Blackmagic Design DaVinci Resolve Studio

Revolutionary new tools for editing, colour correction and professional audio post production for SD, HD and Ultra HD, all in a single application

Suggested List Price: £229+VAT

Product Code: BMD-DV/RESSTUD

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  • Revolutionary new tools for editing, color correction and professional audio post production for SD, HD and Ultra HD, all in a single application
  • A whole new audio post production suite with Fairlight audio built into DaVinci Resolve
  • Mlti user collaboration tools that let multiple people edit, color and mix audio from multiple systems, all in the same project at the same time
  • High performance playback engine that’s up to 10 times faster than before
  • Add a DaVinci Resolve Micro Panel, DaVinci Resolve Mini Panel or a DaVinci Resolve Advanced Control panel for the ultimate high speed workflow

DaVinci Resolve 14 Studio

  • Adds the new collaborative multi user tools
  • Over 20 new Resolve FX including the advanced face enhancement tools
  • 4K and 120fps project support
  • Stereoscopic 3D
  • Optical quality blur and mist effects
  • Film grain
  • De-noise tools

Originally designed for Hollywood's elite colourists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world's fastest growing and most advanced editing software. Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production. It's like getting 3 high end applications in one. All it takes is a single click to switch between editing, colour correcting, audio mastering and delivery. Best of all, if you're collaborating on a team, you can all work on the same project at the same time. DaVinci Resolve 14 is a revolution in post production. Download it for free and try it today.

What's New!
Incredible speed, professional Fairlight audio, revolutionary collaboration and more!

DaVinci Resolve 14 has hundreds of new features for editors, colourists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels. Colourists will find amazing new filters that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip colour and more. Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colourists, and sound editors to all work on the same project at the same time. All these new features make DaVinci Resolve 14 the world's most advanced post production software.

Professional Editing

DaVinci Resolve includes virtually every imaginable editing and trimming tool available, making it perfect for both creative and online editing. The new high performance playback engine, which is up to 10x faster, makes playback instantaneous and trimming more responsive than ever, even for processor intensive formats such as H.264 and RAW.

Creative Editing

Familiar multi track timeline with quick edit pop-up, seven different types of edits, customizable keyboard shortcuts and more.

Advanced Trimming

Context sensitive trimming to ripple, roll, slip or slide based on the mouse position so you don't have to switch tools.

Multicam Editing

Full multi camera editing with realtime 2, 4, 9 or 16 camera playback views for cutting shows on the fly.

Speed Effects

Quickly create constant or variable speed changes, complete with ramps and editable curves.

Timeline Curve Editor

Animate and add keyframes for virtually any parameter using the inspector or the timeline based curve editor.

Transitions and Effects

Quickly add transitions and filters from the built in library, or add 3rd party plug ins to create incredible effects.

Finishing

Powerful tools, including the new position lock, that make conforming and finishing projects for final delivery faster than ever before.

Colour Correction

DaVinci Resolve has been used on more feature films and television shows than any other grading system. You get the industry's most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, Resolve FX and more.

Legendary Quality

Patented YRGB colour science and 32-bit float image processing lets you achieve looks that are simply impossible with other software.

Primary Correction

Traditional primary colour wheels along with 12 advanced primary controls for quickly adjusting temperature, tint, mid-tone detail, and more.

Curve Editors

Quickly sculpt contrast along various highlight and shadow areas of an image with separate curves and soft clipping for each channel.

Secondaries

Isolate and track different parts of an image using HSL qualifiers, keyers and basic or custom rotoscope shapes so you can make targeted corrections.

High Dynamic Range (HDR)

Work in wide latitude and wide colour formats such as Dolby Vision, Hybrid Log Gamma, and more!

Broad Format Support

Work natively with camera original RAW files and virtually every other format for total control over your images at the highest quality possible.

Fairlight Audio

New professional tools for audio post production. DaVinci Resolve now includes fully featured Fairlight audio in the same software you use for editing and colour correction. You get high end mixing for up to 1,000 channels in real time, plus support for massive Fairlight audio consoles. It's a true end to end workflow that supports recording and ADR, sound editing, sound effects, sweetening and mixing. You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2.

