Editing, Grading and Compositing

DaVinci Resolve Studio - Dongle

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DaVinci Resolve Studio - Dongle

Revolutionary new tools for editing, colour correction and professional audio post production for SD, HD and Ultra HD, all in a single application - Dongle

Product Code: BMD-DV/RESSTUDDONGLE

Suggested Retail Price £229+VAT

Where to buy

Stock status: In Stock; available from resellers

Kit List

View your Kit List
  • Revolutionary new tools for editing, color correction and professional audio post production for SD, HD and Ultra HD, all in a single application
  • A whole new audio post production suite with Fairlight audio built into DaVinci Resolve
  • Mlti user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time
  • High performance playback engine that’s up to 10 times faster than before
  • Add a DaVinci Resolve Micro Panel, DaVinci Resolve Mini Panel or a DaVinci Resolve Advanced Control panel for the ultimate high speed workflow

DaVinci Resolve 14 Studio

  • Adds the new collaborative multi user tools
  • Over 20 new Resolve FX including the advanced face enhancement tools
  • 4K and 120fps project support
  • Stereoscopic 3D
  • Optical quality blur and mist effects
  • Film grain
  • De-noise tools

Originally designed for Hollywood's elite colourists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world's fastest growing and most advanced editing software. Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production. It's like getting 3 high end applications in one. All it takes is a single click to switch between editing, colour correcting, audio mastering and delivery. Best of all, if you're collaborating on a team, you can all work on the same project at the same time. DaVinci Resolve 14 is a revolution in post production. Download it for free and try it today.

What's New!
Incredible speed, professional Fairlight audio, revolutionary collaboration and more!

DaVinci Resolve 14 has hundreds of new features for editors, colourists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels. Colourists will find amazing new filters that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip colour and more. Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colourists, and sound editors to all work on the same project at the same time. All these new features make DaVinci Resolve 14 the world's most advanced post production software.

Professional Editing

DaVinci Resolve includes virtually every imaginable editing and trimming tool available, making it perfect for both creative and online editing. The new high performance playback engine, which is up to 10x faster, makes playback instantaneous and trimming more responsive than ever, even for processor intensive formats such as H.264 and RAW.

Creative Editing

Familiar multi track timeline with quick edit pop-up, seven different types of edits, customizable keyboard shortcuts and more.

Advanced Trimming

Context sensitive trimming to ripple, roll, slip or slide based on the mouse position so you don't have to switch tools.

Multicam Editing

Full multi camera editing with realtime 2, 4, 9 or 16 camera playback views for cutting shows on the fly.

Speed Effects

Quickly create constant or variable speed changes, complete with ramps and editable curves.

Timeline Curve Editor

Animate and add keyframes for virtually any parameter using the inspector or the timeline based curve editor.

Transitions and Effects

Quickly add transitions and filters from the built in library, or add 3rd party plug ins to create incredible effects.

Finishing

Powerful tools, including the new position lock, that make conforming and finishing projects for final delivery faster than ever before.

Colour Correction

DaVinci Resolve has been used on more feature films and television shows than any other grading system. You get the industry's most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, Resolve FX and more.

Legendary Quality

Patented YRGB colour science and 32-bit float image processing lets you achieve looks that are simply impossible with other software.

Primary Correction

Traditional primary colour wheels along with 12 advanced primary controls for quickly adjusting temperature, tint, mid-tone detail, and more.

Curve Editors

Quickly sculpt contrast along various highlight and shadow areas of an image with separate curves and soft clipping for each channel.

Secondaries

Isolate and track different parts of an image using HSL qualifiers, keyers and basic or custom rotoscope shapes so you can make targeted corrections.

High Dynamic Range (HDR)

Work in wide latitude and wide colour formats such as Dolby Vision, Hybrid Log Gamma, and more!

Broad Format Support

Work natively with camera original RAW files and virtually every other format for total control over your images at the highest quality possible.

Fairlight Audio

New professional tools for audio post production. DaVinci Resolve now includes fully featured Fairlight audio in the same software you use for editing and colour correction. You get high end mixing for up to 1,000 channels in real time, plus support for massive Fairlight audio consoles. It's a true end to end workflow that supports recording and ADR, sound editing, sound effects, sweetening and mixing. You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2.

Up to 1,000 Tracks

Create up to 1,000 audio tracks with 8 main, sub and aux outputs. Add Fairlight Audio Accelerator zero latency realtime performance.

Equalization and Dynamics

Get real time 6 band equalization, along with expander/gate, compressor and limiter dynamics on every single track.

