Blackmagic Design DaVinci Resolve Studio

Revolutionary new tools for editing, colour correction and professional audio post production for SD, HD and Ultra HD, all in a single application

Suggested List Price: £229+VAT

Product Code: BMD-DV/RESSTUD

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  • Revolutionary new tools for editing, color correction and professional audio post production for SD, HD and Ultra HD, all in a single application
  • A whole new audio post production suite with Fairlight audio built into DaVinci Resolve
  • Mlti user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time
  • High performance playback engine that’s up to 10 times faster than before
  • Add a DaVinci Resolve Micro Panel, DaVinci Resolve Mini Panel or a DaVinci Resolve Advanced Control panel for the ultimate high speed workflow

DaVinci Resolve 14 Studio

  • Adds the new collaborative multi user tools
  • Over 20 new Resolve FX including the advanced face enhancement tools
  • 4K and 120fps project support
  • Stereoscopic 3D
  • Optical quality blur and mist effects
  • Film grain
  • De-noise tools

Originally designed for Hollywood's elite colourists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world's fastest growing and most advanced editing software. Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production. It's like getting 3 high end applications in one. All it takes is a single click to switch between editing, colour correcting, audio mastering and delivery. Best of all, if you're collaborating on a team, you can all work on the same project at the same time. DaVinci Resolve 14 is a revolution in post production. Download it for free and try it today.

What's New!
Incredible speed, professional Fairlight audio, revolutionary collaboration and more!

DaVinci Resolve 14 has hundreds of new features for editors, colourists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels. Colourists will find amazing new filters that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip colour and more. Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colourists, and sound editors to all work on the same project at the same time. All these new features make DaVinci Resolve 14 the world's most advanced post production software.

Professional Editing

DaVinci Resolve includes virtually every imaginable editing and trimming tool available, making it perfect for both creative and online editing. The new high performance playback engine, which is up to 10x faster, makes playback instantaneous and trimming more responsive than ever, even for processor intensive formats such as H.264 and RAW.

Creative Editing

Familiar multi track timeline with quick edit pop-up, seven different types of edits, customizable keyboard shortcuts and more.

Advanced Trimming

Context sensitive trimming to ripple, roll, slip or slide based on the mouse position so you don't have to switch tools.

Multicam Editing

Full multi camera editing with realtime 2, 4, 9 or 16 camera playback views for cutting shows on the fly.

Speed Effects

Quickly create constant or variable speed changes, complete with ramps and editable curves.

Timeline Curve Editor

Animate and add keyframes for virtually any parameter using the inspector or the timeline based curve editor.

Transitions and Effects

Quickly add transitions and filters from the built in library, or add 3rd party plug ins to create incredible effects.

Finishing

Powerful tools, including the new position lock, that make conforming and finishing projects for final delivery faster than ever before.

Colour Correction

DaVinci Resolve has been used on more feature films and television shows than any other grading system. You get the industry's most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, Resolve FX and more.

Legendary Quality

Patented YRGB colour science and 32-bit float image processing lets you achieve looks that are simply impossible with other software.

Primary Correction

Traditional primary colour wheels along with 12 advanced primary controls for quickly adjusting temperature, tint, mid-tone detail, and more.

Curve Editors

Quickly sculpt contrast along various highlight and shadow areas of an image with separate curves and soft clipping for each channel.

Secondaries

Isolate and track different parts of an image using HSL qualifiers, keyers and basic or custom rotoscope shapes so you can make targeted corrections.

High Dynamic Range (HDR)

Work in wide latitude and wide colour formats such as Dolby Vision, Hybrid Log Gamma, and more!

Broad Format Support

Work natively with camera original RAW files and virtually every other format for total control over your images at the highest quality possible.

Fairlight Audio

New professional tools for audio post production. DaVinci Resolve now includes fully featured Fairlight audio in the same software you use for editing and colour correction. You get high end mixing for up to 1,000 channels in real time, plus support for massive Fairlight audio consoles. It's a true end to end workflow that supports recording and ADR, sound editing, sound effects, sweetening and mixing. You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2.

Up to 1,000 Tracks

Create up to 1,000 audio tracks with 8 main, sub and aux outputs. Add Fairlight Audio Accelerator zero latency realtime performance.

