HyperPrime CINE 1021MFT
SLR-1021MFT
HyperPrime CINE 10mm T2,1 MFT
SLR Magic
<p>The <strong>HyperPrime CINE 10mm T2.1</strong> Lens is an ultra wide angle lens exclusive designed for Micro Four Thirds (MFT) mount cameras. The field of view corresponds to 20mm in 35mm format which opens up many new creative possibilities, in particular architectural and landscape cinematography and photography. It is integrated with a smooth decoupled greared aperture ring (allows seemless transitions of exposure) and gearing to the focus ring to allow ease of use for "follow-focus" systems. The maximum fast aperture of T2.1 makes the 10mm Hyperprime Cine Lens ideally suited to available light photography.</p>
<p>The lens is dedicated to Micro Four Thirds (MFT) mount cameras, currently Panasonic, Olympus and Blackmagic Cinema cameras. The SLR Magic 10mm Hyperprime is a manual focus only lens with a superb anodised, metal body manufactured to the highest standards.</p>
<ul>
<li>Ultra wide angle lens</li>
<li>Low edge and corner distortion</li>
<li>Geared Focus and Iris control rings</li>
<li>Clickless Iris ring</li>
<li>Ideal for architectural and landscape cinematography / photography</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Angle of view:</strong> N/A</li>
<li><strong>Lens Hood:</strong> N/A</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
Spotting Scope
SLR-123650ED
12-36 x 50mm ED Spotting Scope
SLR Magic
<ul>
<li>12-36 x 50mm ED Spotting Scope</li>
<li>12-36x Zoom</li>
<li>Straight Viewing</li>
<li>Extra-Low Dispersion (ED) Optical Glass</li>
<li>50mm Objective Lens Diameter</li>
<li>AR Multicoated Optics</li>
<li>Fine and Coarse Coaxial Focus</li>
<li>Shade Sleeve</li>
<li>Rotating Tripod Collar</li>
<li>Water Resistant</li>
</ul>
82mm Variable ND Filter
SLR-82VNDII
82mm Variable Neutral Density Filter
SLR Magic
<p>The 82mm 0.4-1.8 Variable ND Filter - Mark II is a high quality variable neutral density filter providing a reduction of about 1.3 to 6 stops (ND1.3 to ND64) with 82mm rear filter thread. <br /> This variable Neutral Density filter creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed. The degree of density is easily controlled by rotating the front filter ring via the non-removable lever. Calibrated markings (12 reference points) make it easy for repeatable positions. The front filter ring has a larger diameter than the rear which is designed to avoid vignetting, even when using with wide angles lenses.</p>
<p>The latest Mark II versions feature the ability to rotate the filter without unscrewing it from the lens, assisting the orientation of the polarisation effect in Variable NDs. This is particularly useful when dealing with the polarisation effect expansive skies in landscape photography for example. The SLR Magic Variable ND filters are the highest quality multicoated optical glass to ensure the best performance. Variable ND filters usually show striation patterns in the out-of-focus circles of confusion in the bokeh but the SLR Magic Variable ND filters are optimized to suppress such unwanted artefacts. Suitable for film or still photography use. Includes protective case and front lens cap.</p>
<ul>
<li>82mm Variable Neutral Density Filter</li>
<li>Provides 1.3 to 6 Stops of Light Control</li>
<li>Rotating Ring to Choose Degree of ND</li>
<li>Larger Front Filter Ring to Avoid Vignetting</li>
</ul>
<h4>Specifications</h4>
<ul>
<li><strong>Thread diameter:</strong> 82mm (rear), 86mm (front)</li>
<li><strong>Weight:</strong> 76g</li>
</ul>
<ul>
<li>82mm 0.4-1.8 Variable Neutral Density Filter</li>
<li>Protective Case</li>
<li>Front Lens Cap</li>
</ul>
77mm Variable ND Filter
SLR-77VNDII
77mm Variable Neutral Density Filter
SLR Magic
<p>The 77mm 0.4-1.8 Variable ND Filter - Mark II is a high quality variable neutral density filter providing a reduction of about 1.3 to 6 stops (ND1.3 to ND64) with 77mm rear filter thread. <br /> This variable Neutral Density filter creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed. The degree of density is easily controlled by rotating the front filter ring via the non-removable lever. Calibrated markings (12 reference points) make it easy for repeatable positions. The front filter ring has a larger diameter than the rear which is designed to avoid vignetting, even when using with wide angles lenses.</p>
<p><br /> The latest Mark II versions feature the ability to rotate the filter without unscrewing it from the lens, assisting the orientation of the polarisation effect in Variable NDs. This is particularly useful when dealing with the polarisation effect expansive skies in landscape photography for example. The SLR Magic Variable ND filters are the highest quality multicoated optical glass to ensure the best performance. Variable ND filters usually show striation patterns in the out-of-focus circles of confusion in the bokeh but the SLR Magic Variable ND filters are optimized to suppress such unwanted artefacts. Suitable for film or still photography use. Includes protective case and front lens cap.</p>
<ul>
<li>77mm Variable Neutral Density Filter</li>
<li>Provides 1.3 to 6 Stops of Light Control</li>
<li>Rotating Ring to Choose Degree of ND</li>
<li>Larger Front Filter Ring to Avoid Vignetting</li>
</ul>
<h4>Specifications</h4>
<ul>
<li><strong>Thread diameter:</strong> 77mm (rear), 86mm (front)</li>
<li><strong>Weight:</strong> 82g</li>
</ul>
<ul>
<li>77mm 0.4-1.8 Variable Neutral Density Filter</li>
<li>Protective Case</li>
<li>Front Lens Cap</li>
</ul>
62mm Variable ND Filter
SLR-62VNDII
62mm Variable Neutral Density Filter
SLR Magic
<p>The 62mm 0.4-1.8 Variable ND Filter - Mark II is a high quality variable neutral density filter providing a reduction of about 1.3 to 6 stops (ND1.3 to ND64) with 62mm rear filter thread.<br /> This variable Neutral Density filter creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed. The degree of density is easily controlled by rotating the front filter ring via the non-removable lever. Calibrated markings (12 reference points) make it easy for repeatable positions. The front filter ring has a larger diameter than the rear which is designed to avoid vignetting, even when using with wide angles lenses.</p>
<p>The latest Mark II versions feature the ability to rotate the filter without unscrewing it from the lens, assisting the orientation of the polarisation effect in Variable NDs. This is particularly useful when dealing with the polarisation effect expansive skies in landscape photography for example. The SLR Magic Variable ND filters are the highest quality multicoated optical glass to ensure the best performance. Variable ND filters usually show striation patterns in the out-of-focus circles of confusion in the bokeh but the SLR Magic Variable ND filters are optimized to suppress such unwanted artefacts. Suitable for film or still photography use. Includes protective case and front lens cap.</p>
<ul>
<li>62mm Variable Neutral Density Filter</li>
<li>Provides 1.3 to 6 Stops of Light Control</li>
<li>Rotating Ring to Choose Degree of ND</li>
<li>Larger Front Filter Ring to Avoid Vignetting</li>
</ul>
<h4>Specifications</h4>
<ul>
<li><strong>Thread diameter:</strong> 62mm (rear), 72mm (front)</li>
<li><strong>Weight:</strong> 60g</li>
</ul>
<ul>
<li>62mm 0.4-1.8 Variable Neutral Density Filter</li>
<li>Protective Case</li>
<li>Front Lens Cap</li>
</ul>
52mm Variable ND Filter
SLR-52VNDII
52mm Variable Neutral Density Filter
SLR Magic
<p>The 52mm 0.4-1.8 Variable ND Filter - Mark II is a high quality variable neutral density filter providing a reduction of about 1.3 to 6 stops (ND1.3 to ND64) with 62mm rear filter thread. <br /> This variable Neutral Density filter creates a darkening of the entire image, allowing you to photograph with a wider aperture or slower shutter speed. The degree of density is easily controlled by rotating the front filter ring via the non-removable lever. Calibrated markings (12 reference points) make it easy for repeatable positions. The front filter ring has a larger diameter than the rear which is designed to avoid vignetting, even when using with wide angles lenses.</p>
<p>The latest Mark II versions feature the ability to rotate the filter without unscrewing it from the lens, assisting the orientation of the polarisation effect in Variable NDs. This is particularly useful when dealing with the polarisation effect expansive skies in landscape photography for example. The SLR Magic Variable ND filters are the highest quality multicoated optical glass to ensure the best performance. Variable ND filters usually show striation patterns in the out-of-focus circles of confusion in the bokeh but the SLR Magic Variable ND filters are optimized to suppress such unwanted artefacts. Suitable for film or still photography use. Includes protective case and front lens cap.</p>
<ul>
<li>52mm Variable Neutral Density Filter</li>
<li>Provides 1.3 to 6 Stops of Light Control</li>
<li>Rotating Ring to Choose Degree of ND</li>
<li>Larger Front Filter Ring to Avoid Vignetting</li>
</ul>
<h4>Specifications</h4>
<ul>
<li><strong>Thread diameter:</strong> 52mm (rear), 62mm (front)</li>
<li><strong>Weight:</strong> 48g</li>
</ul>
<ul>
<li>52mm 0.4-1.8 Variable Neutral Density Filter</li>
<li>Protective Case</li>
<li>Front Lens Cap</li>
</ul>
Anamorphot CINE 2XMFTSET
SLR-AC2XMFTSET
Anamorphic CINE 2x, 3-lens set - MFT
SLR Magic
<p>The 3 piece Anamorphot CINE Lens Set (35/50/70) in MFT MOUNT is a special three piece 2x Anamorphic lens set for Micro Four Thirds (MFT) mount cameras.</p>
<p>The Set Contains the following Anamorphic lenses:</p>
<ul>
<li>ANAMORPHOT-CINE 35mm T2.4 (MFT)</li>
<li>ANAMORPHOT-CINE 50mm T2.8 (MFT)</li>
<li>ANAMORPHOT-CINE 70mm T4 (MFT)</li>
</ul>
<ul>
<li>35, 50, 70mm Lenses Covers Four Thirds</li>
<li>2x Anamorphic Squeeze</li>
<li>3.5' Minimum Focus distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>3 Lens Hard Case Included</li>
<li><strong>Lens Coating:</strong> Multicoated</li>
<li><strong>Image Circle:</strong> mFT for 35mm T2.4, S35 for 50mm T2.8 and 70mm T4</li>
<li><strong>Format:</strong> 2x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Suggested aperture setting:</strong> T4-5.6</li>
<li><strong>Maximum Aperture:</strong> T2.4- T4 (dependent on lens)</li>
<li><strong>Focus type:</strong> Manual</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 35mm T2.4 (MFT)</li>
<li>ANAMORPHOT-CINE 50mm T2.8 (MFT)</li>
<li>ANAMORPHOT-CINE 70mm T4 (MFT)</li>
<li>Lens Caps</li>