Editing and Automation

Edit clips at up to 192kHz and 24-bit with automation for adjusting fade, levels and more, all the way down to individual audio samples.

Mixing

Full professional mixer with input selection, effects, insert, EQ and dynamic graphs, output selection, aux, pan, main and submix selections, and more.

Plug In Effects

Add 3rd party VST plug ins for even more creative options. You can get real time processing performance for up to 6 plug ins per track.

Mastering

All the tools you need for mastering. Deliver anything from mono up to stereo, 5.1, 7.1, Dolby and even 22.2, complete with full 3D panning.

Media and Delivery

DaVinci Resolve 14 makes importing, syncing and organizing footage fast! Whether you're going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You'll be able to get to work quickly and output files fast, so you'll never miss a deadline.

Import Footage

Use the media page to import footage, sync audio and prep it for editing. Simply drag and drop files from your storage into bins or even your timeline.

Organize Clips

Create free form or metadata based smart bins to organize clips. You get customizable list views, multiple bin windows and more.

Metadata

Use embedded metadata or add your own to sort and sync clips, change display names, detect starts and stops in Multicam angles, and much more.

Delivery Options

Output to the web, round trip projects and media with other applications, or even create digital cinema packages for theatrical distribution.

Render Queue

Quickly add multiple jobs to the render queue for batch processing. You can even offload output to another workstation.

Easy Round Tripping

DaVinci Resolve give you native compatibility with virtually all major post production file types, formats and even other applications.

Multi User Collaboration
Revolutionary new tools allow simultaneous editing, colour correction and audio post!

DaVinci Resolve 14 completely redefines post production workflows. Assistant editors can prepare footage while editors cut the picture, colourists grade the shots, and sound editors mix and finish audio, all in the same project at the same time. You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting colour and audio work. That means picture editors, colourists, and sound editors can now work in parallel, leaving more time for everyone to be creative.

Clip, Timeline and Bin Locking

Locking a bin, clip or a timeline lets you safely work on a specific part of the project. You get full access and others have read access until you unlock it.

Built in Chat

The integrated chat client lets you speak with other members of the team without ever having to leave DaVinci Resolve so you can all stay on the same page.

Timeline Comparison

The visual timeline comparison tool makes it fast and easy to see differences between two timelines so you can accept and merge changes.

Open Storage

You don't need to buy special, expensive or proprietary storage and servers to work as a team in DaVinci Resolve. You can use any shared storage.

DaVinci Resolve Studio
Upgrade to DaVinci Resolve Studio for even more creative tools and options!

The free version of DaVinci Resolve has all of the professional editing, legendary colour correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, match move, warping and much more.

No Monthly Cloud Licencing

Unlike cloud based software, DaVinci Resolve Studio does not require a connection to the internet and there are no monthly subscription fees. Plus, you get full nonlinear editing, advanced colour correction and a massive suite of new Fairlight audio tools, all included in the one easy to buy solution. It's like getting 3 high end professional applications for the cost of one.

New High Performance Playback Engine
Fly through edits and colour correction with up to 10x the performance

DaVinci Resolve 14 features an incredible new video playback engine with CPU and GPU optimizations, fast 16-bit float playback, lower latency, faster UI refresh, support for Apple Metal, and more. These upgrades combine to make DaVinci Resolve faster and far more responsive than ever. Working on long timelines with thousands of clips is incredibly fluid and editing is even more precise. Scrubbing and playback are instant, often starting before you lift your fingers off the keyboard! Powerful acceleration for processor intensive formats, like H.264, makes it possible to edit 4K material on a laptop in realtime. Whether you're working in HD or 4K, with ProRes, H.264 or even RAW images, DaVinci Resolve 14 is completely responsive and fast enough to keep up with your every move.

Legendary DaVinci Quality
Unique YRGB 32-bit float image processing

DaVinci Resolve's Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB colour science that processes luminance independent of colour. This allows you to adjust the luminance of video without rebalancing the colour of your highlights, midtones, or shadows. The massive internal colour space is perfect for the latest HDR and wide colour gamut workflows, and lets you generate looks that are simply impossible to create on other systems.

Hardware Control Panels
Work faster, be more creative and get absolute control!

When you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse. All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image.

Fairlight Professional Consoles
Modular and upgradable desktop or free standing consoles!

Fairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and fast to use buttons and controls allow quick mapping of the console keys into a configuration that is optimized for the task at hand, allowing you to work faster with Fairlight audio than any other tool in the world. Desktop and free standing consoles are available in a variety of configurations to meet the needs of your facility.

Mac, Windows and Linux
The only post production solution that runs on all popular platforms!

