Video Monitors
SmallHD Cine 7 | Professional On-Camera Monitor with Optional ARRI Camera Control* - V Mount
Product Code: SHD-MON-CINE7-VM-KIT
Suggested Retail Price £1,595+VAT
Where to buy VideosStock status: In Stock; available from resellers
Features
The Cine 7 is the new standard for professional on-set monitoring, combining real-time ARRI camera control with a stunning 1,800 nit, 100% DCI-P3, 1080p display.
* camera control licenses sold separately
Variations
Professional Monitor/ Receiver with 1800 nits and DCI-P3 Colour - V Mount
Professional Monitor/ Receiver with 1800 nits and DCI-P3 Colour - Gold mount
Professional Monitor / Transmitter with Optional ARRI Camera Control*
Professional 7" Monitor / Sidekick II Receiver - Gold Mount
Professional 7" Monitor / Sidekick II Receiver - V-mount
Professional On-Camera Monitor with Optional ARRI Camera Control* - Gold Mount
Optional Extras
Software license and control cables that enables real-time configuration of ALEXA Mini and AMIRA cameras on Cine 7 monitors
[SHD-SFW-ARRI-CNTRL-KIT]
Software license and control cables that enables real-time configuration of RED DSMC2 cameras on Cine 7 monitors
[SHD-SFW-RED-CNTRL-KIT]
Protect your 700 Series, AC7-OLED, AC7-OLED-SDI, all DP7 Pro monitors and the DP1x from scratches during travel with this neoprene sleeve.
[SHD-ACCSLEEVE9]
702 Touch and CINE 7 Flexible, Anti-Reflective Scratch Protector
[SHD-ACC-SP-702TOUCH-MATTE]
Sony VENICE Camera Control Software License for Cine 7 monitors + Control Cable
[SHD-SFW-VENICE-CONTROL]
Partner Products
News
Last week SmallHD introduced the Indie 7; a brand new, 7” on-camera monitor. An entry-level addition to their “Smart 7 Monitor Family”, along with the mid-range 702 Touch and the flagship Cine 7. Each of these monitors is built off the same anodised aluminium chassis; has a 7” HD display, 4K HDMI & 3G-SDI connections, 1:1 pixel mapping and utilises the same PageOS 4 firmware, giving you all of the tools you need in an on-camera production monitor; LUTS, scopes, frame guides…the list goes on!So, while they look almost identical and share so many great features, it is important to know how they differ so that you can make the best decision for your production requirements.
RED Digital Cinema’s DSMC2 architecture has been one of the company’s most enduring camera systems. The design offers superb modularity, with the entire camera system built around a ‘Brain’, RED’s terminology for the camera module, housing the sensor, ASIC (Application Specific Integrated Circuit) for image processing, Mini-Mag slots for media, and I/O connectors for accessories. This approach offers a real advantage when building your shooting kit, as the same Brain can be configured for lightweight handheld or tracking applications, or fully rigged as a studio camera.
In The Box
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