEURSAMUPROTF]

Blackmagic Design URSA Mini Pro PL Mount
URSA Mini Pro PL Mount

PL Mount for URSA Mini Pro
[BMD-CINEURSAMUPROTPL]

Blackmagic Design URSA Mini Pro EF Mount
URSA Mini Pro EF Mount

EF Mount for URSA Mini Pro
[BMD-CINEURSAMUPROTEF]

Blackmagic Design URSA Mini Mic Mount
URSA Mini Mic Mount

Shock and vibration isolated professional microphone mount
[BMD-CINEURSASHSMC]

Blackmagic Design URSA VLock Battery Plate
URSA VLock Battery Plate

VLock compatible battery plate for attaching third party batteries to URSA cameras
[BMD-CINEURVLBATTAD]

Blackmagic Design URSA Gold Battery Plate
URSA Gold Battery Plate

Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras
[BMD-CINEURVBATTGOLD]

Blackmagic Design URSA Mini Pro Shim Kit
URSA Mini Pro Shim Kit

Set of 9 shims and baffle tool for making precise changes to the the flange focal distance for URSA Mini Pro's EF, PL or B4 mount.
[BMD-CINEURSAMUPROSHM]

Bags and Cases

Manfrotto 195N Pro Light Camcorder Case
Manfrotto 195N Pro Light Camcorder Case

Pro Light Camcorder Case 195N for PXW-FS7, ENG cameras and DSLRs

Manfrotto 197 Pro Light Camcorder Case
Manfrotto 197 Pro Light Camcorder Case

Pro Light Camcorder Case 197 for PDW-750,PXW-X500, PMW-350K

Batteries and Power Supplies

Core SWX Hypercore 150 3-Stud Mt
Core SWX Hypercore 150 3-Stud Mt

150wh, 14.8v 10.6Ah 3-Stud/Gold Mount Hi-Draw Li-ion Battery Brick with Backlit LCD and Fuel Gauge

Core SWX Hypercore 150 V-Mt
Core SWX Hypercore 150 V-Mt

150wh, 14.8v 10.6Ah V-Mount Hi-Draw Li-ion Battery Brick with Backlit LCD and Fuel Gauge

Core SWX Hypercore PRIME 3-Stud Mt
Core SWX Hypercore PRIME 3-Stud Mt

2-Part Travel Safe 190wh, 14.8v 13.2Ah 3-Stud Hi-Draw Li-ion Battery Brick with Backlit LCD and Fuel Gauge

Core SWX Hypercore PRIME V-Mt
Core SWX Hypercore PRIME V-Mt

2-Part Travel Safe 190wh, 14.8v 13.2Ah V-Mount Hi-Draw Li-ion Battery Brick with Backlit LCD and Fuel Gauge

Core SWX V-Mt Plate for BMD URSA Mini / URSA
Core SWX V-Mt Plate for BMD URSA Mini / URSA

V-Mount Plate with 2 Powertaps and 12way Molex Connector for BMD Ursa/Mini

Camcorders and Camera Heads

Blackmagic Design URSA Gold Battery Plate
Blackmagic Design URSA Gold Battery Plate

Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras

Blackmagic Design URSA Mini Mic Mount
Blackmagic Design URSA Mini Mic Mount

Shock and vibration isolated professional microphone mount

Blackmagic Design URSA Mini Shoulder Kit
Blackmagic Design URSA Mini Shoulder Kit

Shoulder Mount Kit for URSA Mini

Blackmagic Design URSA VLock Battery Plate
Blackmagic Design URSA VLock Battery Plate

VLock compatible battery plate for attaching third party batteries to URSA cameras

Camera Jackets

Manfrotto CRC-15 Pro Light camera element cover
Manfrotto CRC-15 Pro Light camera element cover

Pro Light camera element cover CRC-15 for DVX200,PXW-FS5,FS7

Camera Support and Grip

Wooden Camera Blackmagic URSA Mini Unified Accessory Kit (Advanced)
Wooden Camera Blackmagic URSA Mini Unified Accessory Kit (Advanced)

Unified Advanced Accessory Kit for Blackmagic URSA Mini

Wooden Camera Blackmagic URSA Mini Unified Accessory Kit (Base)
Wooden Camera Blackmagic URSA Mini Unified Accessory Kit (Base)

Unified Base Accessory Kit for Blackmagic URSA Mini

Wooden Camera Blackmagic URSA Mini Unified Accessory Kit (Pro)
Wooden Camera Blackmagic URSA Mini Unified Accessory Kit (Pro)

Unified Pro Accessory Kit for Blackmagic URSA Mini

Lenses, Filters and Adapters

Blackmagic Design URSA Mini Pro Shim Kit
Blackmagic Design URSA Mini Pro Shim Kit

Set of 9 shims and baffle tool for making precise changes to the the flange focal distance for URSA Mini Pro's EF, PL or B4 mount.