Up to 1,000 Tracks

Create up to 1,000 audio tracks with 8 main, sub and aux outputs. Add Fairlight Audio Accelerator zero latency realtime performance.

Equalization and Dynamics

Get real time 6 band equalization, along with expander/gate, compressor and limiter dynamics on every single track.

Editing and Automation

Edit clips at up to 192kHz and 24-bit with automation for adjusting fade, levels and more, all the way down to individual audio samples.

Mixing

Full professional mixer with input selection, effects, insert, EQ and dynamic graphs, output selection, aux, pan, main and submix selections, and more.

Plug In Effects

Add 3rd party VST plug ins for even more creative options. You can get real time processing performance for up to 6 plug ins per track.

Mastering

All the tools you need for mastering. Deliver anything from mono up to stereo, 5.1, 7.1, Dolby and even 22.2, complete with full 3D panning.

Media and Delivery

DaVinci Resolve 14 makes importing, syncing and organizing footage fast! Whether you're going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You'll be able to get to work quickly and output files fast, so you'll never miss a deadline.

Import Footage

Use the media page to import footage, sync audio and prep it for editing. Simply drag and drop files from your storage into bins or even your timeline.

Organize Clips

Create free form or metadata based smart bins to organize clips. You get customizable list views, multiple bin windows and more.

Metadata

Use embedded metadata or add your own to sort and sync clips, change display names, detect starts and stops in Multicam angles, and much more.

Delivery Options

Output to the web, round trip projects and media with other applications, or even create digital cinema packages for theatrical distribution.

Render Queue

Quickly add multiple jobs to the render queue for batch processing. You can even offload output to another workstation.

Easy Round Tripping

DaVinci Resolve give you native compatibility with virtually all major post production file types, formats and even other applications.

Multi User Collaboration
Revolutionary new tools allow simultaneous editing, colour correction and audio post!

DaVinci Resolve 14 completely redefines post production workflows. Assistant editors can prepare footage while editors cut the picture, colourists grade the shots, and sound editors mix and finish audio, all in the same project at the same time. You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting colour and audio work. That means picture editors, colourists, and sound editors can now work in parallel, leaving more time for everyone to be creative.

Clip, Timeline and Bin Locking

Locking a bin, clip or a timeline lets you safely work on a specific part of the project. You get full access and others have read access until you unlock it.

Built in Chat

The integrated chat client lets you speak with other members of the team without ever having to leave DaVinci Resolve so you can all stay on the same page.

Timeline Comparison

The visual timeline comparison tool makes it fast and easy to see differences between two timelines so you can accept and merge changes.

Open Storage

You don't need to buy special, expensive or proprietary storage and servers to work as a team in DaVinci Resolve. You can use any shared storage.

DaVinci Resolve Studio
Upgrade to DaVinci Resolve Studio for even more creative tools and options!

The free version of DaVinci Resolve has all of the professional editing, legendary colour correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, match move, warping and much more.

No Monthly Cloud Licencing

Unlike cloud based software, DaVinci Resolve Studio does not require a connection to the internet and there are no monthly subscription fees. Plus, you get full nonlinear editing, advanced colour correction and a massive suite of new Fairlight audio tools, all included in the one easy to buy solution. It's like getting 3 high end professional applications for the cost of one.

New High Performance Playback Engine
Fly through edits and colour correction with up to 10x the performance

DaVinci Resolve 14 features an incredible new video playback engine with CPU and GPU optimizations, fast 16-bit float playback, lower latency, faster UI refresh, support for Apple Metal, and more. These upgrades combine to make DaVinci Resolve faster and far more responsive than ever. Working on long timelines with thousands of clips is incredibly fluid and editing is even more precise. Scrubbing and playback are instant, often starting before you lift your fingers off the keyboard! Powerful acceleration for processor intensive formats, like H.264, makes it possible to edit 4K material on a laptop in realtime. Whether you're working in HD or 4K, with ProRes, H.264 or even RAW images, DaVinci Resolve 14 is completely responsive and fast enough to keep up with your every move.

Legendary DaVinci Quality
Unique YRGB 32-bit float image processing

DaVinci Resolve's Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB colour science that processes luminance independent of colour. This allows you to adjust the luminance of video without rebalancing the colour of your highlights, midtones, or shadows. The massive internal colour space is perfect for the latest HDR and wide colour gamut workflows, and lets you generate looks that are simply impossible to create on other systems.