DaVinci Resolve runs on all major platforms so you can use it at home or in a post facility on a Mac, at a broadcast facility running Windows, or a VFX studio on Linux. This gives you the freedom to use the platform of your choice, making it easy to integrate with your existing systems and workflows. If you're running Red Hat or CentOS Linux, you can even build your own workstation using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs. Imagine building your own super computer for incredible real time performance.

Open and Compatible
The world's most compatible post production solution!

With all of the different workflows and systems out there, you need a post production solution that's compatible and open enough to handle anything! DaVinci Resolve has been designed to work with all major file formats, media types, and post production software. You can use XML, EDLs, or AAF to move projects between DaVinci Resolve, Final Cut Pro, Avid Media Composer, and Premiere Pro. Deep integration with Fusion makes it easy to send shots out for VFX work, or you can roundtrip with software such as After Effects. For audio, projects can easily be moved between DaVinci Resolve and ProTools. When you're on a tight deadline, you can count on DaVinci Resolve to "just work!".

Blackmagic Design DaVinci Resolve Studio
DaVinci Resolve Studio

Revolutionary new tools for editing, colour correction and professional audio post production for SD, HD and Ultra HD, all in a single application - Activation Key

What's new in DaVinci Resolve 15

Fusion

Key new features
  • Fully integrated into the DaVinci Resolve timeline
  • Improved workflows removing the need for round trip renders to Fusion
  • Initial support for a full Metal, CUDA or OpenCL GPU processing pipeline
  • Improved UI for faster and more fluid workflow
  • New node graph (Flow)
  • New viewers
  • New toolbar
  • New inspector
  • Fusion page now includes
    • Media Pool
    • Tools library with Templates
    • Timeline with Thumbnails
    • Spline Editor
    • Keyframe Timeline
    • Metadata
  • Dual screen layouts for the Fusion page
  • Support for Fusion in collaborative projects
  • Support for various geometry files for Fusion in Media Storage and Media Pool
  • Support for importing and exporting Fusion comp files
  • Support for caching Fusion page output for clips with Fusion effects applied
  • Support for Fusion planar tracker is now available on the non Studio version of DaVinci Resolve
  • Support for Fusion planar stabilization is now available on the non Studio version of DaVinci Resolve
  • Support for Fusion planar transforms of roto is now available on the non Studio version of DaVinci Resolve
  • Support for Fusion planar tracked roto is now available on the non Studio version of DaVinci Resolve
  • Support for Fusion optical flow retiming is now available on the non Studio version of DaVinci Resolve
Visual effects features
  • Vector Paint
  • 2D and 3D Compositing
  • 3D Camera Tracking in DaVinci Resolve Studio
  • Planar Tracking and Rotoscoping
  • Node Based Workflow
  • 3D Workspace
  • Keying and Mattes
  • Rotoscoping
  • Tracking and Stabilization
  • 3D Particles
  • Scripting
  • Shot Cleanup
  • Open Color I/O
  • Virtual Set Extensions
Broadcast design and motion graphics features
  • 2D and 3D Titles
  • 3D Logos
  • Animated Text
  • Spline Based Animation
  • Replicate Objects
  • Expressions and Macros
  • VR tools in DaVinci Resolve Studio
  • Import 3D Models and Scenes
  • Built-in 3D Objects
  • Realistic Lighting and Shading
  • Comprehensive Stereoscopic 3D Tools in DaVinci Resolve Studio
  • Deep Pixel Compositing
  • Volumetric Effects