Media Reader-Writers

Wise Advanced WA-CR05
Wise Advanced WA-CR05

CFast Card Reader

Wise Advanced WA-CRD05
Wise Advanced WA-CRD05

Dual CFast Card Reader

Memory Cards

Wise Advanced CFA-0128
Wise Advanced CFA-0128

128GB CFast 2.0 Memory Card - 3300X

Wise Advanced CFA-0256
Wise Advanced CFA-0256

256GB CFast 2.0 Memory Card - 3300X

Wise Advanced CFA-1280
Wise Advanced CFA-1280

128GB CFast 2.0 Memory Card - 3400X

Wise Advanced CFA-2560
Wise Advanced CFA-2560

256GB CFast 2.0 Memory Card - 3400X

Wise Advanced CFA-5120
Wise Advanced CFA-5120

512GB CFast 2.0 Memory Card - 3500X

Wise Advanced SD2-128U3
Wise Advanced SD2-128U3

128GB SDXC UHS-II Memory Card

Wise Advanced SD2-64U3
Wise Advanced SD2-64U3

64GB SDXC UHS-II Memory Card

Optical Converters and Distributors

Blackmagic Design Camera Fiber Converter
Blackmagic Design Camera Fiber Converter

Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable

Storage

Wise Advanced PTS-1024
Wise Advanced PTS-1024

Portable SSD - 1TB with USB 3.1 Type-C

Wise Advanced PTS-256
Wise Advanced PTS-256

Portable SSD - 256GB with USB 3.1 Type-C

Wise Advanced PTS-512
Wise Advanced PTS-512

Portable SSD - 512GB with USB 3.1 Type-C

Tripod Kits

Manfrotto 504 Aluminum Single Leg Video System
Manfrotto 504 Aluminum Single Leg Video System

504 Aluminum Single Leg Video System

Manfrotto Midi 546B Twin Leg Tripod | 504HD Video Head
Manfrotto Midi 546B Twin Leg Tripod | 504HD Video Head

Tripod with Video Head and Midi Twin Legs System

Manfrotto Midi CF System 535 Tripod | 504HD Video Head
Manfrotto Midi CF System 535 Tripod | 504HD Video Head

A Versatile 3-Section Carbon Fibre Tripod with 504HD Pro Tripod Video Head

Manfrotto Midi CF Tall System 536 Tripod |  504HD Video Head
Manfrotto Midi CF Tall System 536 Tripod | 504HD Video Head

536 Tripod with 504HD Pro Tripod Video Head

Manfrotto Midi Twin System Tripod | 504HD Video Head
Manfrotto Midi Twin System Tripod | 504HD Video Head

Midi Twin System (GS) Tripod with Video Head

Manfrotto Nitrotech N12 | CF Tall Single Legs Tripod
Manfrotto Nitrotech N12 | CF Tall Single Legs Tripod

Nitrotech N12 Video Head with CF Tall Single Legs Tripod

Manfrotto Nitrotech N12 | Twin Leg Tripod - Ground
Manfrotto Nitrotech N12 | Twin Leg Tripod - Ground

Nitrotech N12 Video Head with Twin Leg Tripod Ground Spreader

Manfrotto Nitrotech N12 | Twin Leg Tripod - Middle
Manfrotto Nitrotech N12 | Twin Leg Tripod - Middle

Nitrotech N12 Video Head with Twin Leg Tripod Middle Spreader

Manfrotto Pro Ground-Twin Kit 100 Tripod | 509HD Video Head
Manfrotto Pro Ground-Twin Kit 100 Tripod | 509HD Video Head