Equalization and Dynamics

Get real time 6 band equalization, along with expander/gate, compressor and limiter dynamics on every single track.

Editing and Automation

Edit clips at up to 192kHz and 24-bit with automation for adjusting fade, levels and more, all the way down to individual audio samples.

Mixing

Full professional mixer with input selection, effects, insert, EQ and dynamic graphs, output selection, aux, pan, main and submix selections, and more.

Plug In Effects

Add 3rd party VST plug ins for even more creative options. You can get real time processing performance for up to 6 plug ins per track.

Mastering

All the tools you need for mastering. Deliver anything from mono up to stereo, 5.1, 7.1, Dolby and even 22.2, complete with full 3D panning.

Media and Delivery

DaVinci Resolve 14 makes importing, syncing and organizing footage fast! Whether you're going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You'll be able to get to work quickly and output files fast, so you'll never miss a deadline.

Import Footage

Use the media page to import footage, sync audio and prep it for editing. Simply drag and drop files from your storage into bins or even your timeline.

Organize Clips

Create free form or metadata based smart bins to organize clips. You get customizable list views, multiple bin windows and more.

Metadata

Use embedded metadata or add your own to sort and sync clips, change display names, detect starts and stops in Multicam angles, and much more.

Delivery Options

Output to the web, round trip projects and media with other applications, or even create digital cinema packages for theatrical distribution.

Render Queue

Quickly add multiple jobs to the render queue for batch processing. You can even offload output to another workstation.

Easy Round Tripping

DaVinci Resolve give you native compatibility with virtually all major post production file types, formats and even other applications.

Multi User Collaboration
Revolutionary new tools allow simultaneous editing, colour correction and audio post!

DaVinci Resolve 14 completely redefines post production workflows. Assistant editors can prepare footage while editors cut the picture, colourists grade the shots, and sound editors mix and finish audio, all in the same project at the same time. You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting colour and audio work. That means picture editors, colourists, and sound editors can now work in parallel, leaving more time for everyone to be creative.

Clip, Timeline and Bin Locking

Locking a bin, clip or a timeline lets you safely work on a specific part of the project. You get full access and others have read access until you unlock it.

Built in Chat

The integrated chat client lets you speak with other members of the team without ever having to leave DaVinci Resolve so you can all stay on the same page.

Timeline Comparison

The visual timeline comparison tool makes it fast and easy to see differences between two timelines so you can accept and merge changes.

Open Storage

You don't need to buy special, expensive or proprietary storage and servers to work as a team in DaVinci Resolve. You can use any shared storage.

DaVinci Resolve Studio
Upgrade to DaVinci Resolve Studio for even more creative tools and options!

The free version of DaVinci Resolve has all of the professional editing, legendary colour correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, match move, warping and much more.

No Monthly Cloud Licencing

Unlike cloud based software, DaVinci Resolve Studio does not require a connection to the internet and there are no monthly subscription fees. Plus, you get full nonlinear editing, advanced colour correction and a massive suite of new Fairlight audio tools, all included in the one easy to buy solution. It's like getting 3 high end professional applications for the cost of one.

New High Performance Playback Engine
Fly through edits and colour correction with up to 10x the performance

DaVinci Resolve 14 features an incredible new video playback engine with CPU and GPU optimizations, fast 16-bit float playback, lower latency, faster UI refresh, support for Apple Metal, and more. These upgrades combine to make DaVinci Resolve faster and far more responsive than ever. Working on long timelines with thousands of clips is incredibly fluid and editing is even more precise. Scrubbing and playback are instant, often starting before you lift your fingers off the keyboard! Powerful acceleration for processor intensive formats, like H.264, makes it possible to edit 4K material on a laptop in realtime. Whether you're working in HD or 4K, with ProRes, H.264 or even RAW images, DaVinci Resolve 14 is completely responsive and fast enough to keep up with your every move.

Legendary DaVinci Quality
Unique YRGB 32-bit float image processing

DaVinci Resolve's Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB colour science that processes luminance independent of colour. This allows you to adjust the luminance of video without rebalancing the colour of your highlights, midtones, or shadows. The massive internal colour space is perfect for the latest HDR and wide colour gamut workflows, and lets you generate looks that are simply impossible to create on other systems.