<li>1 Lens hood adapter</li>
<li>1 15mm lens rod support</li>
<li>3 Lens Hard Transport Case</li>
</ul>
HyperPrime CINE III 2595MFT
SLR-2595MFT
25mm T0.95 Hyperprime CINE III Lens
SLR Magic
<p>The HyperPrime CINE III 2595MFT Lens is one of the World's brightest 25mm lenses. This new updated version has been strengthened to assist operation when using with the Anamophot, anamorphic adapter. Lens support is still recommended, particularly when using additional dioptres. Aimed at movie and film use with a smooth decoupled aperture allowing seemless transitions of exposure. The fast T0.95 aperture allows shallow depth of field and offers a dreamy and unique character. The 25mm is also perfect for both low-light photography and cinematography.<br /><br />With a Micro Four Thirds (MFT) mount, the lens is compatible with Panasonic, Olympus and Blackmagic Cinema cameras. The 25mm HyperPrime is manual focus only with superb metal construction to the highest standards. The impressive workmanship is well suited for professional use. Both aperture and focus rings have integrated gearing for use on follow focus systems and camera rigs. The 25mm focal length makes it an ideal 50mm equivalent focal length.</p>
<ul>
<li>25mm T0.95 Hyperprime CINE III Lens</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Lens Hood:</strong> Optional</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
HyperPrime CINE II 3595MFT
SLR-3595MFT
35mm T0.95 Hyperprime Cine II Lens - MFT Mount
SLR Magic
<p>The HyperPrime CINE II 3595 Lens is a super fast prime lens for photography and cinematography. One of the World's fastest production lenses it features a T0.95 aperture for amazing low light potential, along with offering superb bokeh and character for artistic and dreamy shots. Shooting near or wide open the lens renders images and video with extreme shallow depth of field for a dreamy and unique character. The decoupled aperture and smooth focus allows seemless transition of exposure and focus in video and movie making.</p>
<p>The lens is available in Micro Four Thirds (MFT) fit, for Panasonic / Olympus and Blackmagic Cinema cameras, <a href="/SLR+Magic/Lenses+and+Adapters/HyperPrime+CINE+II+3595E">Sony E-Mount</a> and <a href="/SLR+Magic/Lenses+and+Adapters/HyperPrime+CINE+II+3595X">Fujifilm X mount</a>. The HyperPrime CINE II 3595MFT Lens is a manual focus only lens with excellent build quality and metal construction.</p>
<ul>
<li>35mm T0.95 Hyperprime Cine II Lens</li>
<li><strong>Available mounts: </strong>Micro Four Thirds (MFT) / Sony E / Fujifilm X</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Focal length:</strong> 35mm (70mm MFT / 52.5mm Sony E, Fujifilm X / 80mm in Blackmagic camera MFT mount)</li>
<li><strong>Lens Hood:</strong> Built-in</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
Anamorphot CINE 702XMFT
SLR-AC702XMFT
Anamorphic CINE Lens 2x70mm T4 - MFT
SLR Magic
<p>The ANAMORPHOT-CINE 70mm T4 is a 2x Anamorphic lens for Micro Four Thirds (MFT) mount cameras. 70mm focal length, (140mm equivalent on 2x crop MFT Sensors) SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series.</p>
<p>The 70mm 2x Anamorphot-CINE Lens is a complete, one piece, anamorphic lens with a maximum aperture of T4. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case.</p>
<ul>
<li>70mm T4 Lens for Four Thirds Sensors</li>
<li>2x Anamorphic Squeeze</li>
<li>3.5' Minimum Focus distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>Hard Case Included</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Suggested aperture setting:</strong> T4-5.6</li>
<li><strong>Format:</strong> 2x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Image Circle:</strong> S35 for 70mm T4</li>
<li><strong>Lens Coating:</strong> Multicoated</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 70mm T4 2x Anamorphic lens MFT</li>
<li>Lens Caps</li>
<li>Lens hood adapter</li>
<li>Hard Transport Case</li>
</ul>
HyperPrime CINE II 3595E
SLR-3595E
35mm T0.95 Hyperprime Cine II Lens - E Mount
SLR Magic
<p>The HyperPrime CINE II 3595 Lens is a super fast prime lens for photography and cinematography. One of the World's fastest production lenses it features a T0.95 aperture for amazing low light potential, along with offering superb bokeh and character for artistic and dreamy shots. Shooting near or wide open the lens renders images and video with extreme shallow depth of field for a dreamy and unique character. The decoupled aperture and smooth focus allows seemless transition of exposure and focus in video and movie making.</p>
<p>The lens is available in Micro Four Thirds (MFT) fit, for Panasonic / Olympus and Blackmagic Cinema cameras, <a href="/SLR+Magic/Lenses+and+Adapters/HyperPrime+CINE+II+3595E">Sony E-Mount</a> and <a href="/SLR+Magic/Lenses+and+Adapters/HyperPrime+CINE+II+3595X">Fujifilm X mount</a>. The HyperPrime CINE II 3595MFT Lens is a manual focus only lens with excellent build quality and metal construction.</p>
<ul>
<li>35mm T0.95 Hyperprime Cine II Lens</li>
<li><strong>Available mounts: </strong>Micro Four Thirds (MFT) / Sony E / Fujifilm X</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Focal length:</strong> 35mm (70mm MFT / 52.5mm Sony E, Fujifilm X / 80mm in Blackmagic camera MFT mount)</li>
<li><strong>Lens Hood:</strong> Built-in</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
HyperPrime CINE II 3595X
SLR-3595X
35mm T0.95 Hyperprime Cine II Lens - X Mount
SLR Magic
<p>The HyperPrime CINE II 3595 Lens is a super fast prime lens for photography and cinematography. One of the World's fastest production lenses it features a T0.95 aperture for amazing low light potential, along with offering superb bokeh and character for artistic and dreamy shots. Shooting near or wide open the lens renders images and video with extreme shallow depth of field for a dreamy and unique character. The decoupled aperture and smooth focus allows seemless transition of exposure and focus in video and movie making.</p>
<p>The lens is available in Micro Four Thirds (MFT) fit, for Panasonic / Olympus and Blackmagic Cinema cameras, <a href="/SLR+Magic/Lenses+and+Adapters/HyperPrime+CINE+II+3595E">Sony E-Mount</a> and <a href="/SLR+Magic/Lenses+and+Adapters/HyperPrime+CINE+II+3595X">Fujifilm X mount</a>. The HyperPrime CINE II 3595MFT Lens is a manual focus only lens with excellent build quality and metal construction.</p>
<ul>
<li>35mm T0.95 Hyperprime Cine II Lens</li>
<li><strong>Available mounts: </strong>Micro Four Thirds (MFT) / Sony E / Fujifilm X</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Focal length:</strong> 35mm (70mm MFT / 52.5mm Sony E, Fujifilm X / 80mm in Blackmagic camera MFT mount)</li>
<li><strong>Lens Hood:</strong> Built-in</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
Anamorphot CINE 502XMFT
SLR-AC502XMFT
Anamorphic CINE Lens 2x 50mm T2.8 - MFT
SLR Magic
<p>The ANAMORPHOT-CINE 50mm T2.8 is a 2x Anamorphic lens for Micro Four Thirds (MFT) mount cameras. 50mm focal length, (100mm equivalent on 2x crop MFT Sensors) SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series.</p>
<p>The 50mm 2x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.8. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case.</p>
<ul>
<li>50mm T2.8 Lens for Four Thirds Sensors</li>
<li>2x Anamorphic Squeeze</li>
<li>3.5' Minimum Focus distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>Hard Case Included</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Suggested aperture setting:</strong> T4-5.6</li>
<li><strong>Format:</strong> 2x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Image Circle:</strong> S35 for 50mm T2.8</li>
<li><strong>Lens Coating:</strong> Multicoated</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 50mm T2.8 2x Anamorphic lens MFT</li>
<li>Lens Caps</li>
<li>Lens hood adapter</li>
<li>Hard Transport Case</li>
</ul>
Anamorphot CINE 352XMFT
SLR-AC352XMFT
Anamorphic CINE Lens 2x 35mm T2.4 - MFT
SLR Magic
<p>The ANAMORPHOT-CINE 35mm T2.4 is a 2x Anamorphic lens for Micro Four Thirds (MFT) mount cameras. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series.</p>
<p>The 35mm 2x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.4. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case.</p>
<ul>
<li>35mm T2.4 Lens for Four Thirds Sensor</li>
<li>2x Anamorphic Squeeze</li>
<li>3.5' Minimum Focus Distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>Hard Case Included</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Suggested aperture setting:</strong> T4-5.6</li>
<li><strong>Format:</strong> 2x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Image Circle:</strong> mFT for 35mm T2.4</li>
<li><strong>Lens Coating:</strong> Multicoated</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 35mm T2.4 2x Anamorphic Lens</li>
<li>Lens Caps</li>
<li>15mm rod lens support</li>
<li>Hard Transport Case</li>
</ul>
HyperPrime CINE 5095MFT
SLR-5095MFT
Hyperprime Cine 50mm T0.95 Lens
SLR Magic
<p>The HyperPrime CINE 5095MFT Lens is new lens designed for Micro Four Thirds (MFT) mount cameras. The field of view corresponds to 100mm in 35mm format which opens up many new creative possibilities, in particular portrait photography and documentary cinematography. The twelve bladed aperture provides beautiful, creamy bokeh (de-focused backgrounds) giving that distinct visual style, that many other lenses do not offer. As usual with SLR Magic CINE lenses it is integrated with a smooth decoupled greared aperture ring (allows seem-less transitions of exposure) and gearing to the focus ring to allow ease of use for "follow-focus" systems. The maximum ultra fast aperture of T0.95 makes the 50mm Hyperprime Cine Lens ideally suited to available light photography.<br /><br />With a Micro Four Thirds (MFT) mount, the lens is compatible with Panasonic, Olympus and Blackmagic Cinema cameras. The HyperPrime CINE 5095MFT is a manual focus only lens with an anodised metal body manufactured to the highest standards.</p>
<ul>
<li>Hyperprime Cine 50mm T0.95 Lens</li>
<li><strong>Focus type: </strong>Manual</li>
<li><strong>Lens Hood: </strong>N/A</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
Anamorphot CINE 133PLSET
SLR-AC133PLSET
Anamorphic CINE 1.33x 3 Lens Set - PL
SLR Magic
<p>The 3 piece Anamorphot CINE Lens Set (35/50/70) in PL MOUNT is a special three piece Anamorphic lens set for PLmount cameras, with 1.33x Horizontal Squeeze. <br />Contains the following PL MOUNT Anamorphic lenses:</p>
<ul>
<li>ANAMORPHOT-CINE 35mm T2.4</li>