Pro Ground-Twin Kit 100 Tripod with 509HD Video Head

Manfrotto Pro Middle-Twin Kit 100 Tripod | 509HD Video Head
Manfrotto Pro Middle-Twin Kit 100 Tripod | 509HD Video Head

Pro Middle-Twin Kit 100 Tripod with 509HD Video Head

Manfrotto Pro Single CF Kit 100 | Sliding Camera Plate
Manfrotto Pro Single CF Kit 100 | Sliding Camera Plate

Pro Single CF Kit 100, Fluid Drag and Sliding Camera Plate

Video Recorders and Players

Viewfinders

Blackmagic Design URSA Studio Viewfinder
Blackmagic Design URSA Studio Viewfinder

Professional 7" Studio Viewfinder for URSA Mini

Blackmagic Design URSA Viewfinder
Blackmagic Design URSA Viewfinder

High Resolution Viewfinder for URSA range

What CFast cards should I use with Blackmagic URSA Mini, URSA Mini Pro and URSA Broadcast cameras?

The following CFast 2.0 cards are recommended for recording 4.6K Blackmagic RAW 3:1 up to 60 fps.
CinediskPro 510MB/s CFast 2.0 256GB
KomputerBay 3600x CFast 2.0 Card 64GB
KomputerBay 3700x CFast 2.0 Card 256GB
ProGrade Digital 550MB/s CFast 2.0 64GB
ProGrade Digital 550MB/s CFast 2.0 128GB
ProGrade Digital 550MB/s CFast 2.0 256GB
SanDisk Extreme Pro CFast 2.0 SDCFSP-128G-x46D 128GB
SanDisk Extreme Pro CFast 2.0 SDCFSP-256G-x46D 256GB
SanDisk Extreme Pro CFast 2.0 SDCFSP-512G-x46D 512GB
Sony CFast 2.0 G Series CAT-G64 64GB
Sony CFast 2.0 G Series CAT-G128 128GB
Transcend CFX650 CFast 2.0 TS128GCFX650 128GB
Transcend CFX650 CFast 2.0 TS256GCFX650 256GB
Transcend CFX650 CFast 2.0 TS128GCFX650BM 128GB
Transcend CFX650 CFast 2.0 TS256GCFX650BM 256GB
Wise CFast 2.0 3400x 256GB
Wise CFast 2.0 3500x 512GB
The following CFast 2.0 cards are recommended for recording 4.6K Blackmagic RAW 3:1 up to 60 fps but have been discontinued by the manufacturers.
KomputerBay 3400x CFast 2.0 Card 64GB
KomputerBay 3400x CFast 2.0 Card 128GB
Lexar Professional 3500x CFast 2.0 64GB
Lexar Professional 3500x CFast 2.0 128GB
Lexar Professional 3500x CFast 2.0 256GB
The following CFast 2.0 cards are recommended for recording 2160p ProRes 422 HQ up to 60 fps.
Angelbird AVpro CF XT 256GB
Angelbird AVpro CF XT 512GB
CinediskPro 510MB/s CFast 2.0 256GB
KomputerBay 3400x CFast 2.0 Card 64GB
KomputerBay 3400x CFast 2.0 Card 128GB
KomputerBay 3600x CFast 2.0 Card 64GB
ProGrade Digital 550MB/s CFast 2.0 128GB
ProGrade Digital 550MB/s CFast 2.0 256GB
ProGrade Digital 550MB/s CFast 2.0 512GB
