Warranty information available here
The AJ-PX230 is a unique new model camera recorder with extremely high cost-performance.
It features a powerful CAM-type 22x zoom lens with three manual rings, a 600% dynamic range with 1/3-type 3MOS (RGB) image sensors, and AVC-ULTRA* multi-codec recording, including the high-quality AVC-Intra200 codec, all in an easy-to-operate, professional camera design.
As the ultimate handheld camera recorder, the AJ-PX230 offers high-quality acquisition for a host of uses, from ENG to video production.
* The AJ-PX230 does not support all of the formats included in the AVC-ULTRA family.
The AJ-PX230 features a high-performance, compact zoom lens. Zooming from 28 mm to 616 mm (35 mm equivalent), this 22x zoom lens covers a wide field of view, from wide-angle to telephoto, without the need for a conversion lens. Combining 18 lens elements in 12 groups, this advanced lens unit further adds a UHR (Ultra High Refractive) glass element, a low dispersion element and aspherical lenses. This advanced optical technology provides superbly high resolution.
In addition, it is combined with our unique digital signal processing technology, called Chromatic Aberration Compensation (CAC), to minimize colour bleeding in the surrounding image areas and to achieve rich expression with finely rendered nuances and excellent shading.
The AJ-PX230 has three manual rings: a mechanical (cam-type) zoom ring, a focus ring and an iris ring. The operating feel and rib pattern of these rings are carefully designed to make manual operation feel like using an interchangeable lens. The focus ring is knurled for reliable fingertip control of delicate focusing. The seesaw zoom levers (grip/handle) support extra-slow zooming down to 180 seconds.
*1: Flash Band Compensation will not operate while digital zooming.
This function detects and precisely compensates the flash bands (bands of light and dark) that often occur in still cameras equipped with an MOS sensor.
2.2-megapixel 1/3-type 3MOS (RGB) image sensors offer full-pixel HD (1920 x 1080) resolution, F11 (59.94 Hz) or F12 (50 Hz) sensitivity* and low noise. They also achieve rich gradation and vibrant colour reproduction. The 1/3-type image sensors achieve the same maximum 600% level (compared to the 300% level of our previous model) of dynamic range as many high-end shoulder-type models. This captures rich data all the way from highlights to shadows, to render truly realistic images. Features such as color grading also expand post-production flexibility.
* In [HIGH SENS.] mode
The AJ-PX230's camera signal processing LSI enables hue-adjustable 12-axis colour compensation for each color gamut, independent 3-axis skin-tone colour compensation, and also has a detailed image adjustment function. The image adjustment menu brings you intuitive image control.
Setting Items: H detail, V detail, detail coring, skin tone detail, chroma level, colour temperature, master pedestal, knee, matrix, color correction, RB gain control, chroma setting, black control, gamma, high color, white clip.
The Variable Frame Rate function (AVC-Intra100)* was inherited from the Panasonic VariCam, which is widely used for producing movies, TV series and TV commercials. Featuring a variable frame rate of 1 to 60 fps, this function creates a wide range of film-camera-like images, such as overcranking for slow-motion and undercranking for quick-motion effects.
* Pre-Rec, Loop Rec, Interval Rec, One-Shot Rec, Dual Rec and One-Clip Rec cannot be used while recording at native variable frame rate.
A variety of focus assist functions support quick and accurate focusing in manual focus mode.
* The focusing time varies depending on the shooting conditions and subjects.
The AJ-PX230 features a viewfinder with a high-resolution OLED display (approximately 2,360 K dots; image display area: approximately 1,770 K dots) for minimal image delay and superb colour eproduction. The LCD monitor uses a QHD IPS LCD panel. These allow easier focusing.
The electronic level lets you easily confirm camera tilting on the LCD monitor screen. It helps to keep the camera level during handheld shooting, low-angle shooting and high-angle shooting.
Six preset scene files can be changed freely. One set of scene files can be stored internally in the AJ-PX230, and eight sets can be stored on an SD Memory Card. In addition, one user file containing camera settings can also be stored internally in the AJ-PX230, and eight files can be stored on an SD Memory Card.
* When set to F1.6, 18 dB gain, 1-second accumulation, [HIGH SENS.] mode
The AJ-PX230 features the AVC-ULTRA codec family. To meet the various needs from mastering to streaming, the image quality and bit rate can be selected to match the application.
