Blackmagic Design DaVinci Resolve Mini Panel

Compact professional hardware control panel

Suggested List Price: £2,405+VAT

Product Code: BMD-DV/RES/BBPNLMINI

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Stock status: In Stock; available from resellers

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Blackmagic Design DaVinci Resolve Advanced Panel

The ultimate colour correction solution with professional control surface. v12

Product Code: BMD-DV/RES/AADPNL

Suggested List price: £24,095+VAT

Blackmagic Design DaVinci Resolve Micro Panel

Small, portable hardware control panel

Product Code: BMD-DV/RES/BBPNLMIC

Suggested List price: £805+VAT

Other Editing, Grading and Compositing

Blackmagic Design DaVinci Resolve Advanced Panel

Blackmagic Design DaVinci Resolve Advanced Panel

The ultimate colour correction solution with professional control surface. v12
Blackmagic Design DaVinci Resolve Micro Panel

Blackmagic Design DaVinci Resolve Micro Panel

Small, portable hardware control panel
Blackmagic Design DaVinci Resolve Studio

Blackmagic Design DaVinci Resolve Studio

Revolutionary new tools for editing, colour correction and professional audio post production for SD, HD and Ultra HD, all in a single application
Blackmagic Design Fusion Studio 8

Blackmagic Design Fusion Studio 8

Advanced visual effects and motion graphics solution
  • Compact professional hardware control panel
  • Featuring 3 high resolution weighted trackballs
  • 12 control knobs for essential tools and an upper deck with two 5” screens
  • 8 soft knobs and 8 soft buttons
  • Dedicated keys for switching tools, working with nodes, grabbing stills, navigating the timeline
  • Tie bolts on the base to attach to a desk
  • Powering options - AC mains input, 4-pin XLR, PowerOverEthernet

DaVinci Resolve 14

Additional Information

Please refer to the latest DaVinci Resolve Configuration Guide for your platform detailing support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support.

You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support.


What's new in DaVinci Resolve 12.5.5

  • Added support for the DaVinci Resolve Mini Panel
  • Added support for the DaVinci Resolve Micro Panel
  • DaVinci Resolve is now available on CentOS 7 and RHEL Linux
  • Added CentOS 7 and RHEL Linux support for DaVinci Resolve Studio Mac and Windows licenses
  • Added support for installing DaVinci Resolve Advanced Linux on standalone CentOS 7 or RHEL installations
  • Improved USB connectivity with DaVinci Resolve Advanced Panels
  • Added support for URSA Mini Pro 4.6K media
  • Added support for Cintel Reader
  • Added support for adaptive scanning speed for Cintel when disk I/O is slow
  • Improved playback and seek performance of MXF OP1a and OP1b files
  • Added support for channel level fine tuning with ARRI SDK debayer
  • Added support for track names in ProTools AAF export
  • Addressed an issue with Compound Nodes on Stereoscopic 3D projects
  • Addressed an issue with adding a flag to multiple clips in the Color Page
  • Dragging a node from a Still to the node graph now follows the gallery keyframe setting
  • General performance and stability improvements

What's new in DaVinci Resolve 12.5.4

  • Added support for the Touch Bar on the new MacBook Pro
  • Improved EXR decode and playback performance
  • Added support for decoding MP3 files on Windows
  • Added support for Grass Valley HQ and HQX codecs
  • Added support for decoding MXF ProRes files
  • Added support for preserving super-white and sub-black data in ProRes 4444 codecs
  • Improved grading and playback performance when working with large node graphs
  • Improved support for CR2 files from Canon 5D Mark IV
  • Added support for Rec. 2100 in RCM
  • Added support for sliders to control Dolby Vision analysis data
  • Added support for image orientation flag in DPX files
  • Added P3-D65 IDTs and ODTs in ACES
  • Added Rec.2020 ST.2084 1000 nits ODT clamped to P3 in ACES
  • Increased maximum bitrate for JPEG2000 renders
  • General performance and stability improvements