SanDisk Extreme Pro CFast 2.0 SDCFSP-128G-x46D 128GB
SanDisk Extreme Pro CFast 2.0 SDCFSP-256G-x46D 256GB
SanDisk Extreme Pro CFast 2.0 SDCFSP-512G-x46D 512GB
Silicon Power CFX310 256GB
Sony CFast 2.0 G Series CAT-G64 64GB
Sony CFast 2.0 G Series CAT-G128 128GB
Transcend CFX650 CFast 2.0 TS128GCFX650 128GB
Transcend CFX650 CFast 2.0 TS256GCFX650 256GB
Transcend CFX650 CFast 2.0 TS128GCFX650BM 128GB
Transcend CFX650 CFast 2.0 TS256GCFX650BM 256GB
Wise CFast 2.0 3400x 128GB
Wise CFast 2.0 3400x 256GB
Wise CFast 2.0 3500x 512GB
The following CFast 2.0 cards are recommended for recording 2160p ProRes 422 HQ up to 60 fps but have been discontinued by the manufacturers.
Angelbird AVpro CF 160GB
Angelbird AVpro CF 240GB
Lexar Professional 3400x CFast 2.0 32GB
Lexar Professional 3500x CFast 2.0 64GB
Lexar Professional 3400x CFast 2.0 64GB
Lexar Professional 3400x CFast 2.0 128GB
Lexar Professional 3400x CFast 2.0 256GB
Lexar Professional 3500x CFast 2.0 128GB
Lexar Professional 3500x CFast 2.0 256GB
Lexar Professional 3600x CFast 2.0 128GB
Lexar Professional 3600x CFast 2.0 256GB
The following CFast 2.0 cards are recommended for recording 2160p Lossless RAW up to 30 fps.
Angelbird AVpro CF XT 256GB
Angelbird AVpro CF XT 512GB
CinediskPro 510MB/s CFast 2.0 256GB
KomputerBay 3400x CFast 2.0 Card 64GB
KomputerBay 3400x CFast 2.0 Card 128GB
KomputerBay 3600x CFast 2.0 Card 64GB
ProGrade Digital 550MB/s CFast 2.0 128GB
ProGrade Digital 550MB/s CFast 2.0 256GB
ProGrade Digital 550MB/s CFast 2.0 512GB
SanDisk Extreme Pro CFast 2.0 SDCFSP-128G-x46D 128GB
SanDisk Extreme Pro CFast 2.0 SDCFSP-256G-x46D 256GB
SanDisk Extreme Pro CFast 2.0 SDCFSP-512G-x46D 512GB
Transcend CFX650 CFast 2.0 TS128GCFX650 128GB
Transcend CFX650 CFast 2.0 TS256GCFX650 256GB
Transcend CFX650 CFast 2.0 TS128GCFX650BM 128GB
Transcend CFX650 CFast 2.0 TS256GCFX650BM 256GB
Wise CFast 2.0 3400x 128GB
Wise CFast 2.0 3400x 256GB
Wise CFast 2.0 3500x 512GB
The following CFast 2.0 cards are recommended for recording 2160p Lossless RAW up to 30 fps but have been discontinued by the manufacturers.
Angelbird AVpro CF 160GB
Angelbird AVpro CF 240GB
Lexar Professional 3400x CFast 2.0 128GB
Lexar Professional 3400x CFast 2.0 256GB
Lexar Professional 3500x CFast 2.0 128GB
Lexar Professional 3500x CFast 2.0 256GB
Lexar Professional 3600x CFast 2.0 128GB
Lexar Professional 3600x CFast 2.0 256GB