Hardware Control Panels
Work faster, be more creative and get absolute control!

When you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse. All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image.

Fairlight Professional Consoles
Modular and upgradable desktop or free standing consoles!

Fairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and fast to use buttons and controls allow quick mapping of the console keys into a configuration that is optimized for the task at hand, allowing you to work faster with Fairlight audio than any other tool in the world. Desktop and free standing consoles are available in a variety of configurations to meet the needs of your facility.

Mac, Windows and Linux
The only post production solution that runs on all popular platforms!

DaVinci Resolve runs on all major platforms so you can use it at home or in a post facility on a Mac, at a broadcast facility running Windows, or a VFX studio on Linux. This gives you the freedom to use the platform of your choice, making it easy to integrate with your existing systems and workflows. If you're running Red Hat or CentOS Linux, you can even build your own workstation using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs. Imagine building your own super computer for incredible real time performance.

Open and Compatible
The world's most compatible post production solution!

With all of the different workflows and systems out there, you need a post production solution that's compatible and open enough to handle anything! DaVinci Resolve has been designed to work with all major file formats, media types, and post production software. You can use XML, EDLs, or AAF to move projects between DaVinci Resolve, Final Cut Pro, Avid Media Composer, and Premiere Pro. Deep integration with Fusion makes it easy to send shots out for VFX work, or you can roundtrip with software such as After Effects. For audio, projects can easily be moved between DaVinci Resolve and ProTools. When you're on a tight deadline, you can count on DaVinci Resolve to "just work!".

What's new in DaVinci Resolve 14.1.1

  • Addressed an issue with detecting Blackmagic Desktop Video hardware with older driver versions
  • Addressed an issue when setting monitoring to PsF formats when using Desktop Video drivers newer than v10.9.3
  • Addressed an issue with the detection of license dongles on MacBook Pro with Touch Bar on High Sierra
  • Addressed a crash when changing audio plugins and reloading the project without saving
  • Addressed a crash when opening a project with title presets in the Media Pool
  • Addressed a crash during playback when Enable Video Field Processing was turned on
  • Addressed a crash when connecting to an incompatible database and switching projects
  • Addressed a crash when toggling Show Current Clip With Handles and loading a memory if Live Save was on
  • Addressed a crash when deleting favourite transition presets
  • Addressed a crash when canceling a project save and navigating to another Resolve database
  • Addressed an issue where disabling a compound node would not immediately refresh the viewer
  • Addressed an issue where splitting certain linked audio-video clips would not link the split components correctly
  • Addressed an issue where ResolveFX Face Refinement would stop working when a clip was moved into a compound clip
  • Addressed an issue where video scopes on the Edit page would sometimes show an incorrect display
  • Addressed an issue where quitting Resolve would sometimes cause an incorrect shutdown on Linux
  • Addressed an issue where horizontal scrolling in the timeline comparison dialog would sometimes not work as expected
  • Addressed an issue in Project Server where clicking Enable Sharing may not work on some machines
  • Addressed an issue where switching between large databases would take a long time to respond
  • Addressed an issue where Resolve would show Media Offline frames when using RED Rocket-X to decode certain RED clips
  • Addressed an issue where decoding some RED clips with CUDA in Resolve Color Management would show a black frame
  • Addressed an issue where Resolve would sometimes show the Welcome dialog on successive runs
  • Addressed an issue where copying audio clip keyframes would not apply it properly on the target clip
  • Addressed an issue where rendering to DNxHD 36 would cause a slight shift in the red and blue channels
  • Addressed a potential crash when opening floating Media Pool windows and switching pages
  • Addressed an issue where the 3D qualifier would not be correctly applied for Group Pre-Clip versions
  • Addressed an issue where changing master bus configuration with audio FX present would result in loss of audio output for the bus
  • Addressed an issue where the display of track colors would go out of sync when deleting a track and undoing it
  • Addressed an issue where dragging a clip from the Media Pool to the Fairlight timeline would sometimes show an additional track
  • General performance and stability improvements

