HEVC, also known as H.265, is a next-generation compression standard that offers a number of enhancements over H.264. Compared to AVC (H.264) compression, HEVC is 50% more efficient, which translates into maintaining the same video quality at half the bitrate or double the video quality at the same bitrate.
The new Cube 700 and Slice 756 series bring the latest in compression technology at a size and price point never before seen.
Live streaming is now the number one priority. News and even government agencies, houses of worship and health agencies, training and education institutes are all re-doubling their efforts to communicate live with private and public audiences.
H.264 is one of the most ubiquitous acquisition video compression standards on the market. It’s used for everything from capture on a mobile phone to delivery on most web platforms, including social networks such as YouTube and Facebook (live and on-demand). The sheer flexibility of H.264 has resulted in it being one of the most enduring standards to date. It’s still likely to be your primary delivery codec for some time to come.
Live from Sussex and Stockport (via. London) Live Production has always had its own set of challenges, including managing a network of cameras and equipment for a show where there’s no option of a second take. Keeping up with the technology is hard enough, but what if all of this has to be done with presenters that are geographically separated, with an MCR operator that can’t get to the control room. Comprehensive hardware options have existed for years. Portable production units (PPU) combine decoders, switchers, and encoders from manufacturers such as Blackmagic Design, Datavideo, Teradek, and many more into a transport ready solution. Software production is a real solution. It’s designed to give you most of the capabilities of a broadcast unit, in a package that’s installable on a laptop, or as a compact turnkey solution.