Fairlight

Key new features
    • ADR (Automatic Dialog Replacement)
    • Audio Bounce of a range in selected tracks to layers
    • Audio Bounce of one or multiple buses to tracks
    • Fixed playhead timeline
    • Audio scrollers
    • Video scroller
    • 3D audio pan
    • Sound Library *
    • Support for native FairlightFX
      • Chorus
      • De-Esser
      • De-Hummer
      • Delay
      • Distortion
      • Echo
      • Flanger
      • Modulation
      • Noise Reduction
      • Pitch
      • Reverb
      • Stereo Width
      • Vocal Channel
General improvements
      • Support for audio normalization in the Edit page and Fairlight page
      • Support for clip pitch control for clips
      • Support for Media Pool preview of audio
      • Support for audio fade in and out to playhead in the Fairlight timeline
      • Support for mixed audio track formats from source clips
      • Support for trim to playhead operations in the Fairlight timeline
      • Support for Preset Library for Audio Effects *
      • Support for legacy Fairlight projects on Windows *
      • Support for inbuilt tone generator
      • Support for Compound clips path bar below Fairlight page timeline
      • Support for native audio on Linux
      • Support to show audio waveforms while recording
      • Support for input monitoring to the native audio engine
      • Support for reordering audio plugins in the inspector for audio clips
      • Support for audio retiming for clips with variable speed changes
      • Support for Paste and Remove Attributes for audio clips in Fairlight page
      • Support for pre-roll and post-roll time in Fairlight timeline
      • Support for Loop Jog controls in user interface
      • Support for an indicator on the Fairlight timeline when there is an offset between audio and video
      • Support for the Fairlight Audio Interface installer on Windows
      • Support for a mode to stop and jump to the last position
      • Support for track selection and deselection using the track destination selection commands
      • Support for selecting buses in the mixer to view and modify their properties in the inspector
      • Support for viewing video tracks on the Fairlight timeline
      • Support for transport controls from the DaVinci Resolve grading panels on the Fairlight page
      • Support for improved timeline view options in the Fairlight timeline
      • Improved speaker selection with support for device selections in monitor sets
      • Improved consistency of navigation and selection hotkeys between the Edit and Fairlight pages
Performance
      • Support for project versioning snapshots to store project backups at set intervals
      • Support for only loading the last used timeline when opening a project
      • Support for an option to load all the timelines when opening a project
      • Support for bypassing color processing on all pages for improved performance on low power systems
      • Support for trimming H.264 and other temporal codec formats in Media Management
      • Support for GPU acceleration for the ResolveFX Match Move plugin
      • Support for GPU acceleration for the stabilizer with a speed up of more than 5x
      • Support for new system preference to use optimized image transfers for viewers on supported systems
      • Improved save and load performance with database optimizations for large projects
      • Improved CUDA performance for high resolution clips and timelines
      • Improved playback performance when monitoring on a single GPU system with scopes enabled
      • Improved playback performance with mismatched output and monitoring resolutions with Blackmagic Design capture and playback devices
      • Improved decode and encode speeds for JPEG2000 clips
      • Improved performance when encoding to the GoPro Cineform codec
Edit
      • Support for adding, managing and delivering Subtitles and Closed Captions
      • Support for embedding a subtitle track when encoding QuickTime files
      • Support for embedding closed captions when encoding MXF OP1A files
      • Support for embedding closed captions when encoding QuickTime files
      • Support for 2D and 3D Title templates
      • Support to load multiple clips into the source viewer and access the 10 most recent clips
      • Support for stacked and tabbed timelines
      • Support for position curves in curve editor
      • Support for menu actions to create Flags and Markers with a specific color
      • Support for timecode entry in the Marker dialog
      • Support for markers annotations on the viewer
      • Support for new Change Clip Duration to modify the duration of one or multiple clips
      • Support for finding the source viewer clip in the Media Pool
      • Support for caching of titles and generator
      • Support for keyframing of OpenFX and ResolveFX plugins
      • Support for alpha channel in compound clips
      • Support for copying and pasting timecode in the viewer timecode displays
      • Support for multiple timeline gap deletion
      • Support for single viewer mode for the dual screen layout
      • Support for marking in and out points in Cinema Mode in the Edit page
      • Support for showing the iXML channel names for audio files in the timeline
      • Support for replacing multiple shots across tracks while retaining grades and effects by Ctrl/Command dragging clips
      • Support for categories of video transitions in the Effects Library
      • Support for a new Play Again command on Media, Edit and Fairlight players
      • Support for disabling ganged moving of audio and video clips across tracks
      • Support for rippling clips on the timeline when pasting retime attributes to other clips
      • Support for actions to convert between Duration markers and In/Out marks with ability to set shortcuts
      • Support for viewing clip marker overlays on the timeline viewer
      • Support for an Edit and Color page indicator for clips with Fusion effects
      • Support for toggling the track-destination state
      • Support for improved timeline view options in the Edit timeline
      • Improved separation and handles between video and audio tracks on the timeline
      • Improved timecode entry and playhead navigation
      • Improved optical flow for speed changes
      • Improved Smooth Cut
      • Improved keyboard shortcut mapping *
      • Improved previews when performing blades on a multi track edit
      • Improved ripple cut and ripple delete behavior
      • Improved automatic track creation when dragging clips to new tracks
Media
      • Support for Cintel HDR capture
      • Support for importing clips to Media Pool with metadata via Final Cut Pro 7 XML
      • Support clip type icon in list view for both Clip names and File Names
      • Support for showing Clip names instead of File names as the default
      • Support for replacing a media file and all its instances in the Media Pool
      • Support to navigate to synced audio files from a video clip in the Media Pool