An intra-frame compression method that is highly suited to image production. In addition to the conventional AVC-Intra100/50 codec, the AJ-PX230 features the AVC-Intra200 codec with twice the bit rate (10 bit quantization, 4:2:2 sampling, and a bit rate of approximately 200 Mbps for 1080/59.94i). It offers a level of quality that meets the needs, from mastering and archiving.
This inter-frame compression method achieves highquality HD recording at a low bit rate. Ideal for providing on-air content direct from the shooting location and for workflows using content transferred over the internet. Three bit rates are available:
AVC-LongG50/25/12 Mbps. AVC-LongG25 provide 10 bit/4:2:2 quality at a bit rate of approximately 25 Mbps.
In addition to 1080/60i,* the AJ-PX230 supports 24p,* 30p,* 60p,* and 720p multi HD format and SD recording. It is 59.94 Hz/50 Hz switchable to ensure smooth global productions.
(Please see the specifications for more details.)
* 60i, 60p, 24p, and 30p are actually recorded at 59.94 Hz, 23.98 Hz, and 29.97 Hz respectively. 24p, 25p, and 30p are all available with native mode recording.
1080/60p* (50p) full frame progressive recording is supported. In addition to being able to record with the AVC-Intra100 or AVC-LongG25/LongG12 codec, the camera is capable of camera through output from the 3G-SDI and HDMI output terminals.
* 60p is actually recorded at 59.94 Hz.
AVC-Intra and AVC-LongG*1 modes support 24 bit digital audio recording*2 (16 bit for AVC-LongG12, DVCPRO HD, DVCPRO 50, DVCPRO and DV).
The AJ-PX230 offers 4 channel audio in all recording modes. Channel input is located in front and rear (both selectable from mic/line).
The level volume also supports 4 channels.
*1: The AVC-LongG12 mode does not support 24 bit digital audio recording.
*2: The audio signal can be played back by using 24 bit digital audio equipment.
For details, refer to "Note Regarding 24 bit Audio" on the back page.
The AJ-PX230 comes with two microP2 card slots.
*1: Slots cannot be switched during recording.
*2: The text memo and shot mark cannot be added in Loop Rec, Interval Rec, or One-Shot Rec mode.
The AJ-PX230 was designed for easy operation as an ENG camera. It inherits the functions, switch layout and dials of shoulder-type camera recorders. Users of professional shoulder-type camera recorders will be able to take advantage of the mobility of the AJ-PX230 immediately.
Even with its high-power zoom lens, the AJ-PX230 is compact and has a low center of gravity. It remains stable during handheld shooting, and provides excellent visibility and a wide field of view. The lens hood with a built-in cover improves convenience and safety while moving. The magnesium alloy diecast chassis is rugged and durable.
The AJ-PX230 is equipped with 2 channel XLR mic/line audio input terminals supporting a +48 V phantom power supply. They are arranged on the front and rear sides of the unit, just like on a shoulder-type model. The front mic terminal is located behind the rear mic mounting section, eliminating problems resulting from catching protrusions on the side panel. The rear external audio terminals are located on the right side for comfortable holding of the AJ-PX230 against the chest during recording, and also permit easy connection and disconnection while holding the camera recorder in shooting position.
The large-capacity battery is housed in the main body, and does not extend beyond the rear panel. This ensures comfortable holding of the AJ-PX230 against the chest. When power is supplied to the DC power supply input terminal using the AC adaptor, the battery can be changed while recording.
98wh 7.4v, 13200mah HDV Battery w/ 4 LED Gauge with 12v PowerTap for Select Panasonic Camcorders
Lightweight Tripod with Fluid Video Head and Aluminium Legs
Lightweight Tripod with Fluid Video Head and Carbon Legs
Here's an overview of our vendors exhibiting at ISE 2020. Please call us on +44 (0)1457 851000 if you would like to book a stand tour with one of our manufacturers. BLACKMAGIC DESIGN HALL 3, STAND C140 The Video Assist 12G 5” and 7” monitor recorders are now shipping. The original HD versions were incredibly popular with AV technicians who wanted to verify SDI and HDMI feeds and check waveform levels. For production teams, their 4K HDR capture makes them a superb on-camera SD card recorder. The ATEM Mini is a very small, cost-effective 4 channel HDMI video switcher with streaming output. Great as a portable mixer or a signal switcher, it’s being adopted by everyone from conference producers to AV technicians looking for simple HDMI switching.
The indicator for remaining card capacity is corrected because it has a problem when the format is AVC-G50/24PN, AVC-G25/24PN or AVC-G12/24PN.
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