Hardware Control Panels
Work faster, be more creative and get absolute control!

When you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse. All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image.

Fairlight Professional Consoles
Modular and upgradable desktop or free standing consoles!

Fairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and fast to use buttons and controls allow quick mapping of the console keys into a configuration that is optimized for the task at hand, allowing you to work faster with Fairlight audio than any other tool in the world. Desktop and free standing consoles are available in a variety of configurations to meet the needs of your facility.

Mac, Windows and Linux
The only post production solution that runs on all popular platforms!

DaVinci Resolve runs on all major platforms so you can use it at home or in a post facility on a Mac, at a broadcast facility running Windows, or a VFX studio on Linux. This gives you the freedom to use the platform of your choice, making it easy to integrate with your existing systems and workflows. If you're running Red Hat or CentOS Linux, you can even build your own workstation using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs. Imagine building your own super computer for incredible real time performance.

Open and Compatible
The world's most compatible post production solution!

With all of the different workflows and systems out there, you need a post production solution that's compatible and open enough to handle anything! DaVinci Resolve has been designed to work with all major file formats, media types, and post production software. You can use XML, EDLs, or AAF to move projects between DaVinci Resolve, Final Cut Pro, Avid Media Composer, and Premiere Pro. Deep integration with Fusion makes it easy to send shots out for VFX work, or you can roundtrip with software such as After Effects. For audio, projects can easily be moved between DaVinci Resolve and ProTools. When you're on a tight deadline, you can count on DaVinci Resolve to "just work!".