What SD cards should I use with Blackmagic URSA Mini Pro and URSA Broadcast cameras?

The following SD cards are recommended for recording 4K DCI Blackmagic RAW 12:1 up to 30 fps.
Angelbird AV Pro 300MB/s UHS-II SDXC 64GB
Angelbird AV Pro 300MB/s UHS-II SDXC 128GB
Lexar Professional 2000x UHS-II 300MB/s SDXC 64GB
Lexar Professional 1000x UHS-II 150MB/s SDXC 64GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 64GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 128GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 256GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 512GB
SanDisk Extreme Pro UHS-II 280MB/s SDXC 64GB
SanDisk Extreme Pro UHS-II 300MB/s SDHC 32GB
SanDisk Extreme Pro UHS-II 300MB/s SDXC 128GB
Sony SF-G64 300MB/s UHS-II SDXC 64GB
Sony SF-G128 300MB/s UHS-II SDXC 128GB
Toshiba Exceria Pro UHS-II 270MB/s SDXC 64GB
Toshiba Exceria Pro UHS-II 270MB/s SDXC 128GB
Toshiba Exceria Pro UHS-II N502 SDHC 32GB
Toshiba Exceria Pro UHS-II N502 SDXC 64GB
Toshiba Exceria Pro UHS-II N502 SDXC 128GB
Toshiba Exceria Pro UHS-II N502 SDXC 256GB
Transcend Ultimate UHS-II 180MB/s SDXC 64GB
Wise 285MB/s UHS-II SDXC 64GB
Wise 285MB/s UHS-II SDXC 128GB
The following SD cards are recommended for recording 2160p ProRes HQ up to 30 fps.
Angelbird AV Pro 300MB/s UHS-II SDXC 64GB
Angelbird AV Pro 300MB/s UHS-II SDXC 128GB
Delkin Devices UHS-II 250MB/s SDHC 32GB
ProGrade Digital V90 UHS-II 250MB/s SDXC 128GB
SanDisk Extreme Pro UHS-II 280MB/s SDHC 32GB
SanDisk Extreme Pro UHS-II 280MB/s SDXC 64GB
SanDisk Extreme Pro UHS-II 300MB/s SDHC 32GB
SanDisk Extreme Pro UHS-II 300MB/s SDXC 128GB
Sony SF-G64 300MB/s UHS-II SDXC 64GB
Sony SF-G128 300MB/s UHS-II SDXC 128GB
Toshiba Exceria Pro UHS-II 270MB/s SDXC 64GB
Toshiba Exceria Pro UHS-II N502 SDHC 32GB
Toshiba Exceria Pro UHS-II N502 SDXC 64GB
Toshiba Exceria Pro UHS-II N502 SDXC 128GB
Toshiba Exceria Pro UHS-II N502 SDXC 256GB
Transcend Ultimate UHS-II 180MB/s SDXC 64GB
Wise 285MB/s UHS-II SDXC 64GB
Wise 285MB/s UHS-II SDXC 128GB
The following SD cards are recommended for recording 1080p ProRes HQ up to 60 fps.
Angelbird AV Pro 300MB/s UHS-II SDXC 64GB
Angelbird AV Pro 300MB/s UHS-II SDXC 128GB
Delkin Devices UHS-II 250MB/s SDHC 32GB
Lexar Professional 2000x UHS-II 300MB/s SDHC 32GB
Lexar Professional 2000x UHS-II 300MB/s SDXHC 64GB
Lexar Professional 1000x UHS-II 150MB/s SDXC 64GB
ProGrade Digital V60 UHS-II 200MB/s SDXC 64GB
ProGrade Digital V60 UHS-II 200MB/s SDXC 128GB
ProGrade Digital V90 UHS-II 250MB/s SDXC 128GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 64GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 128GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 256GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 512GB
SanDisk Extreme Pro UHS-II 280MB/s SDHC 32GB
SanDisk Extreme Pro UHS-II 280MB/s SDXC 64GB
SanDisk Extreme Pro UHS-II 300MB/s SDXC 64GB
SanDisk Extreme Pro UHS-II 300MB/s SDXC 128GB
Sony SF-G64 300MB/s UHS-II SDXC 64GB
Sony SF-G128 300MB/s UHS-II SDXC 128GB
Toshiba Exceria Pro UHS-II 270MB/s SDXC 64GB
Toshiba Exceria Pro UHS-II 270MB/s SDXC 128GB
Toshiba Exceria Pro UHS-II 270MB/s SDXC 256GB
Toshiba Exceria Pro UHS-II N502 SDHC 32GB
Toshiba Exceria Pro UHS-II N502 SDXC 64GB
Toshiba Exceria Pro UHS-II N502 SDXC 128GB
Toshiba Exceria Pro UHS-II N502 SDXC 256GB
Transcend Ultimate UHS-II 180MB/s SDXC 64GB
Wise 285MB/s UHS-II SDXC 64GB
Wise 285MB/s UHS-II SDXC 128GB
The following SD cards are recommended for recording 1080p Lossless RAW up to 30 fps.
Angelbird AV Pro 300MB/s UHS-II SDXC 64GB
Angelbird AV Pro 300MB/s UHS-II SDXC 128GB
Delkin Devices UHS-II 250MB/s SDHC 32GB
Lexar Professional 2000x UHS-II 300MB/s SDHC 32GB
Lexar Professional 2000x UHS-II 300MB/s SDXC 64GB
ProGrade Digital V60 UHS-II 200MB/s SDXC 128GB
ProGrade Digital V90 UHS-II 250MB/s SDXC 128GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 64GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 128GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 256GB
SanDisk Extreme Pro UHS-I 95MB/s SDXC 512GB
SanDisk Extreme Pro UHS-II 280MB/s SDXC 64GB
Sony SF-G64 300MB/s UHS-II SDXC 64GB
Sony SF-G128 300MB/s UHS-II SDXC 128GB
Toshiba Exceria Pro UHS-II 270MB/s SDXC 64GB
Toshiba Exceria Pro UHS-II 270MB/s SDXC 128GB
Toshiba Exceria Pro UHS-II 270MB/s SDXC 256GB
Toshiba Exceria Pro UHS-II N502 SDHC 32GB
Toshiba Exceria Pro UHS-II N502 SDXC 64GB
Toshiba Exceria Pro UHS-II N502 SDXC 128GB
Toshiba Exceria Pro UHS-II N502 SDXC 256GB
Transcend Ultimate UHS-II 180MB/s SDXC 64GB
Wise 285MB/s UHS-II SDXC 64GB
Wise 285MB/s UHS-II SDXC 128GB
Major announcements from Blackmagic Design