      • Support for automatically creating subclips by dragging a clip from the viewer to the Media Pool
      • Support for source clips with high speed capture frame rates in the Media Pool
      • Support for retaining empty folders when importing folders to the Media Pool
      • Support for improved LTC detection from clips with multiple audio tracks
      • Support for larger clip thumbnails in the Media Pool
      • Support for improved Media Pool column listing
      • Support for modifying the extents of subclips
      • Support for viewing waveforms for audio clips in thumbnail mode in the Media Pool and Media Storage
      • Support for live preview of audio clips in the Media Pool and Media Storage
      • Support for multiple bin views in collaborative projects
      • Support for smaller Media Pool floating windows
      • Support for native IMF decoding and encoding in DaVinci Resolve Studio
      • Support for native Kakadu based JPEG2000 decoding and encoding
      • Support for encoding unencrypted DCP packages using the Kakadu codec
      • Support for ARRI LF camera files
      • Support for decoding H.264 clips in the MXF or MTS format
      • Support for Canon Log3 in Resolve Color Management
      • Support for alpha channel with DNxHR 422 codecs
      • Support for decoding 8-bit Phantom Cine clips
      • Support for reading color space and gamma information from QuickTime and MXF clips
      • Support for alpha channel when decoding from and encoding to Cineform RGB
      • Support for writing color range, color space and other image metadata when encoding to Quicktime DNxHR
      • Support for decoding FLAC audio files
      • Support for HEIF decode on Mac and DaVinci Resolve Studio on Windows and Linux
      • Support for decoding TGA images
      • Support for Canon C200 IDTs in ACES
      • Support for displaying REDCODE metadata for R3D clips
      • Support for XAVC-Intra OP1A HDR metadata
      • Improved Resolve Color Management support for Sony clips where input color space and gamma are set automatically using metadata
      • Improved support for encoding HDR and mastering metadata for MXF and IMF formats in DaVinci Resolve Studio
      • Improved support for audio waveform sync in multicam clips
      • Improved support for decoding MXF XDCAM clips
Color
      • Support for new SuperScale option for high quality resolution upscaling
      • Support for multiple timeline playheads with DaVinci Resolve Advanced panel control
      • Support for a new LUT browser in the Color page
      • Support for live preview of LUTs and gallery stills
      • Support for browsing grades from other timelines in the gallery
      • Support for browsing grades from other projects in the expanded gallery view
      • Support for batch color version management
      • Support for switching between previous and next version for multiple clips
      • Support for modifying the qualifier by dragging the controls in the user interface
      • Support for denoise in the qualifiers matte finesse controls
      • Support for alpha matte shrink and grow in the qualifiers matte finesse controls
      • Support for ganging the timeline wipe with the current clip
      • Support for option to disable thumbnails in the node graph
      • Support for improved Color page node graph user interface
      • Support for improved user interactions for selecting nodes and modifying node connections
      • Support for enabling and disabling multiple selected nodes in the Color page
      • Support for a node context menu option to lock the node
      • Support for shared nodes for powerful group management
      • Support for Camera RAW controls for Canon RAW clips
      • Support for Camera RAW controls for Panasonic RAW clips
      • Support for the Media Pool in Color page
      • Support for GPU accelerated Dolby VisionTM HDR to SDR metadata generation in DaVinci Resolve Studio
      • Support for license activated GPU accelerated Dolby VisionTM internal CMU in DaVinci Resolve Studio
      • Support for native HDR10+TM controls in DaVinci Resolve Studio
      • New ResolveFX Plugins
        • ResolveFX Aperture Diffraction in DaVinci Resolve Studio
        • ResolveFX Automatic Dirt Removal in DaVinci Resolve Studio
        • ResolveFX Deflicker in DaVinci Resolve Studio
        • ResolveFX Dust Buster in DaVinci Resolve Studio
        • ResolveFX Film Damage
        • ResolveFX Flicker Addition
        • ResolveFX Lens Reflections in DaVinci Resolve Studio
        • ResolveFX Patch Replacer in DaVinci Resolve Studio
      • Support for ResolveFX Match Move is now available on the non Studio version of DaVinci Resolve
      • Support for random frame access when using temporal OpenFX plugins is now available on the non Studio version of DaVinci Resolve
      • Support for stereoscopic convergence on Power Windows
      • Support for showing marker overlays in the Color page viewer
      • Support for a dynamic keyframe indicator for nodes in the node graph
      • Support for tooltip for Edit page FX icons to display the list of plugins applied
      • Support for compound node path bar in the display node graph window
      • Support for copying nodes and pasting specific values by selecting parameters and using Paste Value
      • Support for previewing LUTs by holding Alt/Option pressed while mousing over the LUT context menu
      • Support for previewing composite modes in the layer mixer context menu
      • Support for listing and navigating to timeline markers from the Color page viewer option menu
      • Support for processing a node in a different Resolve Color Managed colorspace or gamma
      • Support for selected LUTs in split-screen mode
      • Support for previewing the selected album in split-screen mode
      • Support for drawing a selection box to select multiple points in ResolveFX Warper
      • Support for improved and smoother masks in ResolveFX Face Refinement
      • Support for a new enhanced mode for improved noise reduction
      • Support for changing the sensitivity of the jog wheel and shuttle control in the DaVinci Resolve Advanced panel
      • Support for smart filter options for shared nodes
      • Support for smart filter options for clips with Fusion effects
      • Support for RED SDK based Gamut Mapping for Red IPP2 based workflows
      • Support for option to process node LUTs in ACEScc AP1 timeline color space or ACES AP0 color space
      • Improved cropping quality and behavior when using the advanced video stabilization
      • Improved ResolveFX Lens Blur with support for custom aperture shapes
      • Improved onscreen controls for ResolveFX Match Move and ResolveFX Dead Pixel Fixer
      • Improved viewer mouse interaction and behavior when working on a node with multiple power windows
      • Improved DCTLs with ability to include code from headers and use LUTs in DaVinci Resolve Studio
        • Check Developer Documentation in the Help menu for more details
      • Improved generators, transitions and titles with support for Resolve Color Management and ACES