What's new in DaVinci Resolve 14.0.1

  • Added support for HEVC decode on DaVinci Resolve on macOS High Sierra
  • Added support for hardware accelerated HEVC decode on macOS High Sierra
  • Added support for hardware accelerated HEVC encode on macOS High Sierra on supported hardware
  • Added support for hardware accelerated HEVC decode on supported NVIDIA GPUs on DaVinci Resolve Studio on Windows and Linux
  • Media Pool thumbnails now has an indicator for embedded mattes
  • Dragging nodes from Gallery stills now donors "Apply Grade Using" setting
  • Improved Loudness Metering on the Fairlight page
  • Added support for setting the Loudness scale in Project Settings
  • Added support for 7.1 audio track type on the timeline and Clip Attributes
  • Added support for automatically tagging 7.1 audio clips in Clip Attributes
  • Added support for dynamics for audio buses in the Audio Mixer
  • Added support for navigating between previous and next keyframes in the Fairlight page inspector
  • Added support for picker RGB values when using the color picker in OpenFX and ResolveFX plugins
  • Added ability to select one or multiple tracks by Command/Ctrl+clicking from the Audio Mixer
  • Added support for single and multi frame nudge in the Fairlight page
  • Added support for DNxHD and DNxHR in an MXF container for Fusion Connect
  • Addressed an issue with audio metering of clips in the Media Page
  • Addressed an issue where the audio meters would sometimes not clear after stopping playback
  • Addressed an issue where enabling Dynamics on the main bus would incorrectly amplify the output audio
  • Addressed a crash when opening custom UI for iZotope Ozone plugins
  • Addressed an issue where Audio FX added to some mono clips would not be persisted when reloading the project
  • Addressed a crash with crossfades on very small audio clips
  • Addressed an issue where the patch dialog labels were not correct updated when changing audio track type
  • Addressed an issue where adjusting clip EQ parameters would cause playback to stutter
  • Addressed an issue where switching between Small Track Mixer and Full Track Mixer display modes would not refresh the EQ
  • Addressed an issue where the Loop Playback button on the Fairlight page would not work correctly
  • Addressed an issue where moving an audio track would not refresh some timeline and mixer controls
  • Addressed an issue where the trim-in and trim-out would not work in the Fairlight page if part of the clip was outside the visible timeline range
  • Addressed an issue where creating a fade over layered clips would sometimes cause Resolve to freeze
  • Addressed an issue where range-selection on a compound-clip would behave incorrectly on the Fairlight page
  • Addressed an issue where changing the order of tracks would not correctly swap the track name
  • Addressed an issue where dragging an audio clip onto a new track was sometimes slow
  • Addressed a crash when retiming certain video clips
  • Addressed an issue where pasting text between certain title types would add a 1-pixel stroke
  • Addressed a crash when dragging a clip into the timeline to overwrite a clip with FX
  • Addressed an issue where Color page stills would sometimes become black
  • Addressed an issue where swapping nodes with FX applied would not work correctly
  • Addressed a crash when refining upper lip parameters in ResolveFX Face Refinement
  • Addressed a crash when expanding compound nodes for a stereo clip and double-clicking one of the nodes
  • Addressed issues with some functions relating to local/remote grade options and refreshing bins in Collaborative projects
  • Addressed an issue where switching clips on the Color page would sometimes result in a critical exception when using the DaVinci Resolve Mini panel
  • Addressed an issue where using the color picker outside the image in the viewer would result in inconsistent behaviour
  • Addressed colorspace conversion issues when rendering to DCP using Metal
  • Addressed a crash when rendering to invalid resolutions for certain Sony codecs at fractional frame rates
  • Addressed an issue where rendering to DNxHR 444 with alpha output would not render the alpha channel
  • Addressed an issue where encoding to DNxHD or DNxHR clips in colorspaces other than Rec.709 and Rec.2020 resulted in an error
  • Addressed an issue where decoding certain AVC Intra clips would result in banding on macOS
  • Addressed an issue where decoding certain AVC Intra clips would result in GPU errors on Windows
  • Addressed an issue where creating a stereoscopic 3D clip using the "Stereo 3D Sync" option resulted in a clip with no audio
  • Addressed an issue where Alt/Option+ dragging a clip from one bin window to another would not create a copy
  • Addressed an issue where spanned R3D clips would show its individual elements instead of a single clip
  • Addressed an issue where installing Resolve would remove any symbolic links from the LUT folder on Linux
  • Addressed an issue where "Reload Last Working Project" on start up would hang for certain projects
  • Addressed an issue where the Track Index and meters would sometimes not be cleared when creating a new project
  • Addressed a crash when using JKL keys for fast forward and rewind with DeckLink monitoring
  • Addressed an issue where playing back when connected to an Intensity Shuttle USB 3 device would result in much slower performance
  • Addressed an issue where Fusion Connect would not work properly for a Fusion 9 installation on Linux
  • Addressed a crash when starting Resolve with CUDA processing without any CUDA capable hardware
  • Addressed an issue with H.264 decoding with certain NVIDIA driver versions
  • Addressed an issue where saving a project would sometimes increase the database connection count on PostgreSQL databases
  • General performance and stability improvements.

DaVinci Resolve 14 Public Beta 5

Whats New in DaVinci Resolve 14

Collaboration

  • All new collaboration workflow which allows multiple users to work on the same project at the same time
  • Added ability for collaborating video/audio editors and colorists to work on the same timeline at the same time
  • Resolve Collaboration supports any shared storage technology and works with a PostgreSQL shared database server
  • Support for live saving all collaborator actions in a collaborative project
  • Support for Project Manager indicators to show collaborative projects
  • Ability for collaborators to pick a profile on their shared projects
  • First come first serve write access for Media Pool Bins with read access for everyone else
  • Live Media Pool side bar bin updates including user locks and refresh available indicators
  • Timeline indicators to show user locks and refresh available
  • Live update of Color Page thumbnail icons to indicate user locks and refresh available
  • Live sharing of Color Page still galleries
  • New compare timeline tool to simplify merging timelines from multiple collaborative users *
  • Live group chat feature on collaborative projects

Improved Performance, Fluidity And Usability

All new image processing engine with numerous performance improvements and optimizations

  • New image processing engine which maximizes single and multi-GPU utilization
  • Support for GPU processing using Metal on Mac
  • New optimized performance mode for improved playback
  • New dynamic memory manager for optimized CPU memory usage
  • Improved performance on single GPU laptops and workstations
  • Improved editing and playhead fluidity on the Edit page timeline
  • Dramatically improved latency of JKL playback
  • Improved Color Page playback start/stop latency
  • Improved Multicam playback performance
  • Improved pan and zoom on viewers when using the trackpad with support for an Alt/Option modifier
  • Improved performance when scrubbing H.264 and similar codecs
  • Support for hardware accelerated H.264 decoding when using NVIDIA GPUs on Linux and Windows
  • Support for improved CPU usage