<li>ANAMORPHOT-CINE 50mm T2.8</li>
<li>ANAMORPHOT-CINE 70mm T4</li>
</ul>
<ul>
<li>35mm Lens for S35 Sensors</li>
<li>50mm and 70mm Lenses Cover Full Frame</li>
<li>1.33x Anamorphic Squeeze</li>
<li>2.0x Anamorphic Mask</li>
<li>3.5' Minimum Focus Distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>3 Lens Hard Case Included</li>
<li>Titanium PL Mount - compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapter</li>
<li><strong>Focus type: </strong>Manual</li>
<li><strong>Suggested aperture setting: </strong>T4-5.6</li>
<li><strong>Format: </strong>1.33x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Image Circle: </strong>S35 for 35mm T2.4 (5.5K on DRAGON), FF for 50mm T2.8 (8K on WEAPON), FF for 70mm T4 (8K on WEAPON)</li>
<li><strong>Lens Coating: </strong>Multicoated</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 35mm T2.4</li>
<li>ANAMORPHOT-CINE 50mm T2.8</li>
<li>ANAMORPHOT-CINE 70mm T4</li>
<li>Lens Caps</li>
<li>3 Lens hood adapters</li>
<li>3 Lens Hard Case</li>
</ul>
Anamorphot CINE 70133PL
SLR-AC70133PL
Anamorphic CINE Lens 1.33x 70mm T4 - PL
SLR Magic
<p>The ANAMORPHOT-CINE 70mm T4 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. The 70mm PL mount features a Full frame image circle. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 70mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T4.</p>
<p>The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case.</p>
<ul>
<li>70mm T4 Lens for Full Frame Sensors</li>
<li>1.33x Anamorphic Squeeze</li>
<li>2.0x Anamorphic Mask</li>
<li>3.5' Minimum Focus Distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>Hard Case Included</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Suggested aperture setting:</strong> T4-5.6</li>
<li><strong>Format:</strong> 1.33x Horizontal Squeeze Anamorphic lens</li>
<li>Titanium PL Mount - compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapter</li>
<li><strong>Image Circle:</strong> FF for 70mm T4 (8K on WEAPON)</li>
<li><strong>Lens Coating:</strong> Multicoated</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 70mm T4 1.33x Anamorphic lens -PL Mount</li>
<li>Lens Caps</li>
<li>Lens hood adapter</li>
<li>Hard Transport Case</li>
</ul>
Anamorphot CINE 50133PL
SLR-AC50133PL
Anamorphic CINE Lens 1.33x 50mm T2.8 - PL
SLR Magic
<p>The ANAMORPHOT-CINE 50mm T2.8 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. The 50mm PL mount Features a Full frame image circle. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series.</p>
<p>The 50mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.8. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case.</p>
<ul>
<li>50mm T2.8 Lens for Full Frame Sensors</li>
<li>1.33x Anamorphic Squeeze</li>
<li>2.0x Anamorphic Mask</li>
<li>3.5' Minimum Focus Distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>Hard Case Included</li>
<li>Titanium PL Mount - compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapter</li>
<li><strong>Focus type: </strong>Manual</li>
<li><strong>Suggested aperture setting: </strong>T4-5.6</li>
<li><strong>Format: </strong>1.33x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Image Circle: </strong>FF for 50mm T2.8 (8K on WEAPON)</li>
<li><strong>Lens Coating: </strong>Multicoated</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 50mm T2.8 1.33x Anamorphic lens - PL Mount</li>
<li>Lens Caps</li>
<li>Lens hood adapter</li>
<li>Hard Transport Case</li>
</ul>
Anamorphot CINE 35133PL
SLR-AC35133PL
Anamorphic CINE Lens 1.33x 35mm T2.4 - PL
SLR Magic
<p>The ANAMORPHOT-CINE 35mm T2.4 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 35mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.4.</p>
<p>The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case.</p>
<ul>
<li>35mm T2.4 Lens for S35 Sensors</li>
<li>1.33x Anamorphic Squeeze</li>
<li>2.0x Anamorphic Mask</li>
<li>3.5' Minimum Focus Distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>Hard Case Included</li>
<li>Titanium PL Mount - compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapter</li>
<li><strong>Lens Coating: </strong>Multicoated</li>
<li><strong>Image Circle: </strong>S35 for 35mm T2.4 (5.5K on DRAGON)</li>
<li><strong>Format: </strong>1.33x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Suggested aperture setting: </strong>T4-5.6</li>
<li><strong>Focus type: </strong>Manual</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 35mm T2.4 1.33x Anamorphic lens - PL Mount</li>
<li>Lens Caps</li>
<li>Lens hood adapter</li>
<li>Hard Transport Case</li>
</ul>
Step Up Ring 5877R
SLR-5877R
58 - 77mm Step Up Ring
SLR Magic
<p>The 58-77mm Step Up Ring is designed exclusively to fit the SLR Magic 12mm T1.6 HyperPrime CINE lens (original Tulip style version), and allows the use of 77mm filters, such as UV and Neutral Density.<br /> NOTE: May cause slight vignetting with later version lenses.</p>
<ul>
<li>58 - 77mm Step Up Ring</li>
<li>Designed exclusively to fit the SLR Magic 12mm T1.6 HyperPrime CINE len</li>
<li>Allows the use of 77mm filters - such as UV and Neutral Density</li>
</ul>
Step Up Ring 4977R
SLR-4977R
49 - 77mm Step Up Ring
SLR Magic
<p>The 49-77mm Step Up Ring is designed exclusively to fit the new 25mm T0.95 HyperPrime CINE lens, and allows the use of 77mm filters, such as UV and Neutral Density.</p>
<ul>
<li>49 - 77mm Step Up Ring</li>
<li>Designed exclusively to fit the 25mm T0.95 HyperPrime CINE lens</li>
<li>Allows the use of 77mm filters - such as UV and Neutral Density</li>
</ul>
CINE 3514E
SLR-3514E
35mm T1.4 CINE II Lens - E Mount
SLR Magic
<p>The CINE 3514 Lens is a compact lens designed for compact system cameras for both photography and cinematography. Excellent for portrait and creative photography.<br /><br />With a wide aperture it shows a sharp “hot spot” in the centre and a beautiful, soft bokeh in the boundary area aided by 12 curved aperture blades and optical design. With different combinations of f-stop and focus, the CINE 3514 provides a lovely feel and look to images, perfect for both stills photography and cine use.<br /><br />The robust metal construction houses an array of glass elements (8 elements in 8 groups, 4 tantalum) to provide a fast aperture of T1.4 (T stops are a measure of the actual amount of available light). Aperture setting and focusing is done manually. Specifically for cinematographers this lens has an integrated follow-focus set-up and a "de-clicked" (silent / smooth) aperture. These are essential when filmaking.<br /><br />Compact and lightweight, a perfect everyday companion for everyone. Compatible with Micro four thirds (MFT) mount cameras (Fujifilm X mount and Sony E mount also available). This mark II version has improved focusing and a more robust front section. The latter is designed to allow the use of anamorphic lenses with out compromise.</p>
<ul>
<li>CINE II 35mm T1.4 Lens</li>
<li><strong>Available mounts:</strong> Micro Four Thirds (MFT) / Sony E / Fujifilm X</li>
<li><strong>Focal length: </strong>35mm (74mm MFT, 55mm Sony E, Fujifilm X )</li>
<li><strong>Focus type: </strong>Manual</li>
<li><strong>Lens Hood: </strong>N/A</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
CINE 3514X
SLR-3514X
35mm T1.4 CINE II Lens - X Mount
SLR Magic
<p>The CINE 3514 Lens is a compact lens designed for compact system cameras for both photography and cinematography. Excellent for portrait and creative photography.<br /><br />With a wide aperture it shows a sharp “hot spot” in the centre and a beautiful, soft bokeh in the boundary area aided by 12 curved aperture blades and optical design. With different combinations of f-stop and focus, the CINE 3514 provides a lovely feel and look to images, perfect for both stills photography and cine use.<br /><br />The robust metal construction houses an array of glass elements (8 elements in 8 groups, 4 tantalum) to provide a fast aperture of T1.4 (T stops are a measure of the actual amount of available light). Aperture setting and focusing is done manually. Specifically for cinematographers this lens has an integrated follow-focus set-up and a "de-clicked" (silent / smooth) aperture. These are essential when filmaking.<br /><br />Compact and lightweight, a perfect everyday companion for everyone. Compatible with Micro four thirds (MFT) mount cameras (Fujifilm X mount and Sony E mount also available). This mark II version has improved focusing and a more robust front section. The latter is designed to allow the use of anamorphic lenses with out compromise.</p>
<ul>
<li>CINE II 35mm T1.4 Lens</li>
<li><strong>Available mounts:</strong> Micro Four Thirds (MFT) / Sony E / Fujifilm X</li>
<li><strong>Focal length: </strong>35mm (74mm MFT, 55mm Sony E, Fujifilm X )</li>
<li><strong>Focus type: </strong>Manual</li>
<li><strong>Lens Hood: </strong>N/A</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
Achromatic Diopter 1.8
SLR-AD18
77mm Achromatic Diopter 1.8
SLR Magic
<p>The Achromatic +1.8 Diopter is specifically designed for use with the new SLR Magic 2x 50 Anamorphot.</p>
<p>Advanced achromatic diopters are designed to provide greater close-up and magnification capability. Particularily suited to zoom video lenses, maintaining zoom capabilities without compromising image quality.</p>
<p>An Achromatic Diopter is essential whenever it is necessary to focus tightly on a small subject with a long lens - in tabletop, miniature and flat field photography.</p>
<p>Reduced working distance offers a range of shooting possibilities. Exceptional, crisp cinematography of small objects like jewellery is now possible.</p>
<ul>
<li>77mm Achromatic Diopter 1.8</li>
<li>Close Focus Adapter</li>
<li>77mm Filter Ring Thread</li>
<li>Anti-Reflective Multi-Coating</li>
<li>Supports SLR Magic Anamorphot Adapters</li>
</ul>
<h4>Specifications</h4>
<ul>
<li><strong>Magnification:</strong> +1.8</li>
<li><strong>Thread diamater:</strong> 77mm</li>
<li><strong>Dimensions:</strong> 77mm</li>
<li><strong>Weight:</strong> 155g</li>
</ul>
<ul>
<li>+1.8 Diopter</li>
<li>Case</li>
</ul>
Anamorphot Adapter 502X
SLR-A502X
Anamorphic Adapter 2x 50
SLR Magic
<p>The Anamorphot 2x 50 is a anamorphic lens adapter designed for cinematography. Increases image resolution and detail by squashing / compressing the image horizontally by a factor of 2x to allow maximum utilisation of the cameras' sensor, especially those of "full frame" dimensions.</p>
