With the SMX-30 you’ve always got the right microphone for the job. That’s because it is both a stereo microphone and a mono-shotgun microphone, allowing you to switch between the two on the fly.
So for the price of a single microphone you’re actually getting two. Talk about bang for your buck!
Plus with other great features like gain control, auto-on, a low cut filter, and of course awesome sound quality, the SMX-30 is sure to be a microphone you’ll always want to keep in your gear bag.
Use the stereo mode to capture rich, immersive audio that enhances the scene you're shooting. Great for nature scenes, musical performances, or any kind of action video.
Mono mode uses a supercardioid shotgun microphone to really focus in on your sound source. Perfect for picking up dialogue in vlog style videos, or for "run and gun" interview situations.
Made from a virtually unbreakable composite material, the shock mount effectively isolates the microphone from the vibrations created by handling a camera. Designed to mount on top of a camera’s cold shoe, a threaded ¼”-20 tap is also available for boompole and accessory bar mounting.
The SMX-30 is powered by two AA batteries that afford it 24 hours of continuous use. The battery LED lights up to warn you when you have about 30 minutes of battery life left. Plus, the auto power feature economizes battery usage by turning the microphone on and off with your camera.
Adapting the Sony A7S MK III for video and film making use requires thought and professional accessories. Here are our picks… Power Runtime is always a consideration with large sensor cameras, and the native Sony NP-FZ100 battery’s 17Wh capacity is limiting. An extremely popular device, CoreSWX’s 49Wh Powerbase Edge battery attaches to the bottom of the camera and provides around 8 hours of continuous shooting.
With the ever-growing popularity of web streaming and content, especially on YouTube and Twitch; the need for a high level production (or one that at least looks like it) is accelerating. Just turning your webcam on won’t cut it anymore. You’re going to be up against a lot of competing content that looks professional. Essentially, you’re looking at a small-scale live production, where every aspect needs to be considered. So, where do you start? The majority of streamers already out there, most likely, will have started out with a webcam, routed through a CDN platform like OBS, which is free software that, as well as streaming, provides basic mixing features that allow them to create live productions. A basic enhancement is to stream direct from a professional camcorder or attach your existing camera to a Teradek VidiU Go or Datavideo streaming encoder.And, by all means, that’s where you should start too. But if your channel starts to grow and you pick up a decently sized viewer base, you may be able to start gaining revenue from your channel through video monetisation or subscriber donations. At this point, it’s definitely time to update your gear. Webcams are fine but, like TV, it’s a competitive market and subpar equipment and production value will leave you in the depths…Only to be overlooked by a bored viewer, aimlessly scrolling through YouTube.