All new database engine for improved management and performance on PostgreSQL and DiskDB

  • Support for a new live save option where changes are saved as you work
  • Support for incremental fast saves in the new and improved DiskDB
  • Ability to save, load, update and delete user UI layout presets

Improved media access and performance

  • Improved H.264 encode and decode performance
  • Improved performance for file listing in Media Storage
  • Improved scrolling performance in Media Storage folders and Media Pool bins with many clips
  • Improved speed of importing AAF timelines
  • Improve speed of Optimized media generation, transcoding and fusion rendering
  • Support for Optimized Media in 3D stereoscopic clips
  • Support of high frame rate timelines up to 120 frames per second - DaVinci Resolve Studio only
  • Support for up to 16Kx16K source images and timeline resolution
  • Ability to drag a file or folder from Finder/Explorer to Media Storage in order to navigate there
  • Improved performance when loading Gallery stills

Audio

  • New Fairlight audio processing engine for all audio in Resolve
  • New Fairlight page with dedicated audio editing, mixing, finishing and mastering controls
  • Support for unlimited audio tracks, 8 main, sub and aux outputs
  • Support for Fairlight Audio Accelerator and I/O hardware
  • Support for Fairlight free standing and desktop consoles
  • Single and dual monitor UI configurations on the Fairlight page
  • Fairlight page includes Media Pool, timeline, metering, mixer, effects, video preview, timeline index and inspector

Key Features

  • Six band EQ for every track
  • Expander/Gate, Compressor and Limiter Dynamics for every track
  • 2D and 3D Pan control for sound placement *
  • Timeline toolbar includes a pointer and a marquee tool, automation state, snapping, flags, markers and timeline options
  • Automation includes trim state, touch, latch or off mode, event selection
  • Support for separate enables for fader, mute, pan, EQ, compressor, Gate, Aux, Limiter and Plugins

Monitoring and metering features

  • Level meters for all channels, Masters, Subs, Aux and groups
  • Monitoring of main outputs available in mono, stereo5.1, Atmos, Auro, DTS, IMAX and multichannel up to 22.2
  • Compound metering includes speaker group selection, phase and loudness with integration control
  • Video preview available as docked or popup viewer with SDI video output

Timeline features

  • Track sidebar includes controls for gain, automation, lock, solo, mute and record
  • Track sidebar includes indicators for track number, name, color, linked track andmeters
  • Timeline clips include user selectable indicators for clip name, gain, FX, group, EQ, Source, Speed, Linked status, stem/channel bit depth, sample rate and source channel
  • Timeline clips include full or rectified audio waveform with waveform border, gain level, fade handles and automation keyframe control
  • User selection of timecode display with subframes and samples, feet and frames or only samples
  • Five preset and custom user selectable track height with locks
  • New timeline index shows tracks and markers

UI dialogs for setup and assignment

  • Each mixer track includes input selection, effects, insert, EQ and dynamics graphs, output selection, aux, pan, main and submix selections
  • Mixer also includes track name and color, grouping, record, mute and solo selection and gain fader with meters

General audio improvements

  • New audio processing engine includes support for 192 KHz 24bit audio
  • Support for pitch correction when performing speed changes on all platforms
  • Support for pitch correction during FFW and FRW playback on the Edit page timeline

Edit

Key new features

  • Support for track colors on the timeline
  • Support for dragging just video or audio from the source viewer
  • Support for a toggle to switch between single viewer and dual viewer mode
  • Support of OFX plugins as filters in Timeline
  • Ability to drag and drop a transition from one clip to another
  • Redesigned Effects Library for easier navigation and search
  • Support for improved "Play Around" functionality with contextual behavior depending on selection
  • Support for Blur Dissolve transition
  • Support for audio waveforms on Multicam Clips, Compound Clips and Timeline Clips
  • Support for alpha rendering from source when using Fusion Connect
  • Added support for Live Preview of clip thumbnails in the Media and Edit page source viewers
  • Added menu options and shortcuts for marking and clearing split Video and Audio In and Out marks
  • Added menu option and shortcut for creating a Subclip