What's new in DaVinci Resolve 14.1

  • Added support for a new Project Server application to manage a local PostgreSQL server on macOS and Windows
  • Added support for presets for User Preferences
  • Added ability to simultaneously generate cache files for multiple cache points on a clip
  • Added ability to enable/disable caching of transitions in User Mode in Project Settings
  • Added ability to enable/disable caching of composites in User Mode in Project Settings
  • Added ability to retain the cache when moving clips with speed changes applied
  • Added support for excluding individual tracks from sequence cache in User mode
  • Added support for applying individual color attributes when dragging nodes from the Display Node Graph window
  • Added support for a zoom slider in the Display Node Graph window
  • Added support for accessing both the clip and the timeline node graph for a Still in the Display Node Graph window
  • Addressed an issue where right clicking on a wiped still and selecting apply grade would not work
  • Added an option in the panel settings to switch between classic DaVinci and vectorscope trackball alignment
  • Added support for displaying video scopes on the Edit page
  • Improved title text rendering quality
  • Improved playback and rendering performance on the Radeon Pro WX 9100 GPU
  • Added support for RED IPP2 color processing
  • Added support for decompression and debayer options for Red Rocket cards
  • Added initial Linked Group support for audio tracks
  • Added the ability to drag and drop .drp project files into the Project Manager
  • Added support for a project setting to switch track metering between source and post-fader
  • Added the ability to update the track color of multiple selected tracks on the Fairlight page
  • Surround sound audio channels are now included in the downmix to stereo buses and monitors
  • Added support for a Project Setting to automatically apply convergence to windows and effects in 3D stereoscopic projects
  • Added support for groups in the Color page on collaborative projects
  • Added support for generating and rediscovering optimized media in collaborative projects
  • Added support for viewing audio codec information in the Metadata widget
  • Added support for GoPro CineForm as a caching and optimized media format
  • Added support for higher resolution DNxHR formats for MXF-based Fusion Connect workflows
  • ResolveFX Warper is now GPU accelerated
  • Bus section in the Fairlight page meters is now scrollable
  • Added support for decoding enhanced AC-3 audio on macOS and Windows
  • Improved performance of viewer in Fairlight page
  • Improved behavior and interactivity of timeline and track index in the Fairlight page
  • Added support for 2-D scrolling on the Fairlight page
  • Added support for source audio clips at any sample rate
  • Added support for Dolby Vision trim on compounds clips and Fusion Connect clips
  • Added ability to perform audio only insert to a tape deck
  • Added ability to capture video and audio or video only from a tape deck
  • Addressed an issue where the audio and video would sometimes be out of sync when capturing from a tape deck
  • Addressed an issue where an incorrect frame would sometimes be inserted when performing an assemble edit on a tape deck
  • Addressed an issue where recording microphone input on some tracks would not persist the recorded clip
  • Addressed an issue where the length of a duration marker could not be modified on the Fairlight page
  • Addressed an issue where deleting a bus that is being monitored would result in incorrect control room behavior
  • Addressed an issue where Audio FX in a project would not be persisted if the the Audio FX was not installed
  • Addressed an issue where moving or pasting clips in the Fairlight page would sometimes remove the associated transitions
  • Addressed an issue where assigning an offline reference clip to a timeline would result in loss of audio
  • Addressed an issue where switching timelines would sometimes result in loss of audio
  • Addressed an issue where dynamics would not apply evenly across stereo and 5.1 tracks
  • Addressed an issue where unintended audio fades would sometimes be applied
  • Addressed an issue where there was sometimes a change in audio level when playing back on the Edit and Fairlight page
  • Addressed an issue when duplicating a timeline with layers would result in additional layers