<p>Increases image resolution and detail by squashing / compressing the image horizontally by a factor of 2x to allow maximum utilisation of the cameras' sensor. Anamorphic lenses therefore require subsequent stretching, in post-production or at projection. Intended for use with shooting at 4:3, bringing the intended output to a standard 2.39:1 wide format with a higher resolution than simply letter-boxing the image in camera. The lens features an adjustable dioptre for "sweet spot" adjustment controls on focus, "near" and "far".</p>
<p>This anamorphic adapter also offers unique effects such as horizontal flare and streaks from light sources and ellipsoidal bokeh (great with the use of the optional +1.8 diopter), for cinematographers wanting a characteristic filmic look. Depth of field is also affected, as in practice when using an anamorphic lens a longer focal length is required in order to achieve the same angle of view. Therefore anamorphic lenses produce a shallower, more cinematic depth of field than a the same lens without the adapter.</p>
<p>This anamorphic adapter also offers unique effects such as horizontal flare and streaks from light sources and ellipsoidal bokeh, for cinematographers wanting a characteristic filmic look. Depth of field is also affected, as in practice when using an anamorphic lens a longer focal length is required in order to achieve the same angle of view. Therefore anamorphic lenses produce a shallower, more cinematic depth of field than a the same lens without the adapter.</p>
<p>The adapter has a 77mm front filter thread and a native 62mm rear thread. As such it is only suitable for lenses which have a front element size of 50mm or less. Limitations of close focusing is helped with the use of dioptres which further enhances image. resolution and sharpness on close / medium distance applications.<br /> PLEASE NOTE: Due to the additional weight of the Anamorphot adapter and extra strain placed on the taking lens the use of of lens support is essential at all times.</p>
<ul>
<li>Anamorphic Adapter 2x 50</li>
<li>2.0x Anamorphic Squeeze</li>
<li>Creates 2.35:1 Images on 4:3 Sensors</li>
<li>Near / Normal Focus Adjustment</li>
<li>Mounts to Lenses with 62mm Front Thread</li>
</ul>
<h4>Specifications</h4>
<ul>
<li><strong>Focus type: </strong>Manual</li>
<li><strong>Format: </strong>2x</li>
<li><strong>Thread diamater: </strong>77mm</li>
<li><strong>Weight: </strong>560g</li>
</ul>
<p>Anamorphot 2x Anamorphic Adapter</p>
Anamorphot Adapter 50133X
SLR-A50133X
Anamorphic Adapter 1.33x, 50
SLR Magic
<p>The Anamorphot 1.33x 50 is a anamorphic lens adapter designed for cinematography, it increases image resolution and detail by squashing / compressing the image horizontally by a factor of 1.33x to allow maximum utilisation of the cameras' sensor. Anamorphic lenses therefore require subsequent stretching, in post-production or at projection. Intended for use with shooting at 16:9, bringing the intended output to a standard 2.39:1 wide format with a higher resolution than simply letter-boxing the image in camera. The lens features an adjustable dioptre for "sweet spot" adjustment controls on focus.</p>
<p>This anamorphic adapter also offers unique effects such as horizontal flare and streaks from light sources and ellipsoidal bokeh, for cinematographers wanting a characteristic filmic look. Depth of field is also affected, as in practice when using an anamorphic lens a longer focal length is required in order to achieve the same angle of view. Therefore anamorphic lenses produce a shallower, more cinematic depth of field than a the same lens without the adapter.</p>
<p>The adapter has a 77mm front filter thread and a native 62mm rear thread with a 58mm, 52mm, 49mm adapter rings provided. As such it is only suitable for lenses which have a front element size of 50mm or less.</p>
<p>Limitations of close focusing is helped with the use of dioptres which further enhances image. resolution and sharpness on close / medium distance applications.</p>
<p>PLEASE NOTE: Due to the additional weight of the Anamorphot adapter and extra strain placed on the taking lens the use of of lens support is highly recommended / essential, particularly when using additional dioptres or on follow focus rigs. The alignment finger-screws require only fingertip tightening and loosening of one of the screws to secure the alignment.</p>
<ul>
<li>Anamorphic Adapter 1.33x, 50</li>
<li>1.33x Anamorphic Squeeze</li>
<li>Creates 2.35:1 Images on 16:9 Sensor</li>
<li>Near / Normal Focus Adjustment</li>
<li>Includes Three Step-Up Rings</li>
</ul>
<h4>Specifications</h4>
<ul>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Format:</strong> 1.33x</li>
<li><strong>Thread diamater:</strong> 77mm</li>
<li><strong>Weight:</strong> 380g</li>
</ul>
<ul>
<li>Anamorphot 1.33x Anamorphic Adapter</li>
<li>49mm Step Up Ring</li>
<li>52mm Step Up Ring</li>
<li>58mm Step Up Ring</li>
</ul>
3517E
SLR-3517E
35mm F1.7 Lens
SLR Magic
<ul>
<li>35mm F1.7 Lens</li>
<li>Aperture Range: f/1.7 to f/16</li>
<li>Focus Type: Manual</li>
</ul>
3517MFT
SLR-3517MFT
35mm F1.7 Lens - MFT
SLR Magic
<p>The 3517MFT is a compact lens designed for Micro Four Thirds cameras. <br /><br />The 3517MFT provides a 5mm-equivalent focal length of 74mm and benefits by a fast f/1.7 maximum aperture. Its unique design produces a sharp central area of the image, which is surrounded by a gradual blurring effect towards the edges of the frame. <br /><br />Manual focus and aperture selection affords complete control over the look of imagery and its lightweight, sleek form is well-paired for use with mirrorless cameras.</p>
<ul>
<li>35mm F1.7 Lens</li>
<li><strong>Aperture Range: </strong>f/1.7 to f/16</li>
<li><strong>Focus Type: </strong>Manual</li>
</ul>
TOY 2614MFT
SLR-T-2614MFT
TOY 26mm f/1.4 - MFT
SLR Magic
<p>Bring more fun into photography. The 26mm 'Toy' lens is dedicated for Micro Four Thirds (MFT) mount cameras. With this lens, you can convert your MFT camera (currently Panasonic and Olympus brands) into a lomo camera and take gorgeous, creative pictures.</p>
<p>Bring charm and a whole new image language into your photos with the impressive effects. Pictures taken with this 26mm lens are characterised by a sharp image centre with a low depth and a beautifully soft bokeh. Furthermore, it offers strong vignetting in the corners.</p>
<p>A super fast aperture of f/1.4 allows superb results even in difficult lighting conditions. Compact and lightweight, only approx. 90g so that it readily fits into most photo bags.</p>
<p>The upbeat, colourful focus and aperture rings can be changed to your liking heightening the fun and style factor of the lens.</p>
<ul>
<li>TOY 26mm f/1.4 Lens - MFT</li>
<li>52mm (35mm Equivalent)</li>
<li>Aperture Range: f/1.4 to f/1.6</li>
<li>Micro Four Thirds mount</li>
<li>Produces a Toy Camera Effect</li>
<li>Sharp Center with Blurred Edges</li>
<li>Manual Focus and Aperture Control</li>
<li>Includes Coloured Control Ring Bands</li>
<li><strong>Focus type: </strong>Manual</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens Cap</li>
<li>Lens Back Cap</li>
<li>Coloured Control Ring Bands</li>
</ul>
TOY PIN
SLR-T-PIN
Toy Pin Hole Lens - MFT
SLR Magic
<ul>
<li>Toy Pin Hole Lens - MFT</li>
<li>24mm (35mm Equivalent)</li>
<li>Approximate f/128 Apeture</li>
<li>Protective Glass Covering</li>
<li>Nearly Infinite Depth of Field</li>
</ul>
APO HyperPrime CINE APO50PL
SLR-APO50PL
APO HyperPrime Cine 50mm T2.1 Lens
SLR Magic
<p>The APO HyperPrime CINE APO50PL is a fast prime Lens aimed at professional cinematographers.<br /><br />When taking pictures with many image-dominant, open light sources, it is common for correction defects to show up. However, because the APO HyperPrime CINE APO50PL is an apochromatic (APO) lens, longitudinal chromatic aberrations are corrected by its unique optical design and selection of optical elements. The colour defects are therefore significantly lower than the defined limits. Bright / dark transitions in the image and especially highlights, are rendered with no colourful artifacts. Thanks to the low level of longitudinal chromatic aberration, there are no visible aberrations. So an illuminated portrait scene by night with many light sources in front of and behind the actual focal plane appears close to reality, without displaying complementary, colour contrast edges.<br /><br />The superior performance delivered by the APO HyperPrime CINE APO50PL is consistent for all shooting distances. Its high performance with an open aperture also makes this lens a great choice for portraits or close-ups.<br /><br />Features a completely new optical and mechanical design, which has been developed to take into account the special and increasing demands of high-resolution cameras including those with 4K and 6K sensors.<br /><br />The APO HyperPrime CINE lens series come standard in PL mount and can be easily adapted to numerous camera systems. Optional mount adapters include PL-mFT adapter, PL-E adapter and EF mount conversion adapter. The lenses all feature a standard focus rotation angle of 300 degrees and uniform measurements. This combination makes the lenses ideally suited for professional cinematography.</p>
<ul>
<li>APO HyperPrime Cine 50mm T2.1 Lens</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Image Circle:</strong> 44mm</li>
<li><strong>Available mounts:</strong> PL Mount - Optional PL-mFT, PL-EF, PL-Sony E</li>
<li><strong>Lens Hood:</strong> N/A</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
APO HyperPrime CINE APO85PL
SLR-APO85PL
APO HyperPrime Cine 85mm T2.1 Lens
SLR Magic
<ul>
<li>APO HyperPrime Cine 85mm T2.1 Lens</li>
<li><strong>Aperture:</strong> T2.1 to 22</li>
<li><strong>Image Circle:</strong> 44 mm (full-frame)</li>
<li><strong>Lens Gears:</strong> Gears: 0.8 pitch</li>
<li><strong>Rotation:</strong> 300 degrees</li>
<li><strong>Front Lens Diameter:</strong> 95mm (For Matte Box)</li>
<li><strong>Optional Accessories</strong><br />SLR Magic Titanium PL-mFT adapter<br />SLR Magic Titanium PL-E adapter<br />SLR Magic Titanium EF adapter<br />SLR Magic Titanium NF adapter</li>
</ul>
Anamorphot 2x Adapter Rangefinder Kit
SLR-BUNSLRA50277RFWM
Anamorphot CINE 502XMFT & Rangefinder Kit
SLR Magic
<ul>
<li>Anamorphot Adapter 502X & Rangefinder Kit</li>
<li>2x Anamorphic Squeeze</li>
<li>3.5' Minimum Focus distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
</ul>
<h4>Specifications</h4>
<ul>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Focal length:</strong> 50mm</li>
<li><strong>Maximum Aperture:</strong> T2.8</li>