Clip adjustment improvements

  • Ability to "Remove Attributes" from one or multiple clips
  • New menu option to freeze frame the current frame under the playhead
  • Ability to select all keyframes in Keyframe and Curve editor using Ctrl/Command+A
  • Ability to linearize/smoothen curves for multiple selected keyframes in the Keyframe and Curve editor

Clip trim improvements

  • Ability to Alt/Option+Shift drag to resize a clip's In or Out point over an adjacent clip toautomatically create a transition
  • Ability to Alt/Option+Shift drag a clip from the Media Pool to overlap a clip in the timeline to add a transition
  • Support for two new trim commands in the Trim menu
    • Slip Playhead to In
    • Slip Playhead to Out
  • Support for slip functionality when performing an Extend Edit
  • Ability to duplicate and superimpose dragging selected clips from a track while holding down Alt/Option + Shift
  • Support for snapping when dragging and placing text elements in a Title in the Timeline viewer
  • Support for improved snapping when performing ripple edits
  • Ability to perform playback using JKL in Dynamic Trim Mode when no clip or edit point is selected

Conform improvements

  • Support for user selectable conform criteria when performing "Reconform from Bins"
  • Ability to "Reconform from Media Storage folders" for a Timeline
  • Support for missing on disk indicators and missing in Media Pool indicators in the Timeline
  • Support for importing 3D Warp Pitch and Yaw parameters in AAF from Avid Media Composer
  • Support for the following Index filtering options
    • Show Clip Color
    • Show Clips with Composite Effects
    • Show Clips with Transform Effects
    • Show Clips with Filters
    • Show Clips with Speed Effects
    • Show Fusion Connect Clips
    • Show Compound Clips and Nested Timelines
    • Show Clip conflicts
    • Show Flags of a particular color
    • Show Markers of a particular color
    • Show Stills and Freeze Frames
  • Ability to see conflicts in the Index Match column
  • New Position Lock on toolbar to lock ripple on tracks and timelines for Online Editing
  • Project setting to enable/disable automatically Conform when adding clips to Media Pool
  • Ability to set default number tracks and types in Project Settings > Editing > New Timeline Settings

Marker improvements

  • Ability to display Marker names and notes as viewer overlays
  • Ability to list clip markers in Media Pool list view
  • Ability to convert an In and Out point selection into a duration marker
  • Ability to navigate between markers from the option menu in the viewers
  • Ability to search and filter in the Index using Marker Name and Marker Notes fields
  • Ability to multi select timeline markers using a marquee

Media Pool improvements

  • Support multiple Media Pool windows either as a 2-up/4-up docked view or as new pop-up windows
  • Ability to hover over Media Pool thumbnails to mark in and out
  • Ability to "Rediscover Optimized Media" in the Media Pool
  • Ability to "Unlink Selected Clips" in the Media Pool
  • Support for missing on disk indicators in the Media Pool for both the thumbnail and list view
  • Support for Smart Bin and Smart Filtering based on Display Name
  • Ability to Create Bin With Selected Clips
  • Ability to create Smart Bin filters using Marker Name and Marker Notes
  • Ability to search in the Media Pool using Marker Name and Marker Notes fields
  • Ability to perform comma separated text matches in Media Pool search, Smart Bins and Smart Filters
  • Ability to add/remove items from current selection with keyboard modifiers (Ctrl/Command, Shift and Alt/Option)
  • Ability to Alt/Option drag clips in the Media Pool to duplicate them and put them in another bin

General improvements

  • Previous/Next clip now ignores selection when the selected clip is not visible
  • Support for a "Playback post-roll" option in the Timeline menu
  • Ability to drag video only or audio only from the timeline to the Media Pool
  • Support for retaining playhead position and in and out positions when swapping timelines
  • Ability to drag a OpenFX/ResolveFX filter onto one or multiple selected clips
  • Support for selecting resize algorithm per clip in the Inspector
  • Support for a progress bar when applying Lens Correction
  • Support for 100% levels in EBU Color Bar generator
  • Ability to search "All Fields" when applying a search filter in the Index
  • Support for toggling "Show Reference Wipe" is now available on the Edit page
  • Ability to Alt/Option click only the audio or video to override a linked clip selection
  • Added support for new Four Color Gradient generator