General

      • Support for single seat Fusion Studio dongles
      • Support for external scripting of DaVinci Resolve Studio from local and network locations
        • Check Developer Documentation in the Help menu for more details
      • Support for Fairlight Audio Accelerator drivers in the DaVinci Resolve installer on Windows
      • Support for a new system preference to control Audio I/O Processing block size
      • Support for launching DaVinci Resolve and loading the project when opening a DRP file in the file browser
      • Support for a new application level system memory limit in Preferences
      • Support for a system preference to enable or disable hardware acceleration of H.264/HEVC and other supported codecs
      • Support for system preference to enable or disable Direct IO for media storage locations on Windows
      • Support for Metal when using RED GPU debayer on Mac
      • Support for system preference to enable or disable RED GPU Debayer
      • Support for a floating timecode window
      • Support for listing backups for a specific project from the project manager context menu
      • Support for backing up and versioning projects when using Live Save
      • Support for switching the top bar and page switcher bar to an icons only mode
      • Improved application menu layouts
      • Improved and clearer contextual menu layouts

Pre-installation Notes

      • DaVinci Resolve 15.0 requires a database upgrade from previous versions
      • Support for decoding and encoding of easyDCP formats is not currently available
      • Collaboration is currently not supported when using Shared Nodes

What's new in DaVinci Resolve 14.3

      • Added support for the Blackmagic Design URSA Broadcast camera
      • Added support for RAW footage from the Sony Venice/CineAltaV camera
      • Improved the quality of thumbnails in the Media Pool and Edit page timeline on retina monitors
      • Added support for reading Panasonic Varicam metadata when importing footage
      • Added support for exporting Sony color space and gamma metadata when encoding to MXF
      • Added support for RED SDK v7.0.6
      • Addressed an issue where the audio section in the Deliver page would default to timeline track instead of the Main bus
      • Addressed an issue where editing a transition could sometimes cause a crash
      • Addressed an issue where syncing video to audio with a different sample rate results in incorrect audio sync and pitch audio
      • Addressed an issue where changes to the Mixer UI layout would not get saved in a dual screen setup
      • Addressed an issue where pressing arrow keys to move volume keyframes would not work after opening the keyframe curve editor
      • Addressed an issue with the option to pick which node to select when switching clips
      • Addressed an issue where a project would fail to save after deleting a group
      • Addressed an issue where a project would fail to save after specific undo/redo operations
      • Addressed an issue with UI artifacts in the DaVinci Resolve Studio activation window
      • Addressed an issue where projects with LUTs would not get exported correctly on Windows
      • Addressed an issue where the current project could not be copied between databases
      • Addressed an issue where relinking to TIFF files with a higher bit depth would result in a crash
      • General performance and stability improvement