What's new in DaVinci Resolve 12.5.3

  • Added support for Final Cut Pro X XML Version 1.6
  • Added support for PostgreSQL 9.5.2 on macOS
  • Added support for ACEScct color science
  • Updated ACES support from ACES 1.0.0 to ACES 1.0.2
  • Improved performance when encoding to MXF XAVC
  • Improved importing of Flip and Flop from AAFs from Media Composer
  • Improved importing of Dip to Color dissolves from AAFs from Media Composer
  • Improved Dolby Vision XML export
  • Addressed an issue with FCPXML transforms for Multicam not getting imported correctly
  • Addressed an issue where all tracks in the keyframe group get highlighted when switching between them
  • Addressed an issue with reading Drop Frame timecode from some Sony camera files
  • Addressed an issue with jagged edges when decoding YUV 422 clips
  • Addressed an issue where project level Data Burn Ins do not get saved
  • Addressed an issue where sync audio based on timecode would lead to incorrect results
  • Addressed an issue where the Lift, Gamma and Gain control on the Resolve interface do not maintain Color Balance
  • Addressed an issue that could cause a machine freeze
  • Addressed instability when undoing 'Decompose in place'
  • General performance and stability improvements

What's new in DaVinci Resolve 12.5.1

Edit Improvements

  • Improved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows
  • Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline
  • Added ability to import and export duration markers using EDL
  • Added the ability for clips to snap to their own markers when adjusting In and Out points
  • Improved consistency of edit functions when Timeline is in full screen mode
  • Added support for box wipe mode for offline reference wipe
  • Added ability to extract AAF import log information as timeline markers

Color Improvements

  • Improved performance for Spatial Noise reduction in Better mode
  • Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing
  • Added ability to apply grades from a reference wipe using the viewer context menu
  • Added ability to align keyframe timelines of color grades using playhead position and wiped still frame
  • Next node and previous node operations now loop around the node graph
  • The ‘displayed’ node graph now automatically updates when the current still is changed
  • Swapping nodes now also swaps the node labels
  • Rippling grades now also copies node labels, Power Window labels and node cache settings
  • Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version)
  • Added support for left eye and right eye grades for the timeline node graph (Studio version)
  • Added ability to convert a mono timeline into stereoscopic 3D (Studio version)
  • Added ability to convert a mono clip into stereoscopic 3D (Studio version)
  • Added support for sequence and node render caching for stereoscopic clips and timelines (Studio version)
  • Added compensation for stereoscopic slip when exporting timecodes in ALE (Studio version)
  • Added support copying DolbyVision grades using stills and middle click (Studio version)
  • Improved 3D and Qualifier panel layout in dual screen mode
  • Improved behavior to stay on the same frame when joining two clips

Resolve FX Improvements

  • Added ResolveFX Generate Color (GPU accelerated)
  • Added ResolveFX Tilt-shift Blur
  • Added support for anamorphism in ResolveFX Lens Blur (Studio version)
  • GPU acceleration support for ResolveFX Lens Flare (Studio version)
  • Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version)
  • GPU acceleration support for ResolveFX Emboss, Waviness, Vortex, Ripples, Dent, Mirror
  • Improved ResolveFX Scanlines and added various composite modes
  • Ability to view the ResolveFX Scanline layer without the background
  • Improved border behavior for ResolveFX Gaussian Blur, Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur
  • Added support for horizontal/vertical ratio in ResolveFX Glow
  • Added support for pan and tilt on ResolveFX Prism Blur
  • Improved performance for ResolveFX Light Rays
  • Improved performance for ResolveFX JPEG Damage

Media Improvements

  • Added new Import Media options to File menu and Media Pool context menu
  • Added support for stereoscopic 3D clips in Media Management (Studio version)
  • Added support for display drive names in Media Storage on Windows
  • Addressed issues with open file location from Media Pool on Linux
  • Added Source Name tag support for filename without extension
  • Added support for automatically setting pixel aspect ratio for anamorphic ARRIRAW MXF clips

Codec & Format Improvements

  • Added support for ProRes decode on Windows
  • Improved QuickTime decode and encode performance on Windows
  • Support for UHD H.264 renders on Windows
  • Improved QuickTime decode and encode performance on Linux
  • Added support for HEVC (H.265) decode on Linux
  • Added support for alpha channel in DNxHR 444
  • Added support for the Sony X-OCN format
  • Added support for various AAC encode parameters on macOS
  • Added support for QuickTime AAC audio encoding on Windows
  • Added support for encoding QuickTime Photo JPEG files
  • Added support for decoding AVCHD files from the Sony NEX-FS700 camera
  • Added support for V-Gamut in RCM for improved Panasonic camera image handling
  • Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O
  • Addressed decoding of last frame in some Panasonic AVCHD clips
  • Improved handling of AVCHD .MTS clips
  • Added support for RED SDK v6.2.1

General Improvements

  • Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns
  • When running DaVinci Resolve in window mode, the macOS dock is now visible
  • Improved latency for remote grading (Studio version)
  • Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version)
  • Improved behavior when creating render jobs on locations without write permissions
  • General performance and stability improvements

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