Color

ResolveFX improvements

  • ResolveFX plugins are now sorted into logical groups of effects
  • Support for starred favorites for OpenFX is now available on the Color page
  • Ability to paste tracking data between the FX tracker and the Power Window tracker
  • Improved ResolveFX Lens Flare
  • Support for Gamut Mapping in the ResolveFX Color Space Transform plugin
  • Support for Tone Mapping in the ResolveFX Color Space Transform plugin

New ResolveFX Plugins

  • ResolveFX Face Refinement - DaVinci Resolve Studio only
  • ResolveFX Warper - DaVinci Resolve Studio only
  • ResolveFX Match Move - DaVinci Resolve Studio only
  • ResolveFX Color Stabilizer - DaVinci Resolve Studio only
  • ResolveFX Timelapse Deflicker - DaVinci Resolve Studio only
  • ResolveFX Contrast Pop - DaVinci Resolve Studio only
  • ResolveFX Color Compressor
  • ResolveFX Abstraction
  • ResolveFX Watercolor
  • ResolveFX Lens Distortion
  • ResolveFX Gamut Mapping
  • ResolveFX Dead Pixel Fixer
  • ResolveFX Alpha Matte Shrink and Grow
  • ResolveFX Color Palette
  • ResolveFX Dehaze
  • ResolveFX Sharpen
  • ResolveFX Sharpen Edges
  • ResolveFX Soft Sharpen Skin
  • ResolveFX Camera Shake
  • ResolveFX Deband
  • ResolveFX Grid

General improvements

  • Support for a new advanced Stabilizer in the Tracker palette
  • Ability to add and control favorite ResolveFX and OpenFX plugins under Modes from the DaVinci Resolve Advanced Panel *
  • Support for improved jog and shuttle control on DaVinci Resolve Advanced Panel
  • Ability to toggle LightBox SDI output from the DaVinci Resolve Advanced Panel using Shift Down + CONFORM
  • Ability to toggle full screen LightBox from the DaVinci Resolve Advanced Panel using Shift Up + CONFORM
  • Ability to press and hold Reset on the DaVinci Resolve Micro and Mini panels to reset the node graph
  • Ability to press and hold Previous/Next Frame on the DaVinci Resolve Micro and Mini panels to jump to the beginning/end of the clip
  • Ability to press play/reverse repeatedly on the DaVinci Resolve Micro and Mini panels to increase playback speed
  • Ability to set the LCD brightness of the DaVinci Resolve Mini panel using LCD brightness in Control Panel settings
  • Ability to set the key backlighting of the DaVinci Resolve Micro and Mini panels in Control Panel settings
  • Ability to remember Bars vs. Wheels when switching to Primary from a Control Panel
  • Improved various knob and parameter sensitivities on the DaVinci Resolve Micro and Mini panels
  • Support for Gamut Mapping from Timeline to Output Color Space in Resolve Color Management
  • Support for Tone Mapping from Timeline to Output Color Space in Resolve Color Management
  • Support for the Common LUT Format (CLF) with examples - DaVinci Resolve Studio only
  • Support for scopes as an overlay on the Cinema viewer
  • Support for new commands and shortcuts to move selected keyframes
  • Selection of multiple keyframes no longer needs a modifier key
  • Support for track color on Color page timeline
  • Support for plugin name on FX nodes
  • Support for full height OpenFX inspector in full screen mode
  • Ability to set default number of neighboring clips for Split Screen in Project Settings >Color
  • Support for Clip Color indicators in the Color page Timeline
  • Support for adding any Media Pool clip as a matte to the current clip on the Color page
  • Improved support for ACES v1.0.3
  • Support for ACEScc, ACEScct and ACEScg color spaces in Resolve Color Management
  • Support for ACEScc, ACEScct and ACEScg color spaces in the ResolveFX Color Space Transform plugin
  • Support for ACEScc, ACEScct and ACEScg IDTs and ODTs when using ACES
  • Support for clip output render caching from pre and post group node graph
  • Support for showing picker RGB values in 8 bit or 10 bit available in the View menu
  • Ability to to toggle the viewer overlay mode on/off using Shift + `
  • Support for Ctrl/Command and Ctrl/Command+Shift for half and quarter increments in Printer Lights Hotkeys
  • Added support for selecting all clips in the Color page using Command/Ctrl+A