What's new in DaVinci Resolve 14.2.1

      • Addressed an issue where playing frame-based clips in the Media page would not play the synced audio
      • Addressed an issue where Resolve would sometimes not output audio on certain pages in macOS
      • Addressed an issue where audio formats for stereo, 5.1 and 7.1 were not set correctly when rendering WAV files
      • Addressed an issue where rendered adaptive tracks were incorrectly tagged as stereo, 5.1 or 7.1 formats
      • Addressed an issue where changing clip audio properties in the Inspector would not work correctly when multiple clips were selected
      • Addressed an issue where deleting a volume keyframe and performing an undo would not restore the smoothening applied
      • Addressed an issue where the source meters would sometimes not reflect the correct number of channels for clips with audio
      • Addressed an issue where the Fairlight viewers would show a still image during playback when monitoring with a Blackmagic Design capture and playback device
      • Addressed an issue where render jobs could not be added for audio only timelines
      • Addressed an issue where rendered media files would sometimes have blank audio on the first video frame
      • Addressed an issue with marking render ranges when rendering an audio-only timeline on the Delivery page
      • Addressed a crash when adding a marker to a clip with cross-fades
      • Addressed an issue where moving an audio clip on the Fairlight page would sometimes result in a crash
      • Addressed an issue where the metadata widget would remain blank when clips were selected on the Fairlight page
      • Addressed an issue where audio FX applied on clips inside a nested timeline would sometimes not get saved
      • Addressed an issue where deleting an audio clip in a layered track and performing an undo would restore it in an incorrect layer
      • Addressed an issue where resetting audio properties in the Inspector would not fully reset the clip equalizer
      • Clips dragged on to the timeline no longer update the position of the playhead
      • Addressed an issue where viewers would become blank when Video Scopes were enabled in Edit page
      • Addressed a crash when decomposing compound clips from certain timelines imported using XML or AAF
      • Addressed an issue where reimporting EDLs exported from Resolve would cause a crash
      • Addressed an issue where performing an undo on a take selector action would sometimes result in a failure to save the project
      • Clip names stored in EDL comments are also available as a render tag
      • Power Windows with tracking now also have an indicator on the viewer overlay to show when they are in frame mode
      • Addressed an issue where reconforming to a clip at a different source resolution would result in misaligned power windows in some cases
      • Addressed support for DCDM ACES Output Transform with gamut clipped to P3 per SMPTE spec
      • Addressed an issue where stills grabbed on a project migrated from Resolve 12.5 project would not be saved
      • Addressed an issue where loading gallery stills would sometimes take a long time
      • Addressed an issue where some stills would show a black frame when wiping
      • Addressed an issue where node cache would sometimes incorrectly be invalidated when rippling color parameters
      • Addressed an issue where the Dolby Vision CMU would be in pass-through mode until the trim metadata was modified
      • Addressed an issue where qualifier controls remained editable when disabled
      • Addressed an issue where Intel graphics hardware would not be recognized as OpenCL compatible with the latest drivers on Windows
      • Addressed an issue where the Generate Optimized Media progress dialog would sometimes disappear before the operation completed
      • Addressed an issue where performing a Save As after a failure to save a project would sometimes result in the original project disappearing
      • Addressed an issue where selecting multiple titles in certain timelines would result in a crash
      • Addressed an issue where deleting timelines in some projects would result in a crash
      • Addressed an issue where Blackmagic Design Capture and Playback devices would not be detected on older drivers on Windows
      • Addressed a crash when enabling 4:4:4 SDI monitoring with certain Blackmagic Design capture and playback devices
      • Addressed an issue where viewers would become blank when enabling Data Burn Ins and monitoring with a Blackmagic Design capture and playback device
      • Addressed an issue with network connectivity on the JLCooper Eclipse panel
      • Addressed an issue where changing the source folder or relinking clips in the Media Pool would not affect the associated matte clips unless they were explicitly selected
      • Addressed a crash when rendering to Cineform at certain resolutions such as 2K DCI Flat
      • Addressed a crash when decoding some H.264 clips
      • Addressed an issue where colorspace metadata was exported incorrectly when rendering MXF clips
      • Addressed an issue with default brightness levels when decoding RAW formats from some still cameras
      • Addressed a crash with decoding some high resolution XAVC clips on certain system configurations
      • Addressed inability to render multiple mono audio tracks to the MXF OpAtom container
      • Improved encoding speeds when rendering to Apple QuickTime ProRes
      • Improved decoding speeds with XAVC-I media
      • Addressed performance degradation when using CUDA compatible OpenFX plugins
      • Addressed an issue where Edit page playback response would be delayed during thumbnail generation
      • Addressed an issue with viewer performance on multicam clips on certain system configurations
      • General performance and stability improvements