  • Addressed an issue where layers inside a compound clip would not play the correct audio
  • Addressed an issue where moving an audio clip in subframe increments would not update waveform positions
  • Addressed an issue where playback of nested timeline clips would not honor the mute state of the track
  • Addressed an issue where the track volume slider in the Inspector would sometimes be disabled
  • Addressed an issue when using Alt/Option + click to switch multicam angles
  • Addressed an issue where trimming a freeze frame clip would sometimes crash
  • Addressed an issue where video only clips could sometimes not be dragged from the source viewer
  • Addressed an issue where flags and markers from existing projects would not be loaded correctly
  • Addressed an issue where a marker name change would sometimes not get saved
  • Addressed an issue where importing FCPXML files with a subframe video edit would sometimes cause a crash
  • Addressed an issue where exporting an XML from some timelines would cause a crash
  • Addressed an issue where rendering a clip with synced audio in Individual Clips mode would not render the synced audio
  • Addressed an issue where "Render at source resolution" would not apply ResolveFX Face Refinement correctly
  • Addressed an issue where Fusion Connect clips would be rendered without temporal noise reduction applied
  • Addressed an issue where saving a project would fail in certain collaboration scenarios
  • Addressed an issue with saving a collaboration project when overwriting a clip in certain scenarios
  • Addressed an issue in collaboration where switching clips on the Color page would sometimes not acquire a lock
  • Addressed various issues with tracking of Power Windows when working in Cinemascope
  • Addressed various issues with tracking of Power Windows when using Center crop with no resizing
  • Addressed an issue where stabilization would sometimes not work with Edit and Input sizing applied
  • Addressed an issue where the tracking would be applied incorrectly when changing the timeline resolution or the clip pixel aspect ratio
  • Addressed an issue the FX tracker would sometimes not work correctly when Input or Edit sizing was applied
  • Addressed issues with applying 3D LUTs when using Metal as the GPU processing mode
  • Addressed an issue where some OpenFX plugins would cause flashing of grades
  • Addressed a crash in certain scenarios when switching to the Key Palette on a matte node
  • Addressed issue with playback performance of large projects in the Color page
  • Addressed an issue where render at source resolution would not apply stabilization
  • Addressed an issue where some memories would show up as blank when reloading project from disk database
  • Addressed a crash when opening some stereo projects upgraded from DaVinci Resolve 12.5.6
  • Addressed an issue with importing some DaVinci Resolve 12.5 projects
  • Addressed an issue where easyDCP renders would cause a crash on macOS 10.13 High Sierra
  • Addressed an issue where the easyDCP KDM generation would not honor the validity dates specified
  • Addressed an issue where decoding certain long QuickTime clips would repeat a frame
  • Addressed an issue where QuickTime ProRes 4444 clips would sometimes lose the alpha channel during playback
  • Addressed a crash when trimming and copying AIFF clips using Media Management
  • Addressed an issue where decoding HEVC clips at 2048x858 would sometimes result in artifacts
  • Addressed an issue where certain MXF clips would show incorrect duration
  • Addressed an issue when decoding certain Sony clips in an ACEScc workflow
  • Addressed a performance issue when media managing a large number of clips from the same source folder
  • Addressed an issue where floating Media Pool windows would not get updated correctly when performing an undo
  • Addressed an issue where resizing the Media Pool would sometimes result in a crash
  • Addressed an issue where a clip with a split edit would not be stored correctly in the Media Pool
  • Addressed some UI issues when running Resolve in full screen mode on macOS
  • Addressed a crash when opening the Effects Library when duplicate plugins are installed
  • Addressed connectivity issues with the DaVinci Resolve Advanced panel on Linux
  • Addressed an issue where large projects would sometimes hang during load
  • General performance and stability improvements