Media

  • Support for user selectable checksum methods in Clone Tool option menu
  • Ability to unmount drives from Media Storage on Mac and Windows
  • Ability to set custom whole number frame rates from 1 to 120 fps in Clip Attributes
  • Support for option to import ARRIRAW clips at the Open Gate resolution in Project Settings > CameraRAW > ARRI
  • Support for automatically cropping ARRI Quicktime clips to show only the active area of the sensor
  • Support for decoding clips from the Canon C200 camera
  • Support for latest EasyDCP library
  • Support for decoding Nikon RAW files
  • Support for MultiPart OpenEXR
  • Support for Constant and Variable bitrate in Quicktime ProRes and DNxHR codecs
  • Support for H.264 multi-pass encoding on Mac
  • Support for decoding H.264 Intra 422 10bit - DaVinci Resolve Studio only
  • Support for encoding to the MP4 format
  • Support for decoding High 10 Profile H.264 files on DaVinci Resolve Studio
  • Support for encoding VP9 profiles with higher bit-depth
  • Support for Network Optimization option in Quicktime renders
  • Support for 10b and 12b encoding options for DNxHR HQX and DNxHR 444
  • Support for Rec.2100 metadata in QuickTime renders
  • Support for decoding and encoding 32-bit float WAV files
  • Support for QuickTime reference movies on Linux and Windows
  • Support for drop frame timecode when performing a 3:2 pull down

General

  • Support for an improved Project Manager with an integrated Database manager
  • Ability to copy and paste one or multiple projects between databases
  • Ability to sort list of databases in Database manager
  • Support for a new Bicubic resizing filter option
  • User settings such as layout preferences are now saved locally on the machine
  • Ability to drag a bin into another bin in the Media Pool right hand side view
  • Support for a smaller page switcher on smaller screens
  • Ability to type in Project Manager and browse dialogs to automatically navigate to and highlight matches
  • Support for searching for shortcuts by command name or shortcut in Project Settings> Keyboard Mapping
  • Support for displaying conflicts when assigning shortcuts in Project Settings> Keyboard Mapping
  • Tags now support non-text parameters such as Timecode, Dates, Numbers and Resolutions
  • Support for undo/redo history available in the Edit menu
  • Support for an option to stop playback when frames are dropped on the SDI output
  • Support for remembering the last open page across multiple sessions
  • Added JKL playback support when in Cinema mode

DaVinci Resolve 14

Additional Information

Please refer to the latest DaVinci Resolve Configuration Guide for your platform detailing support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support.

You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support.


What's new in DaVinci Resolve 12.5.5

  • Added support for the DaVinci Resolve Mini Panel
  • Added support for the DaVinci Resolve Micro Panel
  • DaVinci Resolve is now available on CentOS 7 and RHEL Linux
  • Added CentOS 7 and RHEL Linux support for DaVinci Resolve Studio Mac and Windows licenses
  • Added support for installing DaVinci Resolve Advanced Linux on standalone CentOS 7 or RHEL installations
  • Improved USB connectivity with DaVinci Resolve Advanced Panels
  • Added support for URSA Mini Pro 4.6K media
  • Added support for Cintel Reader
  • Added support for adaptive scanning speed for Cintel when disk I/O is slow
  • Improved playback and seek performance of MXF OP1a and OP1b files
  • Added support for channel level fine tuning with ARRI SDK debayer
  • Added support for track names in ProTools AAF export
  • Addressed an issue with Compound Nodes on Stereoscopic 3D projects
  • Addressed an issue with adding a flag to multiple clips in the Color Page
  • Dragging a node from a Still to the node graph now follows the gallery keyframe setting
  • General performance and stability improvements

Download the latest Firmware and Software

Blackmagic Design at NAB

  • Blackmagic Design Announces DaVinci Resolve 14, ATEM Television Studio Pro HD and Remote Bluetooth Camera Control for URSA Mini Pro