What's new in DaVinci Resolve 14.2

    • Added support for the DeckLink 8K Pro monitoring modes
    • Added support for importing audio-only AAF timelines
    • Added support for rendering audio handles in ProTools round trip mode
    • Added support for audio playback when performing dynamic trimming
    • Added support for import and export of Final Cut Pro 10.4 XML
    • Added support for automatically naming Gallery Stills using user-defined tags
    • Added support for 16 and 18 fps timeline frame rates
    • Added support for 95.905 fps timeline frame rate
    • Added support for more fine-grained preferences for Performance Mode
    • Improved support for keyframes in the Fairlight page
    • Added support for listing multiple DeckLink SDI devices with unique names
    • Added visual indicators for distinguishing between timeline clips without media in the Media Pool and without media on disk
    • Added the ability to change the playhead position without stopping playback on the Fairlight page
    • Added support for Enable 2D Timeline Scroll on the Fairlight page
    • Added support for context menus for markers in the Fairlight page
    • Added support for automatic creation of a timeline when dragging in an audio clip in the Fairlight page
    • Addressed issues with acquiring and releasing the lock for a bin in a collaboration project
    • Addressed an issue where network connectivity issues could cause unexpected results in a collaboration project
    • Addressed an issue where a blank node graph would sometimes be displayed when switching between clips in collaboration mode
    • Addressed an issue where two users could sometimes load a non-collaboration project in write mode without a warning
    • Addressed an issue where "Update Timecode from Audio using LTC" would not work on clips starting with blank audio
    • Addressed an issue where retiming an audio clip would sometimes result in audio glitches
    • Addressed an issue where unlinking linked audio groups with the Pan dialog open would cause a crash
    • Addressed an issue where starting or stopping playback would sometimes cause a momentary glitch in the audio on the Fairlight page
    • Addressed multiple issues with fader behavior for direct track outputs in the Fairlight track mixer
    • Addressed an issue where the Fairlight timeline would sometimes show an incorrect number of audio tracks
    • Addressed an issue where the Fairlight control room widget would sometimes become invisible when resetting a dual-screen UI layout
    • Addressed an issue where JKL playback would not honor the looped playback state on the Fairlight page
    • Addressed an issue where moving an audio clip would not refresh the keyframe navigation buttons on the Fairlight inspector
    • Addressed an issue where some Fairlight dial widgets would not reset their values correctly on double-click
    • Addressed an issue where audio EQ band adjustments might be incorrectly saved
    • Addressed an issue where stopping playback would continue audio output for a few frames on the Edit page
    • Addressed an issue where LTC timecode output over SDI would not work when playing back on the Edit page
    • Addressed an issue where the Mute status would not be reflected correctly in the Edit page on a track with automation
    • Addressed an issue with titles where using certain fonts would result in cropped glyphs
    • Addressed an issue where bypassing color grades would bypass OpenFX applied on the Edit page
    • Addressed an issue where deleting a clip with an OpenFX transition would sometimes crash
    • Addressed a crash when switching multicam angles if the viewer was in source mode
    • Addressed an issue where reconforming multicam clips from a bin would not retain the original angle information
    • Addressed an issue where performing a blade operation on asymmetric linked edits would result in incorrect linking
    • Addressed an issue where previewing compound clips and timelines in the source viewer would activate the timeline audio meters
    • Addressed an issue where previewing video-only clips in the source viewer would sometimes be slow on the Edit page
    • Addressed an issue where importing older projects using a Sony IDT in an ACES workflow would sometimes cause a crash
    • Addressed an issue with audio playback when applying clip filters on the Color page
    • Addressed an issue where Color Tracing Power Windows from proxy files would result in incorrect window positions
    • Addressed an issue where copying grades between clips would unnecessarily invalidate the clip source cache
    • Addressed an issue where bypassing color grades on speed changed clips would disable the optical flow or frame blending
    • Addressed an issue with incorrect results when stabilizing multiple edits from the same source
    • Addressed an issue where switching databases would sometimes incorrectly hide the second screen in a dual screen monitor layout
    • Addressed an issue where GoPro CineForm clips would decode with a watermark applied on Linux
    • Addressed an issue with decoding some Sony XAVC-I clips
    • Addressed an issue with incorrect cropping for certain QuickTime ARRI clips
    • Addressed an issue with color shifts when decoding certain Panasonic AVC-Intra clips
    • Addressed an issue where the stereo audio format of some MXF clips was not recognized correctly
    • Addressed an issue with reading drop-frame timecodes for DPX clips
    • Addressed an issue when decoding some QuickTime clips with large timecode values
    • Addressed an issue with color shifts when rendering stereoscopic 3D clips in side-by-side mode using H.264
    • General performance and stability improvements

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