<li><strong>Suggested aperture setting:</strong> T4-5.6</li>
<li><strong>Format:</strong> 2x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Image Circle:</strong> S35 for 50mm T2.8</li>
<li><strong>Front Filter Thread Size:</strong> 82mm</li>
<li><strong>Lens Coating:</strong> Multicoated</li>
<li><strong>Close Focus Distance:</strong> 1.1 m</li>
<li><strong>Dimensions:</strong> 100mm diameter x 192.5mm length</li>
<li><strong>Weight:</strong> 1360g</li>
</ul>
<h4>Rangefinder</h4>
<ul>
<li>Rangefinder Adapter 77mm</li>
<li>Manual Focus Control</li>
<li>Minimizes Breathing on Still Lenses</li>
<li>For Lenses with 77mm Front Thread</li>
<li>Cine-Style Focus Gear</li>
<li>Calibrated and Marked in Feet</li>
<li>3.5' to Infinity Focus Range</li>
</ul>
<h4>Specifications:</h4>
<ul>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Min focusing distance:</strong> 1.1M</li>
<li><strong>Dimensions:</strong> Length: 24.3mm, Width: 97mm</li>
<li><strong>Weight:</strong> 340g</li>
<li><strong>Fitment:</strong> MF & AF Lenses</li>
<li><strong>Rear filter thead:</strong> 77mm, step down rings can be used to adapt to smaller taking lenses (Not included)</li>
<li><strong>Front filter size:</strong> 82mm</li>
</ul>
<ul>
<li>1x SLR Magic Anamorphot Adapter 2x, 50</li>
<li>1x Front lens cap</li>
<li>1x Back lens cap</li>
<li>1x SLR Rangefinder Adapter (Imperial) 77mm</li>
<li>1x Front lens cap</li>
<li>1x Back lens cap</li>
</ul>
PL-EF Mount Adapter
SLR-PL/EF
PL to EF mount adapter
SLR Magic
<ul>
<li>PL to EF mount adapter</li>
</ul>
<p><small><strong>Please Note</strong>: This adapter only works with SLR Magic Lenses.</small></p>
PL-MFT Mount Adapter
SLR-PL/MFT
PL to mFT mount adapter
SLR Magic
<ul>
<li>PL to MFT mount adapter</li>
</ul>
<p><small><strong>Please Note</strong>: This adapter only works with SLR Magic Lenses.</small></p>
PL-E Mount Adapter
SLR-PL/E
PL to E mount adapter
SLR Magic
<ul>
<li>PL to E mount adapter</li>
</ul>
<p><small><strong>Please Note</strong>: This adapter only works with SLR Magic Lenses.</small></p>
CINE 3512E
SLR-3512FE
CINE 35mm f1.2 Lens - Sony E Mount, Full frame
SLR Magic
<ul>
<li>CINE 35mm f1.2 Lens - Sony E Mount, Full frame</li>
<li>Focus type: Manual</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
CINE 7514FE
SLR-7514FE
CINE 75mm f1.4 Lens - Sony E Mount, Full frame
SLR Magic
<ul>
<li>CINE 75mm f1.4 Lens - Sony E Mount, Full frame</li>
<li>Focus type: Manual</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
84MFT
SLR-0840MFT
8mm F4 Ultra wide-angle lens
SLR Magic
<ul>
<li>Ultra wide-angle lens</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Distance range:</strong> 0.10m to ∞</li>
<li>Manually controlled diaphragm, 7 aperture blades, Lowest value 16</li>
<li><strong>Angle of view:</strong> 108 degrees</li>
<li><strong>Length to bayonet mount:</strong> approx. 41.4mm (approx. 1.63in)</li>
<li><strong>Largest diameter:</strong> approx. 46.1mm (approx. 1.81in)</li>
</ul>
CINE 2514E
SLR-2514FE
25mm F1.4 CINE Lens - Sony E / FE Mount (Full Frame)
SLR Magic
<ul>
<li>25mm F1.4 CINE Lens - Sony E / FE Mount (Full Frame)</li>
<li>Focus type: Manual</li>
<li>Distance range: 0.25m to ∞</li>
<li>Manually controlled diaphragm, 13 aperture blades, Lowest value 16</li>
<li>Angle of view: 108 degrees</li>
<li>Filter Mount: Internal thread for 52mm filters; filter mount does not rotate</li>
<li>Filter adapter (included) for 52mm filters</li>
<li>Largest diameter: approx. 64.64mm (approx. 2.54in)</li>
</ul>
Compact Anamorphot Adapter 40133X
SLR-A40133XC
Compact Anamorphic Adapter 1.33x, 40
SLR Magic
<p>The SLR Magic Anamorphot-40 1.33x Anamorphic Adapter enables you to capture footage with a 2.35:1 aspect ratio on your camera with a 16:9 sensor. This results in an image that out of the camera will look distorted, as if your subjects were stretched taller and thinner than normal. This is easily corrected in post with virtually any modern NLE, creating an image suitable for viewing on wide-screen. The SLR Magic Anamorphot-40 1.33x works with lenses that have a front element physically no larger than 40mm in diameter. For full-frame sensors, SLR Magic recommends that the Anamorphot-40 1.33x be used with 40mm or longer focal length lenses; it is compatible with select wider lenses when using S35 and Micro Four Thirds sensors.</p>
<p>The Anamorphot-40 features adjustable focus marked normal and near. The near adjustment allows you to focus on subjects two feet away; setting the adapter to normal allows you to focus on subjects from three feet to infinity. The Anamorphot-40 mounts to lenses with a non-rotating front and a 52mm front filter thread. This adapter is compatible with full-frame and APS-C camera sensors, and with both automatic and manual focus lenses.</p>
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<ul>
<li>Compact Anamorphot Adapter 1.33x, 40</li>
<li>1.33x Anamorphic Squeeze</li>
<li>Creates 2.35:1 Images on 16:9 Sensors</li>
<li>Focus range: Normal mode 3ft – infinity | Near mode 2ft</li>
<li>Mounts to Lenses with 52mm Front Thread</li>
<li>Front filter thread: 62mm</li>
<li>Rear filter thread: 52mm</li>
<li>Length: approx.: 4.41mm (approx. 1.74in)</li>
<li>Largest diameter: approx. 75.00mm (approx. 2.95in)</li>
<li>Weight: 250g (8.89oz)</li>
</ul>
LSA15
SLR-LSA15
Bar Adapter Lens Support
SLR Magic
<ul>
<li>Bar Adapter Lens Support</li>
<li>Attaches to 15mm Rod Support</li>
<li>For use with large lenses</li>
<li>Height adjustable to fit any lens</li>
</ul>
CINE 1828FE
SLR-1828FE
CINE 18mm F2.8 Lens - Sony E Mount, Full frame
SLR Magic
<p>Whether shooting in cramped quarters, in front of vast landscapes, or any other situation where an ultra-wide field of view is required, the <strong>SLR Magic CINE 18mm f/2.8 Lens</strong> will have you covered. Its fully mechanical design is robust, lightweight, and reliable. Its light weight and naturally wide depth-of-field makes this lens a great choice for stabilizer or gimbal work. The 0.8 MOD gearing on both the focus and iris lenses ensures connectivity with follow focuses and lens motors. Further reducing the weight of your rig, 62mm front filter threads allow for mounting standard photographic filters rather than using a potentially heavy matte box.</p>
<ul>
<li>CINE 18mm F2.8 Lens - Sony E Mount, Full frame</li>
<li>Focus type: Manual</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
MicroPrime CINE 2515E
SLR-MP25E
25mm T1.5 MicroPrime CINE Lens - E Mount
SLR Magic
<p>The SLR Magic MicroPrime CINE lenses are designed to be compact and robust for use in a professional setting. The MicroPrime CINE lenes have a large image circle that covers up to full frame. Witness markings on the lenses are all calibrated for accuracy professional use on the field. Each lens is balanced in a similar weight distribution so that recalibration is not required during switching lenses when using a 3-axis gimbal. Lens gears are built-in with a throw slightly longer than photographic lenses but at the same time manageable when a motorized follow focus is not used. Each lens features internal focusing mechanism and comes with a standard 85mm diameter suitable for matte box use. In the situation where a smaller setup is required, each lenses also comes with a 82mm filter thread for use with 82mm Fixed ND filters.</p>
<ul>
<li>25mm T1.5 MicroPrime CINE Lens - E Mount</li>
<li><strong>Image Circle:</strong> θ44</li>
</ul>
MicroPrime CINE 3513E
SLR-MP35E
35mm T1.3 MicroPrime CINE Lens - E Mount
SLR Magic
<p>The SLR Magic MicroPrime CINE lenses are designed to be compact and robust for use in a professional setting. The MicroPrime CINE lenes have a large image circle that covers up to full frame. Witness markings on the lenses are all calibrated for accuracy professional use on the field. Each lens is balanced in a similar weight distribution so that recalibration is not required during switching lenses when using a 3-axis gimbal. Lens gears are built-in with a throw slightly longer than photographic lenses but at the same time manageable when a motorized follow focus is not used. Each lens features internal focusing mechanism and comes with a standard 85mm diameter suitable for matte box use. In the situation where a smaller setup is required, each lenses also comes with a 82mm filter thread for use with 82mm Fixed ND filters.</p>
<ul>
<li>35mm T1.3 MicroPrime CINE Lens - E Mount</li>
<li><strong>Image Circle:</strong> θ44</li>
</ul>
MicroPrime CINE 5012E
SLR-MP50E
50mm T1.2 MicroPrime CINE Lens - E Mount
SLR Magic
<p>The SLR Magic MicroPrime CINE lenses are designed to be compact and robust for use in a professional setting. The MicroPrime CINE lenes have a large image circle that covers up to full frame. Witness markings on the lenses are all calibrated for accuracy professional use on the field. Each lens is balanced in a similar weight distribution so that recalibration is not required during switching lenses when using a 3-axis gimbal. Lens gears are built-in with a throw slightly longer than photographic lenses but at the same time manageable when a motorized follow focus is not used. Each lens features internal focusing mechanism and comes with a standard 85mm diameter suitable for matte box use. In the situation where a smaller setup is required, each lenses also comes with a 82mm filter thread for use with 82mm Fixed ND filters.</p>
<ul>
<li>50mm T1.2 MicroPrime CINE Lens - E Mount</li>
<li><strong>Image Circle:</strong> θ44</li>
</ul>
MicroPrime CINE 7515E
SLR-MP75E
75mm T1.5 MicroPrime CINE Lens - E Mount
SLR Magic
<p>The SLR Magic MicroPrime CINE lenses are designed to be compact and robust for use in a professional setting. The MicroPrime CINE lenes have a large image circle that covers up to full frame. Witness markings on the lenses are all calibrated for accuracy professional use on the field. Each lens is balanced in a similar weight distribution so that recalibration is not required during switching lenses when using a 3-axis gimbal. Lens gears are built-in with a throw slightly longer than photographic lenses but at the same time manageable when a motorized follow focus is not used. Each lens features internal focusing mechanism and comes with a standard 85mm diameter suitable for matte box use. In the situation where a smaller setup is required, each lenses also comes with a 82mm filter thread for use with 82mm Fixed ND filters.</p>
<ul>
<li>75mm T1.5 MicroPrime CINE Lens - E Mount</li>
<li><strong>Image Circle:</strong> θ44</li>
</ul>
Hood for Anamorphot CINE Lens