Not just some new products and technical updates from Blackmagic Design. No, these are major new products and massive technical updates.

What's new in Blackmagic Camera Setup 6.2

What's new for Pocket Cinema Camera 4K

  • Added Blackmagic RAW codec support.
  • Added Constant Bitrate 3:1, 5:1, 8:1, 12:1 recording for Blackmagic RAW.
  • Added Constant Quality Q0 and Q5 recording for Blackmagic RAW.
  • Added support for double tap on touchscreen zoom.
  • Changed tap to focus behavior to tap and hold to focus.
  • Removed CinemaDNG formats.

What's new for URSA Mini Pro 4.6K

  • Removed CinemaDNG formats.
No new features in 6.2 for other camera models.

What's new in Blackmagic Camera Setup 6.1

What's new for Pocket Cinema Camera 4K
  • Added support for pixel remapping in camera.
  • Added 2:1 monitoring frame guide.
  • Improved media formatting user interface.
  • Improved audio monitoring latency performance.
  • Improved auto focus performance.
  • Improved signal to noise ratio performance of camera internal microphone.
  • Improved power efficiency for improved battery life.
  • Improved 3.5mm audio input selection interface.
  • Improved AV sync performance.
  • Fixed an issue where time and date is not updated on camera when connected to the Blackmagic Camera Setup utility.
  • Fixed an issue where the 3.5mm audio input level is 6dB lower than expected.
  • Fixed an auto focusing issue with Lumix 20mm f/1.7 lens.
  • Fixed an issue where some USB-C external SSDs were not detected when connected before camera is powered up.
  • Fixed an issue where some batteries might shut off earlier than expected.
  • Fixed an issue where low battery indicator is not displayed appropriately.
  • Fixed an issue with camera not being detected by host computer when connected to certain USB ports.
  • Updated dynamic range and ISO chart in user manual.
No new features in 6.1 for other camera models.

What's new in Blackmagic Camera Setup 6.0

Improvements for URSA Mini Pro

  • Improved ISO range on URSA Mini Pro.
  • Improved in camera playback.
  • Improved status display info for off-speed.
  • Improved responsiveness of color corrector.
  • Improved timecode support.
  • Improved metadata support.
  • Improved shutter metadata.
  • Add HDR metadata support in SDI stream.
  • Add 2:1 monitoring frame guides.
  • Add ability to lock timecode from SDI Input.
  • Add frame guide options in SDI Camera Control Protocol.
  • Fixed LCD clean feed record indicator bug.
  • Fixed stills bug.
  • Updated URSA Mini and SDK manual.

New features for URSA Viewfinder

  • Add Generation 4 Color Science.
  • Add 4.6K Film to Extended Video LUT.
  • Add support for 2:1 frame guides.
  • Improved anamorphic frame guides.
  • Improved false color.
  • Fixed Extended Video 6.0 Beta LUT bug.
  • General performance improvements.

New features for URSA Studio Viewfinder

  • Add Generation 4 Color Science.
  • Add 4.6K Film to Extended Video LUT.
  • Add support for 2:1 frame guides.
  • Improved anamorphic frame guides.
  • General performance improvements.

No new features in 6.0 for other camera models.

Download the latest Firmware and Software

  • Blackmagic URSA Mini Pro 4.6K G2 body
  • Turret dust cap
  • EF lens mount
  • Power supply
  • SD card with software and manual
  • DaVinci Resolve Studio with activation key

Cookies

We use cookies to help us offer you the best online experience. By continuing to use our website/or clicking Accept, you consent to the use of cookies in accordance with our privacy policy.