What's new in DaVinci Resolve 14.0.1

  • Added support for HEVC decode on DaVinci Resolve on macOS High Sierra
  • Added support for hardware accelerated HEVC decode on macOS High Sierra
  • Added support for hardware accelerated HEVC encode on macOS High Sierra on supported hardware
  • Added support for hardware accelerated HEVC decode on supported NVIDIA GPUs on DaVinci Resolve Studio on Windows and Linux
  • Media Pool thumbnails now has an indicator for embedded mattes
  • Dragging nodes from Gallery stills now donors "Apply Grade Using" setting
  • Improved Loudness Metering on the Fairlight page
  • Added support for setting the Loudness scale in Project Settings
  • Added support for 7.1 audio track type on the timeline and Clip Attributes
  • Added support for automatically tagging 7.1 audio clips in Clip Attributes
  • Added support for dynamics for audio buses in the Audio Mixer
  • Added support for navigating between previous and next keyframes in the Fairlight page inspector
  • Added support for picker RGB values when using the color picker in OpenFX and ResolveFX plugins
  • Added ability to select one or multiple tracks by Command/Ctrl+clicking from the Audio Mixer
  • Added support for single and multi frame nudge in the Fairlight page
  • Added support for DNxHD and DNxHR in an MXF container for Fusion Connect
  • Addressed an issue with audio metering of clips in the Media Page
  • Addressed an issue where the audio meters would sometimes not clear after stopping playback
  • Addressed an issue where enabling Dynamics on the main bus would incorrectly amplify the output audio
  • Addressed a crash when opening custom UI for iZotope Ozone plugins
  • Addressed an issue where Audio FX added to some mono clips would not be persisted when reloading the project
  • Addressed a crash with crossfades on very small audio clips
  • Addressed an issue where the patch dialog labels were not correct updated when changing audio track type
  • Addressed an issue where adjusting clip EQ parameters would cause playback to stutter
  • Addressed an issue where switching between Small Track Mixer and Full Track Mixer display modes would not refresh the EQ
  • Addressed an issue where the Loop Playback button on the Fairlight page would not work correctly
  • Addressed an issue where moving an audio track would not refresh some timeline and mixer controls
  • Addressed an issue where the trim-in and trim-out would not work in the Fairlight page if part of the clip was outside the visible timeline range
  • Addressed an issue where creating a fade over layered clips would sometimes cause Resolve to freeze
  • Addressed an issue where range-selection on a compound-clip would behave incorrectly on the Fairlight page
  • Addressed an issue where changing the order of tracks would not correctly swap the track name
  • Addressed an issue where dragging an audio clip onto a new track was sometimes slow
  • Addressed a crash when retiming certain video clips
  • Addressed an issue where pasting text between certain title types would add a 1-pixel stroke
  • Addressed a crash when dragging a clip into the timeline to overwrite a clip with FX
  • Addressed an issue where Color page stills would sometimes become black
  • Addressed an issue where swapping nodes with FX applied would not work correctly
  • Addressed a crash when refining upper lip parameters in ResolveFX Face Refinement
  • Addressed a crash when expanding compound nodes for a stereo clip and double-clicking one of the nodes
  • Addressed issues with some functions relating to local/remote grade options and refreshing bins in Collaborative projects
  • Addressed an issue where switching clips on the Color page would sometimes result in a critical exception when using the DaVinci Resolve Mini panel
  • Addressed an issue where using the color picker outside the image in the viewer would result in inconsistent behaviour
  • Addressed colorspace conversion issues when rendering to DCP using Metal
  • Addressed a crash when rendering to invalid resolutions for certain Sony codecs at fractional frame rates
  • Addressed an issue where rendering to DNxHR 444 with alpha output would not render the alpha channel
  • Addressed an issue where encoding to DNxHD or DNxHR clips in colorspaces other than Rec.709 and Rec.2020 resulted in an error
  • Addressed an issue where decoding certain AVC Intra clips would result in banding on macOS
  • Addressed an issue where decoding certain AVC Intra clips would result in GPU errors on Windows
  • Addressed an issue where creating a stereoscopic 3D clip using the "Stereo 3D Sync" option resulted in a clip with no audio
  • Addressed an issue where Alt/Option+ dragging a clip from one bin window to another would not create a copy
  • Addressed an issue where spanned R3D clips would show its individual elements instead of a single clip
  • Addressed an issue where installing Resolve would remove any symbolic links from the LUT folder on Linux
  • Addressed an issue where "Reload Last Working Project" on start up would hang for certain projects
  • Addressed an issue where the Track Index and meters would sometimes not be cleared when creating a new project
  • Addressed a crash when using JKL keys for fast forward and rewind with DeckLink monitoring
  • Addressed an issue where playing back when connected to an Intensity Shuttle USB 3 device would result in much slower performance
  • Addressed an issue where Fusion Connect would not work properly for a Fusion 9 installation on Linux
  • Addressed a crash when starting Resolve with CUDA processing without any CUDA capable hardware
  • Addressed an issue with H.264 decoding with certain NVIDIA driver versions
  • Addressed an issue where saving a project would sometimes increase the database connection count on PostgreSQL databases
  • General performance and stability improvements.

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