SLR-HD
Anamorphic CINE Lens Hood Adapter for 114mm Mattebox Use
SLR Magic
<ul>
<li>Anamorphot CINE Lens Hood Adapter for 114mm Mattebox Use</li>
<li>Designed for 1.33x & 2x Anamorphot-CINE Primes</li>
<li>Clamp-On Attachment</li>
<li>Use as Mattebox Adapter</li>
<li>Cut-Out for Follow Focus Access</li>
</ul>
39mm Image Enhancer Pro Filter
SLR-39IEP
39mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>39mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
43mm Image Enhancer Pro Filter
SLR-43IEP
43mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>43mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
Fixed ND filters Set - 1-5 Stops
SLR-82FND1-5
82mm Fixed ND filters Set - 1-5 Stops
SLR Magic
<ul>
<li>82mm Fixed Neutral Density Filter Set - 1-5 Stops</li>
<li>Will not vignette green, magenta or cyan at wide angles</li>
<li>Suppresses far red along with visible light to avoid issues of colour shift and far red pollution when higher density ND is used</li>
</ul>
<h4>Kit includes</h4>
<ul>
<li>0.3 (1 Stop)</li>
<li>0.6 (2 Stop)</li>
<li>0.9 (3 Stop)</li>
<li>1.2 (4 Stop)</li>
<li>1.5 (5 Stop)</li>
</ul>
46mm Image Enhancer Pro Filter
SLR-46IEP
46mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>46mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
49mm Image Enhancer Pro Filter
SLR-49IEP
49mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>49mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
52mm Image Enhancer Pro Filter
SLR-52IEP
52mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>52mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
Fixed ND filters Set - 6-10 Stops
SLR-82FND6-10
82mm Fixed ND filters Set - 6-10 Stops
SLR Magic
<ul>
<li>82mm Fixed Neutral Density Filter Set - 6-10 Stops</li>
<li>Will not vignette green, magenta or cyan at wide angles</li>
<li>Suppresses far red along with visible light to avoid issues of colour shift and far red pollution when higher density ND is used</li>
</ul>
<h4>Kit includes</h4>
<ul>
<li>1.8 (6 Stop)</li>
<li>2.1 (7 Stop)</li>
<li>2.4 (8 Stop)</li>
<li>2.7 (9 Stop)</li>
<li>3.0 (10 Stop)</li>
</ul>
58mm Image Enhancer Pro Filter
SLR-58IEP
58mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>58mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
62mm Image Enhancer Pro Filter
SLR-62IEP
62mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>62mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
67mm Image Enhancer Pro Filter
SLR-67IEP
67mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>67mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
72mm Image Enhancer Pro Filter
SLR-72IEP
72mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>72mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
77mm Image Enhancer Pro Filter
SLR-77IEP
77mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>77mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
82mm Image Enhancer Pro Filter
SLR-82IEP
82mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>82mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
86mm Image Enhancer Pro Filter
SLR-86IEP
86mm Ultraviolet and Infrared Control Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>86mm front filter threads allow use with other filters to protect front surface or combine with other effects</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>Does not require adjustments to exposure while in use</li>
<li>Forty-two layers of interference coatings on front surface and eight layers on rear surface limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Constructed from Water White glass for increased optical clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
86mm Image Enhancer ND Filter
SLR-86IEND4
86mm Image Enhancer 1.2 Neutral Density Filter
SLR Magic
<ul>
<li>Suppresses ultraviolet light waves, reducing bluish cast of daylight when recording video or still photos</li>
<li>Useful with CCD or CMOS sensors to filter out infrared light pollution that cause color shifts frequently associated with high-definition recording with multi-stop neutral-density filters</li>
<li>1.2 neutral density filter effect darkens the image, allowing you to photograph with a longer shutter speed or wider aperture than normally required</li>
<li>Providing a 4-stop exposure reduction, this filter allows you to control depth of field and convey movement more easily</li>
<li>Interference coatings limits light that falls on a digital camera sensor to the visible spectrum</li>
<li>Nano coating offers protection to the filter substrate and results in an improved beading effect when in contact with water for greater cleaning efficiency</li>
<li>Can be used on top of a separately available SLR Magic Self-Locking Variable Neutral Density 0.4 to 1.8 Filter that features 86mm front filter threads to obtain a 5.3 to 10-stop exposure reduction</li>
<li>Constructed from optical glass for clarity</li>
<li>Aluminum-alloy filter ring is durable while remaining lightweight</li>
</ul>
Anamorphot Adapter 65133X
SLR-A65133X
1.33x, 65 Anamorphic adapter
SLR Magic
<p>The Anamorphot 1.33x – 65 anamorphic adapter accommodates lenses with a front element size of up to 65mm and has a rear thread size of 82mm.</p>
<p>Because the adapter features an internal focus design, the overall housing maintains the same size while focusing and front diameter can accomodate any industry 114mm clamp-on matte box.</p>
<p>The addition of a front thread will allow the use of screw in filters and diopters.</p>
<p>The Anamorphot 1.33x – 65 is incredibly versatile, adaptable to a wide range of prime lenses and zooms but still compact in size and form factor.</p>
<p>The Anamorphot 1,33x-65 is compatible with a larger variety of camera and lens packages, including SLR Magic <a href="/search/microprime">MicroPrime</a> lenses.</p>
<p>Also, the anamorphic adapter is compatible with popular Fujinon MK 50-135mm T2.9 zoom lenses, mounting directly to a 82mm thread.<br />When mounted on a Fujinon MK 50-135mm, the integration of the adapter appears like a single unit.</p>
<p>Using costly or vintage lenses for anamorphic shooting has not always been reliable, or achieves the best results. By combining anamorphic fundamentals, current technology and precision optics, SLR Magic provide a reliable solution for anamorphic shooters without compromising quality.</p>
<p>Trying to achieve a true anamorphic “look” in post cannot be emulated or faked. By cropping a standard 16:9 aspect ratio using a spherical lens, it discards 25% resolution of the overall image. Using the SLR Magic 1,33x-65 will preserve all pixels from the sensor and give you 33% more optical resolution and field of view from the camera. Additionally, the close focus distance for the 1.33x-65 is 4 feet.</p>
<ul>
<li>1.33x, 65 Anamorphic adapter</li>
<li><strong>Lens Type:</strong> Anamorphic adapter</li>
<li><strong>Front diameter for Matte Box:</strong> Φ114</li>
<li><strong>Objective front filter thread:</strong> Φ112</li>
<li><strong>Objective rear filter thread:</strong> Φ82</li>
<li><strong>Lens Coating:</strong> Multi Coated</li>
<li><strong>Close Focus:</strong> dependent on taking lens compatibility</li>
<li><strong>Weight:</strong> 780g</li>
</ul>
APL-E Mount Adapter
SLR-APL-E
PL to E mount adapter - Aluminium
SLR Magic
<ul>
<li>PL to E mount adapter - Aluminium</li>
</ul>
<p><small><strong>Please Note</strong>: This adapter only works with SLR Magic Lenses.</small></p>
APL-EF Mount Adapter
SLR-APL-EF
PL to EF mount adapter - Aluminium
SLR Magic
<ul>
<li>PL to EF mount adapter - Aluminium</li>
</ul>
<p><small><strong>Please Note</strong>: This adapter only works with SLR Magic Lenses.</small></p>
APL-MFT Mount Adapter
SLR-APL-MFT
PL to mFT mount adapter - Aluminium
SLR Magic
<ul>
<li>PL to mFT mount adapter - Aluminium</li>
</ul>
<p><small><strong>Please Note</strong>: This adapter only works with SLR Magic Lenses.</small></p>
APO HyperPrime CINE APO32PL
SLR-APO32PL
APO HyperPrime Cine 32mm T2.1 Lens
SLR Magic
<p>A new addition to the APO hyper primes the 32mm T2.1 lens, manufactured to the highest standard to deliver outstanding images in all lighting conditions. Longitudinal chromatic aberrations, colour fringing and colour defects are extremely well controlled. The optical specification precisely engineered mechanical design and 300-degree focus angle rotation makes these lenses suitable for high-resolution 4K, 5K and 6K cameras. The APO-HyperPrime CINE lens series comes standard in PL mount and can be easily adapted to numerous camera mounts using the new SLR Magic aluminium PL adapters.</p>
<ul>
<li>APO HyperPrime Cine 32mm T2.1 Lens</li>
<li><strong>Image Circle:</strong> 44 mm (full-frame)</li>
<li><strong>Lens Gears and Rotation Gears:</strong> 0.8 pitch</li>
<li><strong>Rotation:</strong> 300 degrees</li>
<li><strong>Front Lens Diameter:</strong> 95mm (For Matte Box)</li>
<li><strong>Optional Accessories</strong><br />SLR Magic Titanium or Aluminium PL-mFT adapter<br />SLR Magic Titanium or AluminiumPL-E adapter<br />SLR Magic Titanium or Aluminium EF adapter<br />SLR Magic Titanium or Aluminium NF adapter</li>
</ul>
MicroPrime CINE 1828E
SLR-MP18E
18mm T2.8 MicroPrime CINE Lens - E Mount
SLR Magic
<ul>
<li>18mm T2.8 MicroPrime CINE Lens - E Mount</li>
</ul>
CINE 5011FEII
SLR-5011FEII
50mm F1.1 CINE Lens - Sony E / FE Mount (Full Frame)
SLR Magic
<ul>
<li>50mm F1.1 CINE Lens</li>
<li>Sony E / FE Mount</li>
<li>Focus type: Manual</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
MicroPrime CINE 1535E
SLR-MP15E
15mm T3.5 MicroPrime CINE Lens - E Mount
SLR Magic
<ul>
<li>15mm T3.5 MicroPrime CINE Lens - E Mount</li>
<li><strong>Image Circle</strong>: 44mm</li>
</ul>
MicroPrime CINE 1228E
SLR-MP12E
12mm T2.8 MicroPrime CINE Lens - E Mount
SLR Magic
<ul>
<li>12mm T2.8 MicroPrime CINE Lens - E Mount</li>
<li>Image Circle: 44mm</li>
</ul>
MicroPrime CINE 1228MFT
SLR-MP12MFT
12mm T2.8 MicroPrime CINE Lens - MFT Mount
SLR Magic
<ul>
<li>12mm T2.8 MicroPrime CINE Lens - MFT Mount</li>
<li>Image Circle: 44mm</li>
</ul>
MicroPrime CINE 7515X
SLR-MP75X
75mm T1.5 MicroPrime CINE Lens - X Mount
SLR Magic
<ul>
<li>75mm T1.5 MicroPrime CINE Lens - X Mount</li>
<li>Image Circle: θ44</li>
</ul>
MicroPrime CINE 1828MFT
SLR-MP18MFT
18mm T2.8 MicroPrime CINE Lens - MFT Mount
SLR Magic
<ul>
<li>18mm T2.8 MicroPrime CINE Lens - MFT Mount</li>
<li>compact and robust</li>
</ul>
MicroPrime CINE 1228X
SLR-MP12X
12mm T2.8 MicroPrime CINE Lens - X Mount
SLR Magic
<ul>
<li>12mm T2.8 MicroPrime CINE Lens - X Mount</li>
<li>Image Circle 44mm</li>
</ul>
MicroPrime CINE 5012X
SLR-MP50X
50mm T1.2 MicroPrime CINE Lens - X Mount
SLR Magic
<ul>
<li>MicroPrime CINE 5012X</li>
<li><strong>Image Circle:</strong> θ44</li>
</ul>
MicroPrime CINE 3513X
SLR-MP35X
35mm T1.3 MicroPrime CINE Lens - X Mount
SLR Magic
<ul>
<li>35mm T1.3 MicroPrime CINE Lens - X Mount</li>
<li><strong>Image Circle:</strong> θ44</li>
</ul>
MicroPrime CINE 2515X
SLR-MP25X
25mm T1.5 MicroPrime CINE Lens - X Mount
SLR Magic
<ul>
<li>25mm T1.5 MicroPrime CINE Lens - X Mount</li>
<li><strong>Image Circle:</strong> θ44</li>
</ul>
MicroPrime CINE 1828X
SLR-MP18X
18mm T2.8 MicroPrime CINE Lens - X Mount
SLR Magic
<ul>
<li>18mm T2.8 MicroPrime CINE Lens - X Mount</li>
</ul>
APO HyperPrime CINE APO32PL Lens with EF Adapter
SLR-APO32PL-EF
APO HyperPrime Cine 32mm T2.1 Lens with PL-EF Adapter
SLR Magic
<p>A new addition to the APO hyper primes the 32mm T2.1 lens, manufactured to the highest standard to deliver outstanding images in all lighting conditions. Longitudinal chromatic aberrations, colour fringing and colour defects are extremely well controlled. The optical specification precisely engineered mechanical design and 300-degree focus angle rotation makes these lenses suitable for high-resolution 4K, 5K and 6K cameras. The APO-HyperPrime CINE lens series comes standard in PL mount and can be easily adapted to numerous camera mounts using the new SLR Magic aluminium PL adapters.</p>
<ul>
<li>APO HyperPrime Cine 32mm T2.1 Lens</li>
<li><strong>Image Circle:</strong> 44 mm (full-frame)</li>
<li><strong>Lens Gears and Rotation Gears:</strong> 0.8 pitch</li>
<li><strong>Rotation:</strong> 300 degrees</li>
<li><strong>Front Lens Diameter:</strong> 95mm (For Matte Box)</li>
<li><strong>Optional Accessories</strong><br />SLR Magic Titanium or Aluminium PL-mFT adapter<br />SLR Magic Titanium or AluminiumPL-E adapter<br />SLR Magic Titanium or Aluminium EF adapter<br />SLR Magic Titanium or Aluminium NF adapter</li>
</ul>
APO HyperPrime CINE APO50PL with EF Adapter
SLR-APO50PL-EF
APO HyperPrime Cine 50mm T2.1 Lens with PL-EF Adapter
SLR Magic
<p>The APO HyperPrime CINE APO50PL is a fast prime Lens aimed at professional cinematographers.<br /><br />When taking pictures with many image-dominant, open light sources, it is common for correction defects to show up. However, because the APO HyperPrime CINE APO50PL is an apochromatic (APO) lens, longitudinal chromatic aberrations are corrected by its unique optical design and selection of optical elements. The colour defects are therefore significantly lower than the defined limits. Bright / dark transitions in the image and especially highlights, are rendered with no colourful artifacts. Thanks to the low level of longitudinal chromatic aberration, there are no visible aberrations. So an illuminated portrait scene by night with many light sources in front of and behind the actual focal plane appears close to reality, without displaying complementary, colour contrast edges.<br /><br />The superior performance delivered by the APO HyperPrime CINE APO50PL is consistent for all shooting distances. Its high performance with an open aperture also makes this lens a great choice for portraits or close-ups.<br /><br />Features a completely new optical and mechanical design, which has been developed to take into account the special and increasing demands of high-resolution cameras including those with 4K and 6K sensors.<br /><br />The APO HyperPrime CINE lens series come standard in PL mount and can be easily adapted to numerous camera systems. Optional mount adapters include PL-mFT adapter, PL-E adapter and EF mount conversion adapter. The lenses all feature a standard focus rotation angle of 300 degrees and uniform measurements. This combination makes the lenses ideally suited for professional cinematography.</p>
<ul>
<li>APO HyperPrime Cine 50mm T2.1 Lens</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Image Circle:</strong> 44mm</li>
<li><strong>Available mounts:</strong> PL Mount - Optional PL-mFT, PL-EF, PL-Sony E</li>
<li><strong>Lens Hood:</strong> N/A</li>
</ul>
<ul>
<li>Lens</li>
<li>Lens cap</li>
<li>Lens back cap</li>
</ul>
APO HyperPrime CINE APO85PL Lens with EF Adapter
SLR-APO85PL-EF
APO HyperPrime Cine 85mm T2.1 Lens with PL-EF Adapter
SLR Magic
<ul>
<li>APO HyperPrime Cine 85mm T2.1 Lens</li>
<li><strong>Aperture:</strong> T2.1 to 22</li>
<li><strong>Image Circle:</strong> 44 mm (full-frame)</li>
<li><strong>Lens Gears:</strong> Gears: 0.8 pitch</li>
<li><strong>Rotation:</strong> 300 degrees</li>
<li><strong>Front Lens Diameter:</strong> 95mm (For Matte Box)</li>
<li><strong>Optional Accessories</strong><br />SLR Magic Titanium PL-mFT adapter<br />SLR Magic Titanium PL-E adapter<br />SLR Magic Titanium EF adapter<br />SLR Magic Titanium NF adapter</li>
</ul>
Anamorphot CINE 35133PL with EF Adapter
SLR-AC35133PL-EF
Anamorphic CINE Lens 1.33x 35mm T2.4 - PL with PL-EF Adapter
SLR Magic
<p>The ANAMORPHOT-CINE 35mm T2.4 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 35mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.4.</p>
<p>The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case.</p>
<ul>
<li>35mm T2.4 Lens for S35 Sensors</li>
<li>1.33x Anamorphic Squeeze</li>
<li>2.0x Anamorphic Mask</li>
<li>3.5' Minimum Focus Distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>Hard Case Included</li>
<li>Titanium PL Mount - compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapter</li>
<li><strong>Lens Coating: </strong>Multicoated</li>
<li><strong>Image Circle: </strong>S35 for 35mm T2.4 (5.5K on DRAGON)</li>
<li><strong>Format: </strong>1.33x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Suggested aperture setting: </strong>T4-5.6</li>
<li><strong>Focus type: </strong>Manual</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 35mm T2.4 1.33x Anamorphic lens - PL Mount</li>
<li>Lens Caps</li>
<li>Lens hood adapter</li>
<li>Hard Transport Case</li>
</ul>
Anamorphot CINE 50133PL with EF Adapter
SLR-AC50133PL-EF
Anamorphic CINE Lens 1.33x 50mm T2.8 - PL with PL-EF Adapter
SLR Magic
<p>The ANAMORPHOT-CINE 50mm T2.8 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. The 50mm PL mount Features a Full frame image circle. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series.</p>
<p>The 50mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T2.8. The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case.</p>
<ul>
<li>50mm T2.8 Lens for Full Frame Sensors</li>
<li>1.33x Anamorphic Squeeze</li>
<li>2.0x Anamorphic Mask</li>
<li>3.5' Minimum Focus Distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>Hard Case Included</li>
<li>Titanium PL Mount - compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapter</li>
<li><strong>Focus type: </strong>Manual</li>
<li><strong>Suggested aperture setting: </strong>T4-5.6</li>
<li><strong>Format: </strong>1.33x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Image Circle: </strong>FF for 50mm T2.8 (8K on WEAPON)</li>
<li><strong>Lens Coating: </strong>Multicoated</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 50mm T2.8 1.33x Anamorphic lens - PL Mount</li>
<li>Lens Caps</li>
<li>Lens hood adapter</li>
<li>Hard Transport Case</li>
</ul>
Anamorphot CINE 70133PL with EF Adapter
SLR-AC70133PL-EF
Anamorphic CINE Lens 1.33x 70mm T4 - PL with PL-EF Adapter
SLR Magic
<p>The ANAMORPHOT-CINE 70mm T4 PL MOUNT is a 1.33x horizontal squeeze Anamorphic lens for PL mount cameras. The 70mm PL mount features a Full frame image circle. SLR Magic are known for their fast prime cine lenses and Anamorphic lens adapters, and have combined the two to create the new dedicated anamorphic lens series. The 70mm 1.33x Anamorphot-CINE Lens delivers a complete, one piece, anamorphic lens with a maximum aperture of T4.</p>
<p>The lens features geared focus and aperture rings, minimum focus distance of 1.1m, and 82mm front filter thread allows you to screw in filters, and dioptres to reduce the minimum focus distance. Please note that the front of the lens rotates as you focus, which may affect your choice of matte box. Included with the lens is a hard transport case.</p>
<ul>
<li>70mm T4 Lens for Full Frame Sensors</li>
<li>1.33x Anamorphic Squeeze</li>
<li>2.0x Anamorphic Mask</li>
<li>3.5' Minimum Focus Distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>Hard Case Included</li>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Suggested aperture setting:</strong> T4-5.6</li>
<li><strong>Format:</strong> 1.33x Horizontal Squeeze Anamorphic lens</li>
<li>Titanium PL Mount - compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapter</li>
<li><strong>Image Circle:</strong> FF for 70mm T4 (8K on WEAPON)</li>
<li><strong>Lens Coating:</strong> Multicoated</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 70mm T4 1.33x Anamorphic lens -PL Mount</li>
<li>Lens Caps</li>
<li>Lens hood adapter</li>
<li>Hard Transport Case</li>
</ul>
Anamorphot CINE 133PLSET with EF Adapter
SLR-AC133PLSET-EF
Anamorphic CINE 1.33x 3 Lens Set - PL with PL-EF Adapter
SLR Magic
<p>The 3 piece Anamorphot CINE Lens Set (35/50/70) in PL MOUNT is a special three piece Anamorphic lens set for PLmount cameras, with 1.33x Horizontal Squeeze. <br />Contains the following PL MOUNT Anamorphic lenses:</p>
<ul>
<li>ANAMORPHOT-CINE 35mm T2.4</li>
<li>ANAMORPHOT-CINE 50mm T2.8</li>
<li>ANAMORPHOT-CINE 70mm T4</li>
</ul>
<ul>
<li>35mm Lens for S35 Sensors</li>
<li>50mm and 70mm Lenses Cover Full Frame</li>
<li>1.33x Anamorphic Squeeze</li>
<li>2.0x Anamorphic Mask</li>
<li>3.5' Minimum Focus Distance</li>
<li>Geared Focus and Iris Rings</li>
<li>82mm Front Filter Thread</li>
<li>3 Lens Hard Case Included</li>
<li>Titanium PL Mount - compatible with optional SLR Magic EF/F/mFT/E-mount Titanium adapter</li>
<li><strong>Focus type: </strong>Manual</li>
<li><strong>Suggested aperture setting: </strong>T4-5.6</li>
<li><strong>Format: </strong>1.33x Horizontal Squeeze Anamorphic lens</li>
<li><strong>Image Circle: </strong>S35 for 35mm T2.4 (5.5K on DRAGON), FF for 50mm T2.8 (8K on WEAPON), FF for 70mm T4 (8K on WEAPON)</li>
<li><strong>Lens Coating: </strong>Multicoated</li>
</ul>
<ul>
<li>ANAMORPHOT-CINE 35mm T2.4</li>
<li>ANAMORPHOT-CINE 50mm T2.8</li>
<li>ANAMORPHOT-CINE 70mm T4</li>
<li>Lens Caps</li>
<li>3 Lens hood adapters</li>
<li>3 Lens Hard Case</li>
</ul>
Anamorphot Adapter 1.8 Achromatic Diopter Kit
SLR-BUNSLRA+D5018
A50133X Anamorphic Adapter and Achromatic Diopter 1.8
SLR Magic
<p>This kit includes the SLR Magic anamorphic attachment and achromatic diopter useful for creating shots with wide cinematic vistas and getting that anamorphic effect. The Anamorphot 1.33x - 50 provides you with an image with a 2.35:1 aspect ratio when used on an optional compatible lens mounted on a camera with a 16:9 sensor. The trade-off in using an anamorphic attachment is often a loss in close focus capability.</p>
<p><strong>Anamorphot 1.33X - 50 Anamorphic Lens Attachment</strong></p>
<p>Creating a widescreen 2.35:1 image using a camera with a 16:9 (1.78:1) sensor requires you to either crop the image or use an anamorphic lens attachment such as the SLR Magic Anamorphot 1.33X - 50 Anamorphic Lens Attachment. The SLR Magic adapter features a 1.33x anamorphic element that allows you to use the your cameras entire 16:9 sensor to get a 2.35:1 aspect ratio, as opposed to throwing away information by cropping the 16:9 sensor to achieve an image with a 2.35:1 ratio. Cropping an image causes a loss in resolution, but the Anamorphot 1.33x - 50 is actually squeezing more information onto your sensor. This does result in your recorded footage having the classic tall/thin squeezed image. However, this is easily expanded to a 2.35:1 aspect ratio in most NLE systems, and cameras with variable display adjustments allows you to stretch your image in the viewfinder.</p>
<p>The Anamorphot mounts onto your taking lens and features three locking screws that you tighten to secure the adapter once you have aligned it on your taking lens. Please note you can only use the Anamorphot on lenses with a non-rotating front, otherwise the anamorphic effect will rotate as you change focus. The Anamorphot's native mounting thread size is 62mm and will mount directly to lenses that feature 62mm filter threading. The included three step-down rings allow you to mount the attachment on optional lenses with a 49, 52, or 58mm front thread. You can use the adapter on lenses that feature a front filter thread larger than 62mm by using optional step-up rings, however optimum results are not guaranteed, and SLR magic recommends using the adapter on lenses with a front element that is physically smaller than 50mm in diameter. The Anamorphot features a Normal/Near adjustment setting. SLR Magic recommends setting the adapter to Normal, and only adjusting the setting to Near when shooting objects closer than 6.5 feet.</p>
<h4>Anamorphic Effect</h4>
<p>The front mounted anamorphic attachment provides the classic anamorphic look and effect to your footage.</p>
<p>The Normal/Near adjustments ring allows you to fine-tune the focus of your lens for shooting subjects closer than 6.5 feet.</p>
<p>The Anamorphot can be fine tuned to exactly align the anamorphic effect horizontally.</p>
<p>The front of the Anamorphot features a 77mm filter thread.</p>
<p><strong>Suggested Taking Lens Based on Sensor Size</strong></p>
<ul>
<li>17-85mm focal length can be used for S16 sensor.</li>
<li>20-85mm focal length can be used for MFT sensor.</li>
<li>35-85mm focal length can be used for S35 and APS-C sensor.</li>
<li>40-85mm focal length can be used for Full Frame sensor.</li>
</ul>
<p><strong>Recommended Maximum Aperture Values</strong></p>
<ul>
<li>f/2.8 for 20 to 50mm focal lengths</li>
<li>f/4.0 for 55 to 85mm focal lengths</li>
<li>f/5.6 for 90 to 135mm focal lengths</li>
</ul>
<p><strong>Achromatic Diopter 1.8</strong></p>
<p>Advanced achromatic diopters are designed to provide greater close-up and magnification capability. Particularily suited to zoom video lenses, maintaining zoom capabilities without compromising image quality.</p>
<p>An Achromatic Diopter is essential whenever it is necessary to focus tightly on a small subject with a long lens - in tabletop, miniature and flat field photography.</p>
<p>Reduced working distance offers a range of shooting possibilities. Exceptional, crisp cinematography of small objects like jewellery is now possible.</p>
<ul>
<li>A50133X Anamorphic Adapter and Achromatic Diopter 1.8</li>
<li>1.33x Anamorphic Squeeze</li>
<li>Creates 2.35:1 Images on 16:9 Sensor</li>
<li>Near / Normal Focus Adjustment</li>
<li>Includes Three Step-Up Rings</li>
</ul>
<h4>Specifications</h4>
<ul>
<li><strong>Focus type:</strong> Manual</li>
<li><strong>Format:</strong> 1.33x</li>
<li><strong>Thread diamater:</strong> 77mm</li>
<li><strong>Weight:</strong> 380g</li>
</ul>
<h4>Achromatic Diopter 1.8</h4>
<ul>
<li>77mm Achromatic Diopter 1.8</li>
<li>Close Focus Adapter</li>
<li>77mm Filter Ring Thread</li>
<li>Anti-Reflective Multi-Coating</li>
<li>Supports SLR Magic Anamorphot Adapters</li>
</ul>
<h4>SPECIFICATIONS</h4>
<ul>
<li><strong>Magnification:</strong> +1.8</li>
<li><strong>Thread diamater:</strong> 77mm</li>
<li><strong>Dimensions:</strong> 77mm</li>
<li><strong>Weight:</strong> 155g</li>
</ul>
<ul>
<li>Anamorphot 1.33x Anamorphic Adapter</li>
<li>49mm Step Up Ring</li>
<li>52mm Step Up Ring</li>
<li>58mm Step Up Ring</li>
<li>+1.8 Diopter</li>
<li>Case</li>
</ul>
MicroPrime CINE 2515MFT
SLR-MP25MFT
25mm T1.5 MicroPrime CINE Lens - MFT Mount
SLR Magic
<ul>
<li>25mm T1.5 MicroPrime CINE Lens - MFT Mount</li>
<li>Clickless Iris Ring</li>
<li>Consistent Lens Gear Placement</li>
</ul>
MicroPrime CINE 2116MFT
SLR-MP21MFT
21mm T1.6 MicroPrime CINE Lens - MFT Mount
SLR Magic
<ul>
<li>21mm T1.6 MicroPrime CINE Lens - MFT Mount</li>
<li>Image Circle: θ32</li>
</ul>
MicroPrime CINE 5014MFT
SLR-MP50MFT
50mm T1.4 MicroPrime CINE Lens - MFT Mount
SLR Magic
<ul>
<li>50mm T1.4 MicroPrime CINE Lens - MFT Mount</li>
<li>Image Circle: θ32</li>
</ul>
APO MicroPrime CINE APO25EF
SLR-MP25APOEF
APO MicroPrime Cine 25mm T2.1 Lens - EF Mount
SLR Magic
<p>The APO MicroPrime Cine 25mm T2.1 Lens offers apochromatic capture in a lighter-weight, cine-style form. <br />With a 46mm image circle projection, this wider Canon EF-mount lens is suitable for use with 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct colour aberrations often seen in high-contrast images or shots captured with wide-open apertures.</p>
<p>Cine-style focus and iris gears and an internal focus design enable you to pull focus without the length of the lens changing, ideal for use with rod-mounted accessories and matte boxes.</p>
<p>The APO MicroPrime Cine lenses feature 150° of focus rotation, a common 85mm front diameter that eliminates the need for multiple matte box adapter rings and an internal 82mm filter thread.</p>
<ul>
<li>APO MicroPrime Cine 25mm T2.1 Lens - EF Mount</li>
<li>Covers Full-Frame, 46mm Image Circle</li>
<li>Apochromatic Design Limits Aberrations</li>
<li>Lightweight Design, Cine-Style F/I Gears</li>
<li>Suitable for 8K Resolution Sensors</li>
</ul>
APO MicroPrime CINE APO85EF
SLR-MP85APOEF
APO MicroPrime CINE 85mm T2.1 Lens - EF Mount
SLR Magic
<p>The APO MicroPrime Cine 85mm T2.1 Lens offers apochromatic capture in a lighter-weight, cine-style form. <br />With a 46mm image circle projection, this longer Canon EF-mount lens is suitable for use with 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct colour aberrations often seen in high-contrast images or shots captured with wide-open apertures.</p>
<p>Cine-style focus and iris gears and an internal focus design enable you to pull focus without the length of the lens changing, ideal for use with rod-mounted accessories and matte boxes.</p>
<p>The APO MicroPrime Cine lenses feature 150° of focus rotation, a common 85mm front diameter that eliminates the need for multiple matte box adapter rings, and an internal 82mm filter thread.</p>
<ul>
<li>APO MicroPrime CINE 85mm T2.1 Lens - EF Mount</li>
<li>Covers Full-Frame, 46mm Image Circle</li>
<li>Apochromatic Design Limits Aberrations</li>
<li>Lightweight Design, Cine-Style F/I Gears</li>
<li>Suitable for 8K Resolution Sensors</li>
</ul>
APO MicroPrime CINE APO32EF
SLR-MP32APOEF
APO MicroPrime Cine 32mm T2.1 Lens - EF Mount
SLR Magic
<p>The APO MicroPrime Cine 32mm T2.1 Lens offers apochromatic capture in a lighter-weight, cine-style form. <br />With a 46mm image circle projection, this wider Canon EF-mount lens is suitable for use with 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct colour aberrations often seen in high-contrast images or shots captured with wide-open apertures.</p>
<p>Cine-style focus and iris gears and an internal focus design enable you to pull focus without the length of the lens changing, ideal for use with rod-mounted accessories and matte boxes.</p>
<p>The APO MicroPrime Cine lenses feature 150° of focus rotation, a common 85mm front diameter that eliminates the need for multiple matte box adapter rings and an internal 82mm filter thread.</p>
<ul>
<li>APO MicroPrime Cine 32mm T2.1 Lens - EF Mount</li>
<li>Covers Full-Frame, 46mm Image Circle</li>
<li>Apochromatic Design Limits Aberrations</li>
<li>Lightweight Design, Cine-Style F/I Gears</li>
<li>Suitable for 8K Resolution Sensors</li>
</ul>
APO MicroPrime CINE APO50EF
SLR-MP50APOEF
APO MicroPrime CINE 50mm T2.1 Lens - EF Mount
SLR Magic
<p>The APO MicroPrime Cine 50mm T2.1 Lens offers apochromatic capture in a lighter-weight, cine-style form. <br />With a 46mm image circle projection, this Canon EF-mount lens is suitable for use with 8K cameras with high-resolution full-frame sensors. Its apochromatic elements are designed to correct colour aberrations often seen in high-contrast images or shots captured with wide-open apertures.</p>
<p>Cine-style focus and iris gears and an internal focus design enable you to pull focus without the length of the lens changing, ideal for use with rod-mounted accessories and matte boxes.</p>
<p>The APO MicroPrime Cine lenses feature 150° of focus rotation, a common 85mm front diameter that eliminates the need for multiple matte box adapter rings and an internal 82mm filter thread.</p>
<ul>
<li>APO MicroPrime CINE 50mm T2.1 Lens - EF Mount</li>
<li>Covers Full-Frame, 46mm Image Circle</li>
<li>Apochromatic Design Limits Aberrations</li>
<li>Lightweight Design, Cine-Style F/I Gears</li>
<li>Suitable for 8K Resolution Sensors</li>
</ul>
MicroPrime CINE 1715MFT
SLR-MP17MFT
17mm T1.5 MicroPrime CINE Lens - MFT Mount
SLR Magic
<ul>
<li>17mm T1.5 MicroPrime CINE Lens - MFT Mount</li>
<li>Fast wide lens</li>
<li>Compatible with all micro four thirds mount cameras</li>
</ul>
MicroPrime CINE 3515MFT
SLR-MP35MFT
35mm T1.5 MicroPrime CINE Lens - MFT Mount
SLR Magic
<ul>
<li>35mm T1.5 MicroPrime CINE Lens - MFT Mount</li>
<li>Fast telephoto lens</li>
<li>Compatible with all micro four thirds mount cameras</li>
</ul>